Doc Corner: 'A Cop Movie'

By Glenn Dunks

The release of Alonso Ruizpalacios’s A Cop Movie (Una película de policías) via Netflix was timed with a series hosted at New York’s The Paris Theatre. Named ‘New Directions in Documentary’, the series sought to highlight “the innovative films and filmmakers who have created new cinematic languages and forms by combining elements of fiction and documentary” (all Netflix titles, of course). Unsurprisingly, I have loved most of the films they played. Several of them (Strong Island, Shirkers, Bisbee ’17, Kate Plays Christine) made my own personal best of the decade list.

The series also recognised Robert Greene’s new film, Procession, which we will look at in the coming weeks. But Ruizpalacios’s feature—which directly taps into the series’ concept of playing with the concepts of artifice, performance, and the documentary filmmaking process—is an interesting inclusion. It’s the only non-American title for starters, from the director of Museo. It’s nice to see somebody recognise that innovation in doc filmmaking is happening everywhere.

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Nominations for the 61st Arieles Are Announced

by Jorge Molina

Award season is a misnomer. Movie awards are a year-long, worldwide affair. At the end of last month the Mexican Academy of Film Arts and Sciences (AMACC) announced its nominees for the 61st annual Ariel awards, celebrating the films of 2018.

As you undoubtedly would expect, Alfonso Cuarón’s multi-celebrated, Oscar-winning Roma garnered the most nominations, with 15. It was followed by Museo, by Alonso Ruizpalacios, and The Good Girls by Alejandra Márquez Abella (still awaiting US distribution), with 14 each.

You can see a full list of the nominees after the jump with a bit of trivia and commentary [UPDATED IN JULY: WE'VE ALSO NOTATED WHICH FILM WON EACH PRIZE AT THE CEREMONY. WINNERS ARE MARKED WITH A STAR]...

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There are no small parts, '18 Edition

by Nathaniel R

Our annual cinematic jamboree, the Film Bitch Awards, continue with the categories of best actors and actresses in limited roles. This category is reserved for the kind of performances given in one or two scenes where'd you'd be happy to wander outside the camera's purview just to spend more time with them. Or, more accurately, since the characters aren't always pleasant, performances so strong that you wish you could follow them into another scene or five to watch the actor dig in yet deeper.

We're talking about performances like Brian Tyree Henry's in If Beale Street Could Talk, who crystallizes the film's conceits about the systematic oppression of black men as his innocent ex-con monologues through the film's most moving sequence. His eyes drop us into the abyss of his prison memories where his words won't take us. We're talking about performances like Bradley Whitford's glib lawyer, oozing shamelessness with his soul long-since sold, who comes at a bedraggled cop threatening him with such confidence that at first you think he'll win and the movie will be a very short one. That is until you watch the star (Nicole Kidman) up her own already impressive game to spar with an actor that's sparking her inner ensemblist.

We're talking about performances like Jeanne Balibar's in Cold War or Jane Curtin's in Can You Ever Forgive Me? that are played with such precise panache that you can imagine a different type of movie just off to the side of the one you're watching, where they're the leads instead and this moment is but a subplot in their narratives.  Check out the nomination page for more on these fine performances and others from Leticia Brédice, Rebecca Field, Elizabeth McGovern, Simon Russell Beale, Philip Ettinger, and Corey Hawkins and a list of other names we also loved in tiny roles this past cinematic year.

Podcast: The Favourite, Creed 2, and Shoplifters

Nathaniel R and Murtada Elfadl welcome back Nick Davis to talk new films

Index (67 minutes)
00:01 Palme d'Or winner Shoplifters. Plus: Roma and Oscar talk.
20:22 Yorgos Lanthimos' The Favourite, directorial style, tragicomedies, and three stellar actresses: Olivia Colman, Rachel Weisz, and Emma Stone. Plus: Sandy Powell's costumes
39:45 Reader Q: Which film will get the most Oscar nods this year?
43:06 Reader Q: What is going on with Mary Queen of Scots? 
48:05 Reader Q: Why did Widows underperform?
52:50 Nick on Creed 2 
58:32 Randomness to wrap-up: Museo, and Ruth E. Carter's costumes for Black Panther

Further Reading / References
• Nathaniel's review of The Favourite
• Murtada's interview with Hirokazu Koreeda on Shoplifters
• Oscar Predictions, Current
• ...and this royal Angela Bassett costume in Black Panther

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

The Favourite, Creed 2, Shoplifters