The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Thankfully the box office failure of Cats hasn’t put the kibosh on green lighting musicals for the big screen. The latest Broadway sensation to get the big screen treatment will be Fun Home, based on illustrator Alison Bechdel’s graphic memoir about her bittersweet relationship with her father. Yes that’s the Bechdel of the Bechdel test. Jake Gyllenhaal will produce and star as Bruce Bechdel, the role that won Michael Cerveris a Tony for best actor in a musical- one of 5 Tonys Fun Home won in 2015. The part is multi faceted as the elder Bechdel is a closeted conflicted gay man and the musical charts not only his daughter’s queer awakening but also his messy relationship with her and with his wife.
Sydney Lucas as Small alison with Cerveris on Broadway
I loved this show on Broadway and I'm excited to see a film adaptation, but with reservations about this casting. I hope Gyllenhaal can give it the pathos and depth it needs while not relying on the tics that have become a trademark of his performances since Prisoners (2013). On the other hand he has proven himself to be adept at musicals having starred in Sundays in the Park With George on Broadway and Little Shop of Horrors off Broadway. He will be taking Sunday to London next May.
Fun Home featured lyrics by Lisa Kron and music by Jeanine Tesori (Caroline or Change). On stage the part of Alison is played by three actresses at different ages but we don’t know if the movie would follow the same plan. Sydney Lucas was senastional on Broadway as the youngest Alison. That character gets the showstopping number, Ring of Keys. Another great part is that of the mother Helen Bechdel for which Judy Kuhn was Tony nominated. The Daily Mail which broke the news - Baz Bamigboye is reliable on theater and theater to film adaptations - credits Sam Gold, who directed the Broadway production, as the director but no news yet of who’s writing the adaptation.
The Tony Award Nominations are exactly one week from today, so we really ought to talk about the musicals that might be vying for top honors. Both of today's shows have movie connections, albeit one more tenuous than the other. Both are also likely nominees in the Best Musical category, which is the Best Picture of the Tony Awards. Yes, there are 3 other top prizes (Play, Revival of a Play, Revival of a Musical) but Musical is the most coveted prize and the one with arguably the biggest impact on legacies and box office. Ten musicals are eligible in this category for the 2014/2015 season and I'd be surprised if these two won't comprise half of the four-wide nominee list.
Audra McDonald rehearsing for "Porgy & Bess"Theater geeks who read The Film Experience (there be crossover!) might have been wondering what happened to the stage door column. The truth is we just haven't been seeing much. This is never a question of "nothing to see" but always a matter of finances and for one quarter of each year the the not-so-small matter of Oscar Mania keeping us busy with pre-recorded actors instead of live ones. But when I'm not seeing it I enjoy it vicariously through avid theatergoing friends and through blogs. My favorite is The Broadway Blog so if you're into theater, check it out. Here's four quick film / theater crossover tidbits I wanted to share.
AUDRA in Rampart I practically shrieked with surprised delight when Broadway baby Audra McDonald showed up in Oren Moverman's Rampart. She just kills her one scene role as Woody Harrelson's latest conquest. Woody's bad cop gets good love from multiple ladies and as Woody was sucking on her toes (no, really) I kept thinking, 'Audra is a star on any platform: small screen, big screen, stage, boudoir... (ahem. in this movie).' I'd love to see her in the current revival of Porgy & Bess and am hoping the opportunity presents itself.
CHARLES BUSCH does Katharine Hepburn. Late this month, legendary drag artist Charles Busch is doing a one night only reading of Matthew Lombardo'snplay about Katharine Hepburn, Tea at Five. The tickets are too steep for me but Busch is always wonderful when he's channelling the classic divas... and Lombardo has an actressexual's taste for them too having written the Kathleen Turner vehicle "High" and the Tallulah Bankhead play Looped. I'm curious how Charles Busch will be as Kate the Great (pictured left) given that my favorite Busch channeling is Greer Garson -- that voice! Old Hollywood and Theater History aficionados might also enjoy Mr. Busch's name droppings in this New York Times article about his apartment renovation.
BIG FISH Were you aware that Tim Burton's 2003 movie is becoming a stage musical? The story, or to put it more accurately stories, does seem like a natural fit for musicalization. It's already heightened and fantastical which musical theater can really feed on. The score will be by Andrew Lippa but the best part of the news is that Michael C. Hall, though not officially announced, is intended for the lead role in 2013. He's got a wonderful singing voice and he's needed to do something other than Dexter for a few years now. Not that he hasn't found a surprising amount of ways to keep that particular performance lively despite the death-dealing but enough's enough -- love the show but I really think they'd be wise to wrap up; time for a little song and dance break!
I don't know what he's thinking but what I'm thinking every time I see Michael Cerveris (the bald one, playing Juan Peron) is that time in early 2008 when I listened to my Broadway revival cast recording of Sweeney Todd (in which he starred) after having recently seen Tim Burton's Sweeney Todd and just tearing up. The amount of nuance and drama and acting notes and beauty asinger/actor can put in to a musical performance as opposed to an actor who learns to sing a few bars.... I tell you the difference is astronomical. Hollywood is tone deaf.
Oh, and uh, Elena Rogers plays Eva Peron... will Madonna send her hydranges?
EXIT MUSIC
Audra McDonald singing Jason Robert Brown's "Stars and The Moon"... love this song.
I met a man without a dollar to his name
Who had no traits of any value but his smile
I met a man who had no yearn or claim to fame
Who was content to let life pass him for a while
And I was sure that all I ever wanted
Was a life like the movie stars led
And he kissed me right here, and he said,
`I`ll give you stars and the moon and a soul to guide you
And a promise I`ll never go
I`ll give you hope to bring out all the life inside you
And the strength that will help you grow.
I`ll give you truth and a future that`s twenty times better
Than any Hollywood plot.`
And I thought, `You know, I`d rather have a yacht.`