TIFF ’23: A Bastard’s Revenge and an Artist’s Farewell

by Cláudio Alves

Vast wild landscapes dominated the latter half of my second day at TIFF. First came Nikolaj Arcel’s The Promised Land, fresh off its Venice premiere and inflated by high expectations. Then, it was time for Snow Leopard, the last completed film of Pema Tseden, the remarkable Tibetan director who dedicated himself to expressing his country’s specificities on the big screen. He died in May at 53, leaving behind a body of work that felt like it was just entering its golden age with titles like Jinpa and Balloon. And so, an air of mournfulness enveloped the screening of his leopard-loving film, a poem of snowy peaks and the beasts that share them...

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Denmark's Three Oscar Submission Finalists for 2023

by Nathaniel R

Mads Mikkelsen in "The Promised Land", a Danish Oscar submission finalist

We've shared this observation before but Germany and Denmark have (so far at least) been to the Oscars of the 21st century what France and Italy were to the 20th century. The two countries cannot be discounted in any upcoming Oscar race. Since 2000 Denmark has received 8 nominations and 2 wins (their grand total now being 14/4) and they've made the finals three additional times in that time span, too. Germany is Oscar's current favourite country scoring 9 nominations, 3 wins, and 5 additional finalists since 2000 (their all time stats are now 21/4). Germany has submitted the contemporary drama The Teacher's Lounge which premiered at Berlinale and will be at TIFF soon for the upcoming Oscar race. Now we know the three Danish finalists for the submission honor though their choice won't be announced until late September. They are...

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