Brandy. Whitney. Bernadette. It's Cinderella... Again

Cinderella Week continues with Andrew Kendall on a true event in showbiz history...

On our journey through Cinderellas we take a stop in 1997 for an unlikely entry in the canon. Unlike the animated version it did not change a cinematic form, nor like the Julie Andrews version did it launch a star. When the 1997 TV production of Rodgers and Hammerstein’s Cinderella premiered in 1997 it was hailed as one of the most successful TV musicals in years and audiences did, love it, 60 million of them. But, it has endured as little more than a footnote on the résumé of its fêted cast and crew.

This would be the second remake of the Rodger and Hammerstein’s Cinderella written for Julie Andrews in 1957 (the first remake a Lesley Ann Warren version in 1965). And, still, I’d swear on the altar of all things magical that this is the finest adaptation of the Cinderella story. Myriad reasons, but principally because this Cinderella has more on its mind than just the girl at the centre…

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Q&A: Hitchcock Presents Reader Questions

Oops. The 'Ask Nathaniel / Q&A' column is a Monday experience. And here it is on Tuesday. I blame... what really matters is the blame  somebody to blame. well if that's the thing you enjoy placing the blame, if that's your aim,  give me the blame.

HI EVERYBODY! Are you glad that the themed banner is back up top? I'm going with photography this week so here is a picture of Matt Damon and Ben Affleck for laughs before we get to eight reader questions after the jump starring Alfred Hitchcock, Daniel Day-Lewis, Drew Barrymore and The Golden Girls.

Why? I don't know. So, it's your fault then!

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Sing-Alongs & Fight Clubs, Divas & Heroes

Awards growing like mushrooms as we race like mad to finish out the film year that just was since we've already started the 2015 celebration.

Musical Sequences
With actual musicals like Muppets Most Wanted, Into the Woods and "performance" musicals like Begin Again, Beyond the Lights, and Get On Up it's a decent time to be a fan of musicals. And since some of the most memorable sequences in non-musicals are musically inclined (think The Lego Movie's boisterous kick-off) and so many non-musical films have the musical spirit via awesome soundtracks (think A Girl Walks Home Alone at Night), we have a category for that, too. Musicals for everyone! Sing-along with these ten nominees. 

Action Sequences 
Guardians, Katniss, and a sniper may have reigned supreme at the box office but Captain America: The Winter Soldier housed the year's best action sequences albeit not quite the most beautiful. The most ravishing was, incongruously, the ones starring two nuclear-slurping insect like abominations and that lizard king of monsters, Godzilla.

Divas 
Two of them stop their films cold for self-important monologues. Three more regularly bring the house down. (Okay, sticklers, The Witch technically only brings the bakery door down but it's a figure of speech. Indulge me. And them; divas demand your full attention)

Heroes
2014 had not one, not two, but three moving odes to solidarity and everyman heroism in Pride, Selma, and Two Days One Night. But since this is the cinema there are heroes all over for us to live vicariously through, some of them "super," others historical. And we can't forget the year's most badass warrior, the "Full Metal Bitch" herself (Emily Blunt) in Edge of Tomorrow. 

"I just thought there would be more," you say? Well there is. Also added: Best Line Reading and Breakthrough of the Year nominees and Best Movie Poster. Which mean only 5 categories are left to announce and then the medals! 

Can you believe I'm actually going to finish the awards this year????? "TO VICTORY!"

Rodgers & Hammerstein's Cinderella (1957)

Cinderella Week continues with Manuel on a true event in showbiz history...

How's this for a televised live event: on March 31st 1957, more than 107 million people watched Rodgers & Hammerstein's written-for-television musical Cinderella starring none other than not-yet-household name Julie Andrews. Critics and networks have bemoaned the increasingly fractured TV landscape and when you look at numbers like that (aided, of course by novelty as well as lack of choice) you can't help but marvel at what that must have felt like. Think of the snarky tweets and memes 107 million people could have come up with! This is, of course, what NBC has been trying to accomplish with its musical events (kickstarted not coincidentally with another Julie Andrews vehicle and followed, oddly enough, with the production that gave CBS the idea in the late 50s to produce a new musical for a Sunday night broadcast).

More...

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Visual Index ~ The Sound of Music (1965) "Best Shots"

Each Tuesday night we ask anyone with a pinterest, blog, tumblr or what have you to post their favorite shot from a preselected movie. To kick off Season Six: The Sound of Music (1965) for its 50th Anniversary.

Unlike its obvious counterpart in belovedness, The Wizard of Oz (previously featured in this series) it was wildly popular from the day it opened. If you adjust for inflation it remains the third highest grossing film of all time after Gone With the Wind (1939) and Star Wars (1977). Like GWTW, its production trouble seems to have magically made it a stronger film rather than torpedoing it. Funny how fate works. For example Christopher Plummer's contempt for the project (he turned it down several times and loudly denounced it afterwards) bleeds through but affects the movie in surprisingly perfect ways, balancing the sweet with just enough sour. 

In short, it's one of 'Our Favorite Things'. 

Best Shots from
THE SOUND OF MUSIC

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