Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Mr. Gaga (1)

Tuesday
Jun202017

New to Netflix: Heymann Brothers Double Bill

by Seán McGovern.

Filmmaker brothers Tomer (director) and Barack (producer) Heymann have two documentaries available on Netflix. Mr. Gaga (newly arrived) and (in time for Pride) Who's Gonna Love Me Now?. Though quite different films, Israeli brothers have a distinct knack for getting to the center of their subjects. 

Mr. Gaga details the life and artistry of Israeli choreographer Ohad Naharin, whose voice is just as deep and intense as the work he creates. Staged reconstructions of his work, interviews and reels of footage from his youth bring him to the screen. (Sidebar: Am I the only one who thinks it's amazingly coincidental when documantary subjects have years of home movies?). Docs about dance can often be high in concept but distancing, but Tomer Heymann captures the otherworldliness of the dancer, as well as issues of cultural censorship and the impact of loss. And there's lots of cute Israeli boys dancing. Let's be honest.

Who's Gonna Love Me Now? (available in the USA on Netflix and to rent on the BFI Player in the UK) is truly moving. And while you may be wary about having all the emotions watching, it's a perfect heartwarmer for any queer person who has made their friends their family. After being expelled from his kibbutz aged 21, Saar moved to London where he lived for the next twenty years. But his sexuality and his HIV diagnosis are not things his family know or can understand. The Heymann brothers choose to focus so succinctly on Saar's experience that you have to remind yourself that this is merely a story about someone trying to live his life. Bolstered by the love and support he receives from the London Gay Men's Chorus, Saar makes some changes.

Whatever your experiences of being your true self to your family, there's a universality in remembering that it's not you who changes, but the people around you who must. There are tears. But there are also camp choral classics. It's beautiful.