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Entries in LGBTQ+ (167)

Wednesday
Jun082022

Cláudio's Best Shot Pick: Fire Island (2022)

The next episode in our series, 'Hit Me With Your Best Shot,' arrives Thursday night. This week's film is Andrew Ahn's Fire Island, which recently premiered on Hulu. You still have time to participate! In the meantime, here's Cláudio's entry:

For the past decade or so, numerous filmmakers have tried to revive the romantic comedy with varying degrees of success. And yet, it seems that the romcom's heyday will never return. Still, there's plenty of nostalgia for those days gone by when mid-budget projects of this ilk were a mainstay of any studio's output. Nowadays, every such exercise feels like an exception to the rule, a precious rarity, and a throwback. Maybe that's why the modern romcom refuses to stick, as it often comes off as a retrospective homage rather than its own thing. Or else it's too focused on justifying its existence, wanting to appear cool and hip with such alarming vehemence it ends up forgetting the basics that make these movies work.

By centering identities rarely depicted in mainstream cinema, appealing to classic literature tropes, and getting a director with a strong point of view, Fire Island avoids most of these pitfalls. It succeeds where others have stumbled, and even if it doesn't revive the romcom's Golden Age, it's pleasant summer entertainment…

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Friday
May202022

Cannes Diary #3: A stubborn wife, a great grandpa and... a donkey?

by Elisa Giudici

While I was on screening duty, Hollywood glamour was on shift-change with Tom Cruise out and Julia Roberts in. Roberts was here to hand the Chopard Awards to new promises of world cinema (Jack Lowden and Sheila Atim) and to enjoy a marvelous party, as I've heard from friends that witnessed it firsthand. But as for the movies, I am happy to report that on the second day of the competition (the third since opening nightl) we already have a soon-to-be infamous scene with the immense Isabelle Huppert as a momentary protagonist. Some weird festival stuff is coming, brace yourself...

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Wednesday
May182022

Yes No Maybe So: Billy Eichner's gay rom-com "Bros"

by Nathaniel R

You've all heard about Bros by now, surely. It's the first major studio romantic comedy about two men. The first major studio gay male drama was way back in 1982 (Making Love) and it only took another 40 years to get a romantic comedy. So, yes, it truly feels like an event! After the jump at statement from Billy Eichner and we'll talk about the trailer, too...

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Thursday
May122022

Hit Me With Your Best Shot: Happy Together (1997)

by Nathaniel R 

I first saw Wong Kar Wai's Happy Together at an arthouse cinema in Utah where I went to college. Though enthralled by its saturated colors and amazing performances, it left me very depressed. I had only been out for a couple of years, was wildly inexperienced with relationships, and chafed a bit at "sad gays" in the movies. Mostly because they were the only kind of cinematic gays regularly on offer back then. Nevertheless I devoured the "New Queer Cinema" of the 1990s wherever I could find it (i.e. arthouse theaters or Blockbuster rentals). And this particular movie lingered. I thought about it often. Seeing it again in 2022, twenty-five years after its Cannes premiere, it felt brand new. It wasn't... but 25 years of life experience later, it was. It wasn't devoted to gay misery as I'd remembered but merely a fascinating emotionally precise account of a particular romance. Not that the title isn't wildly ironic.

"Starting over means different things to him," is one of the saddest lines ever spoken in a movie and it hits early...

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Tuesday
May102022

Interview: Peeter Rebane on the gay romantic drama "Firebird"

by Nathaniel R

Writer/Director Peeter Rebane (left) and his narrative feature debut "Firebird"

Sometimes timelessness is a curse. We don't neccessarily want period pieces about forbidden oppressed gay romances to feel especially resonate in the now. Neverthless that's what's happened with Firebird. Peeter Rebane's narrative debut, which recently opened in select cities, tells the true story of a gay soldier and his clandestine romance with a fighter pilot in a Russian airforce base in Estonia during the Cold War. The film has been in the works for ten years but in the interim Russian culture has become more virulently anti-gay (stoked by homophobic 'strong-man' Putin) and aggressive about it; please see the tremendous documentary Welcome to Chechnya if you haven't. At the moment Russia is also waging war on Ukraine which adds yet more unexpected charge to the film since one of the two leads playing Russian military men, Oleg Zagorodnii, is Ukrainian. 

When I sat down with the director Peeter Rebane, we talked about all this, as well as co-writing with his openly gay leading actor (Tom Prior), directing sex scenes, and homophobia in former Soviet countries... 

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