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Entries in Mr. Smith Goes To Washington (4)

Saturday
Oct172020

Showbiz History: "Mr Smith" Premiere and Happy 40th to Nicholas Britell 

8 random things that happened today, October 17th, in showbiz history

shot of the audience at the jampacked world premiere of "Mr Smith Goes to Washington" (image source)

1920 Montgomery Clift born in Nebraska 100 years ago today. He becomes a professional actor at 15 and a dazzling movie star by 28. We hope you've been watching/reading along our daily Centennial celebration series. We're almost finished and we're proud of it.

1939 Mr Smith Goes to Washington has its world premiere in Washington DC (fitting) before opening in movie theaters two days later.. 

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Monday
Apr272020

Jean Arthur on Criterion

by Cláudio Alves

Charming and witty, Jean Arthur was one of the great actresses of Hollywood's Golden Age. While nowadays she's most famous for her comedic works, Arthur wasn't constricted to only humorous movies, being able to play everything from melodramas to crime pictures. Still, it's easy to see why her comedy talents are her calling card to this day. The actress was able to bring the manic, unstable energy of screwball comedy to all of her movies, imbuing them with an electrifying unpredictability. Like a black hole can bend light, so did Arthur bend the tone of every film she was in, making projects bow to the power of her screen presence and helping them become better, more complicated cinema in the process.

Her filmography is full of greatness. The Criterion Channel is celebrating her enviable resume with a new collection of 16 of her films available to stream. Here are some major highlights from that sterling selection…

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Tuesday
Oct152013

Shutdown Movie-Thon (Week One!)

Reader Takeover Day! The Reader Spotlight is coming back soon but as a special triple treat a few posts over the next 24 hours written by you, the reader. (Well, not you literally). Here is Lynn Lee -- previously reader spotlighted so you'll want to check that out -- who is currently on a tv/movie binge while on furlough.- Nathaniel


 Lynn here, taking Nathaniel up on his kind invitation to recount the...

"Filmgoing Adventures of a Furloughed Federal Employee"

There's no question the ongoing federal government shutdown is a disaster for this country, and it's affected federal workers more directly than most. A good chunk of us, including yours truly, have been indefinitely furloughed. Those who think this just means extra vacation time clearly don't understand that (1) most of us *want* to be at work, but it's against the law for us to work and (2) we currently aren't getting paid! There's not much we can do, though, other than find ways to pass the time.

For those of us more fortunate furloughed feds who aren't dealing with more pressing concerns, the main question each morning has been "What do I do today?"

In my case, the default answer is a no-brainer: go to the movies!  These past couple of weeks I’ve trekked to movie theaters of all sizes and stripes all over the D.C. area, and seen some of the best films I’ve seen all year—at least two of which I’d have missed otherwise.  So for me there’s definitely been a bright side to my forced idleness.


DAY 1: The only day of the shutdown I was “excepted,” i.e., required to work, so no movies for me today.  Unless you count the imaginary reenactment of Mr. Smith Goes to Washington, with me in the Jimmy Stewart role, playing in my mind.  Not that an epic filibuster would do anyone any good in the current situation.

DAY 2: My first furlough day!  What better way to spend it than to watch Thor race cars against Frederik Zoller?  I head out to my favorite movie theater in northern Virginia to see Rush, Ron Howard’s flick about the 1970s rivalry between two Formula One drivers, British daredevil James Hunt and hyper-focused Austrian Niki Lauda.  Solid entertainment, and Chris Hemsworth and Daniel Brühl are good foils, even if the script overplays the contrast between Hunt’s impulsive, hedonistic recklessness and Lauda’s relentlessly austere, Germanic precision.  Best line of the movie, from Lauda:


Happiness is the enemy.” 

Oh those Austrians. 

DAYS 3-4: No movies, but a discussion with my boyfriend about whether to see Gravity in 2D or 3D.  Although I normally hate 3D, this seems to be one of the few movies that really should be seen that way.  But boyfriend hates putting on those clunky 3D glasses over his glasses, so I do not insist – especially since I’m skeptical that any movie “needs” to be seen in 3D.  This decision will come back to haunt me in the days to come…

DAY 5: …though not on the day we actually see Gravity, which is still beautiful and harrowing and impressive in 2D.  Not quite transcendent; I find the score a bit overbearing, and can’t help wondering if George Clooney would be so cool and humorous under pressure in real life.  Probably not under that kind of pressure, I decide; Sandra Bullock, on the other hand, reacted more like I’d expect Sandra Bullock would.  Also decide that I would never under any circumstances want to be an astronaut.  But I already knew that since childhood, when everyone but me wanted to go to Space Camp.    


DAYS 6-7: No movies in theaters, though I discover that everyone in the world has apparently seen Gravity, too – and seen it in 3D.  And people are raving about how “immersive” it was!  I begin to worry that I’ve made a terrible mistake.  

TO BE CONTINUED...

Tuesday
Jul022013

Burning Questions: Should We Still Reference Mr. Smith?

Serious Film’s Michael C here. With the Fourth of July around the corner it’s a perfect time to examine a classic piece of Americana that has recently re-entered the national conversation.

Last week the movie on the front pages of America's newspapers wasn’t Man of Steel or World War Z. It was a 1939 Capra classic starring Jimmy Stewart. There wasn’t, alas, a nationwide burst of interest in cinema history. Rather, it was the story of Texas state senator Wendy Davis holding the floor in a dramatic 13-hour filibuster in opposition to a bill proposing draconian restrictions on abortion rights. Journalists had to reach back nearly three quarters of a century to the thrilling filibuster climax of Capra’s Mr. Smith Goes to Washington to capture the drama of the incident. Just as Capra's It’s a Wonderful Life is synonymous with sob-inducing Holiday sentiment, so too is Jimmy Stewart’s wide-eyed senator intertwined with courageous political underdogs.

Of course, Capra isn’t such a high pedestal in critical circles as he is in the popular culture. Despite three Oscars for directing, he is often considered corny and clunky, his films hampered by starry-eyed idealism. So with the subject fresh in the news, it seems appropriate to ask if we should update our cultural touchstones.

Is Mr. Smith Goes to Washington still relevant? Was it ever? [more after the jump]

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