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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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9 Foreign Film Finalists

"Cheering for BODY AND SOUL or LOVELESS for the win. - Travis

"My two favorites, BPM and Summer '93, were left out so now I'm rooting for Chile's A FANTASTIC WOMAN all the way." - Peggy Sue

"THE WOULD... I'm ecstatic its profile has been given this boost." -Goran

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(Sweden's Oscar Submission)
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(Denmark's Oscar Submission)
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(Croatia's Oscar Submission)

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Entries in Nicholas Britell (4)

Sunday
Oct292017

Middleburg Farewell: Nicholas Brittel, Greta Gerwig, and "American Crime Story"

Day 1 (Darkest Hour), Day 2 (James Ivory, Mudbound, A Fantastic Woman) in case you missed them, Day 3 (Last Flag Flying)

Ann Hornaday and Greta Gerwig talk after a screening of Lady Bird. photo src

The last moments of Middleburg were a blissful blur that it's taken me a week to recover from. Before I left the splendor of the country at this under-the-radar festival in Virginia, I managed to attend three more events.

Lady Bird
I caught some of Lady Bird again (one viewing is definitely not enough). Just enough to give me that rush of pre-college feels again before meeting one-on-one with Greta Gerwig. We'll share that interview next week as Lady Bird begins its theatrical release. Gerwig is such a singular actress that we don't want her to give that up (please never leave our screens!) but it's a joy to know that she writes and directs just as beautifully. 

The Assassination of Gianni Versace: American Crime Story
Since Middleburg largely takes place at a single resort, there are several panels and discussions in their coziest event space. The last on the menu was a discussion about the forthcoming miniseries The Assassination of Gianni Versace: American Crime Story which is the second season of that anthology series which began with the Emmy-winning The People Vs Oj Simpson...

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Thursday
Oct262017

Middleburg Finale Pt 1: "Last Flag Flying"

Day 1 (Darkest Hour) and Day 2 (James Ivory, Mudbound, A Fantastic Woman) in case you missed them.

Saturday at Middleburg started really slow but then the tempo and key changed. And then it got chopped and screwed and tessellated... and became truly special. If you don't know what any of that means, it's okay; neither did I. I shall explain when we come to the topic of Oscar nominated film composer Nicholas Britell of Moonlight fame.

But first Last Flag Flying...

Richard Linklater is America's most distinguished auteur in the subgenre of movies in which a tight knit group of men just kind of hang out for two hours. He's back quickly after his delightful college baseball comedy Everybody Wants Some!! but this time he's trained his lens on three men his own age... 

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Thursday
Feb162017

The Fits' Anna Rose Holmer Stages A Moonlight Ballet

Few films engender absolute aesthetic devotion on a widespread scale, pure love for a singular cinematic perspective that conjures a sense of ride-or-die allegiance from its viewers to the creators. In 2016, Barry Jenkins’ Moonlight and Anna Rose Holmer’s The Fits were two of the most fervently beloved films of the year and luckily for fans of both they have converged in an orgiastic ballet that’s short enough to enjoy on your coffee break. In a feat of unexpected Persona-esque mind melding, Holmer and Moonlight’s Academy Award-nominated composer Nicholas Britell have crafted a dance tribute to Jenkins’ triptych of yearned identity with New York City’s Alvin Ailey Dance Theater: Just Dance: Moonlight x Alvin Ailey. In retrospect, the films have much more in common than meets the eye; after all, each visually explore – with absorbing and diamond-cut grace – the explosive unease that arises when you break out of the shell that your community expects you to inhabit. This is where Holmer's dance interpretation begins. It’s certainly thrilling to see Moonlight presented on a stage, where Tarell Alvin McCraney’s original roots began. Take a look for yourself and let us know how you feel: has Holmer captured Chiron’s transformative evolution through this physically formational medium?

Saturday
Jan072017

FYC: Moonlight, Best Original Score

By Chris Feil

It's always ceaselessly frustrating to see deserving below-the-line work from so-called smaller films miss out on Oscar nominations. Even when a film is a favorite in the major categories, it can still be hard to break through beyond major races - just look at last year's Room. This year, Moonlight deserves those nominations for its behind-the-scenes craft, each of its elements too powerful and integral to deny. But for brevity's sake, I'll just call attention to its evocative score by Nicholas Britell.

Britell threads recurring melodies and tones through each of Chiron's chapters without feeling repetitive. As the piano theme comes in and out, it takes us back to the previous struggles that add weight to the fresh one, just as life is connected memory to memory. The sharp strings show the soaring relief of a moment like Juan teaching him to swim, but also reveal the anxiety of being seen for what he truly is, the fear of what that means.

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