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Entries in Novitiate (2)

Sunday
Dec312017

Year in review: Top 5 mothers and daughters of 2017

A few more year in review list pieces coming (since we know the film year doesn't really end until awards seasons wraps). Here's Lynn Lee

If 2017 was a banner year for fathers in film, it was just as much the year of Complicated Mothers—from Frances McDormand’s justice-seeking Mildred in Three Billboards Outside Ebbing, MO to Holly Hunter’s tart-tongued but soft-hearted Beth in The Big Sick to Mary J. Blige’s stoic Florence in Mudbound.  Within this trend was another that spoke especially personally to me: the even more complicated relationship between mothers and daughters.  We saw all kinds of mother-daughter relationships in 2017—tender, fraught, hostile, sometimes all of the above—portrayed with a depth and complexity we don’t get nearly enough of in relationships between women in movies. 

It’s hard to choose favorites, but the following were the mother-daughter screen pairings this year that I found the most compelling...

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Monday
Oct232017

Middleburg: Maggie Betts' "Novitiate"

Continuing our Middleburg Film Festival adventures. Here's Lynn Lee

Middleburg is the kind of idyllic Virginia town that makes me wish I had enough independent means to spend regular fall weekends there lodging at a cushy spa, riding horses, visiting local wineries, and binging once a year on Oscar-baity films before they get released in theaters.  As it is, I was happy to get a taste of the latter on a press pass to this year’s festival.  On Day 3, I joined Nathaniel in town (albeit at different events) and took in Maggie Betts’ Novitiate, Todd Haynes’ Wonderstruck, and Dee Rees’ Mudbound.

Of the three, the one I knew the least about beforehand turned out to be the one I liked best.  Set at a convent in the 1960s around the time of Vatican II, Novitiate centers on the struggles and yearnings of young postulant Cathleen (Margaret Qualley of “The Leftovers” and The Nice Guys) and the fellow nun-aspirants and nuns around her.  That may sound like niche fare at best, but I hope Sony Pictures figures out how to market it because it’s an astoundingly assured, riveting debut feature...

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