Review: "Blue Jean" tackles the horror of the closet

by Cláudio Alves

As Pride Month unfolds, it's always expected to see some queer stories find their way into the release schedule. Blue Jean is a prime example, arriving in American theaters this past weekend after a smashing critical reception in its home country. Georgia Oakley's feature debut dazzled many on its way to four British Independent Film Awards and a BAFTA nomination. The film looks back to Thatcher's England and the threat of Section 28, whose ban on "promoting homosexuality" feels awfully close to recent conservative legislation on both sides of the pond. Not that Blue Jean is especially keen on overt political messaging, making its points within the model of a character study. 

The character in question is the titular Jean, a secondary school PE teacher in 1988 Newcastle, who hides her sexuality in the workplace and most areas of her personal life. Only at night, in the secretive Eden of a gay bar, does she get to be herself…

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Review: A Portuguese Perspective on "Will-o'-the-Wisp"

Will-o'-the Wisp opens tomorrow in the US in limited release

by Cláudio Alves

I love my country's cinema, so it's only logical I would yearn for its appreciation beyond borders. Yet, sometimes that joy comes suffused with a nagging curiosity. Do foreign audiences 'get' these films? Even when they're praised are they lost in cultural mistranslations?  Perhaps that's too narrow a viewpoint that overestimates how closed-off Portuguese cinema is in its specificities. There's a universal appeal to great cinema, audiovisual idioms can transcend national barriers.

Still, I love to talk with non-Portuguese friends about Portuguese cinema they love and find myself learning along the way. Indeed, I'd love to chat about João Pedro Rodrigues' latest, currently enjoying an American release in selected theaters. Even if you don't get all the details of Will-o'-the-Wisp, there's plenty to love, from fireman eroticism to cumshots, musical stylings, and artificiality unleashed. It's an orgasmic blast from beginning to end…

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Cannes: The cowboys of Almodóvar

Elisa Giudici reporting from Cannes

Pedro Pascal and Ethan Hawke as lovers in "Strange Way of Life". © Sony Pictures Classics

After 25 years, two former hired guns meet again in a small town in the Far West. After crossing the desert, Silva (Pedro Pascal) arrives at Bitter Creek where his old friend and ex-lover Jake (Ethan Hawke) has become sheriff. The two share a dinner and then a night of passion, but as they make the bed together (a tender first time in Western movies history, according to the director) hidden meanings, old wounds, and possible hidden agendas on both sides emerge in a heated discussion.

As usual, 30 minutes of Almodovar can be more impactful and memorable than three hour from other auteurs...

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YNMS Double: "Dune Part Two" and "Strange Way of Life"

by Nathaniel R

In case you missed 'em, feast your eyes on newish trailers for two of the most anticipated films of the year. Denis Villeneuve and company return to Arrakis for Dune Part Two and Pedro Almodóvar making his second English-language short film (after the Tilda show The Human Voice), a gay western called Strange Way of Life. Please note that the poster for the latter is basically doing Johnny Guitar cosplay, even if we hadn't already been sold by Almodóvar + Gay Western...

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Drama Desk Nominees + Dorian Awards expand to honor theater

by Nathaniel R

"Shucked" is a hit and leads the Drama Desk Nominations

Are there too many awards groups? We've often bemoaned the ever expanding roster. But, in a stunning feat of hypocrisy I'm personally excited to announce that I'm part of a new group. Or, rather, an already established group expanding to cover something else! So, two things to report. First the Drama Desk Awards (which honor Broadway and Off Broadway productions) and then a new theatrical wing of GALECA: The Society for LGTBQ Entertainment Critics. Several members of Team Experience are part of GALECA but the Dorian Theater Awards are a small subsection of that large group of national critics. In the inaugural year I am excited to be among its 31 charter members. We have covered Broadway (and random theatrical events) on and off over the years here at TFE but we've always wanted to make that a weekly happening so now hopefully we can make that happen.

But first the Drama Desk Nominations...

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