Showbiz History: Oliver!, K.I.T.T., and Linda Hamilton

6 random things that happened on this day, September 26th, in film history

1949 the Hollywoodland is sign torn down for the groundbreaking ceremony of the new shorter "Hollywood" sign.

1955 "America's Sweetheart" Debbie Reynolds (23) marries the hugely popular singer Eddie Fisher (27). They quickly have two children, Carrie and Todd Fisher. Their marriage will last only three and a half years and end in one of the biggest showbiz scandals of the 20th century when Eddie leaves her for her BFF Elizabeth Taylor...

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On this day: Best Actress Tie, Lincoln Assassination... and a Tarzan and Jill Marriage.

On this day in history as it relates to showbiz...

1865 President Lincoln is assassinated. He's surely the President that's hit the movies the most often, most successfully in Steven Spielberg's fantastic Lincoln (2012)

1894 The first commercial motion picture house opens using Thomas Edison's "kinetoscope" device. You had to look through a peephole though so it was only one viewer at a time, though the venue had 10 of the machines. Coincidentally Thomas Edison will be played by Benedict Cumberbath in this year's Oscar hopeful The Current War which is about Edison's battle with George Westinghouse (Michael Shannon) over sustainable electricity in America...

1904 Sir John Gielgud, one of the great British actors, was born. He won the Oscar for Arthur (1981) but his filmography stretches all the way from the silent era through Elizabeth (1998)

1925 Oscar regular Rod Steiger (On the Waterfront, The Pawnbroker, In the Heat of the Night) born

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Tveit Me, Baby. Or Leave Me

We didn't do our usual Stage Door column this past Monday (on account of no theater trips this week) so let's talk Aaron Tveit since we're focusing on male actors for a change this month. While he originally made his mark in stage musicals (including in the DiCaprio role in Catch Me If You Can) the small screen seems to have eaten up his time since. Nevertheless this week's "Miscast" benefit concert reminded us of his inarguable charisma. (More on that concert in a minute)

He hasn't done enough movies given how perfect he was as Enjolras in Les Misérables (2012) but at least we got to see him do Grease Live early this year. Unfortunately he's highly vulnerable right now at falling into the trap that many stage stars do where they end up wasted in TV genres like political, hospital, lawyer, or cop shows  that actors with far less broad-ranging gifts could play just as well as they do. Their musical gifts end up completely invisible/wasted. See most of Mandy Patinkin's & Audra McDonald's TV careers. (Obviously Patinkin is excellent on Homeland but his TV career has been... strange)

The gold standard for current stage stars trying to make it on TV is arguably Sutton Foster...

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RIP: Ron Moody & Christopher Lee

Though their careers were dissimilar, their images were not. The cinema lost two of its most deeply enjoyable sharp eyed bearded villains this week: Oscar nominee Ron Moody (Oliver!), died yesterday at 91 years of age; screen legend Christopher Lee's passing was also just announced though he died last week at 93. Both of these British actors, born in the 1920s, were best known for indelible villains and sorcerers and  both were singers, too. From there, of course, the careers significantly diverge.

Ron Moody was always best known as "Fagin," the petty thief with a whole gang of young pickpockets at his disposal in the Best Picture winner Oliver! (1968) for which he received a Best Actor nomination and won the Golden Globe. The role stuck to him as forcefully as the Emcee clung to Joel Grey defining him for decades and decades and audiences of multiple generations. His movie career, though it spanned 33 films, didn't contain many other highlights but he did play the sorcerer Merlin in two Disney films Unidentified Flying Oddball and A Kid in King Arthurs Court. He returned to the stage often including revivals of Oliver! (He didn't seem to resent how much Fagin defined him, calling the musical "magic".)

If you ask people to name Sir Christopher Lee's most famous role, on the other hand, they might well hesitate. There is nothing definitive or, rather, there is too much that is definitive. He was a genuine screen legend and worked what seemed like non-stop from 1948 through 2015 appearing in nearly 200 films before his death. Today it's nothing new for actors to be defined by franchise stardom but Christopher Lee was doing forever. He was best known for decades as the face of "Dracula" for Hammer Horror in several films, "Fu Manchu" in multiple films and "Rochefort" in two Three Musketeer films. The actor's fame rose again late in life through prominent popular roles such as "Count Dooku" in the Star Wars franchise and the wicked sorceror "Saruman" multiple times in Peter Jackson's Tolkien adaptations. 

Please share your favorite screen memories of these two acclaimed Brits. 

Monologue: "As Long As He Needs Me"

[This article was originally published in 2010 but we're adapting/rewriting it a bit for our celebration of the 1968 film year as we march towards the latest Supporting Actress Smackdown.]

1968's Best Picture Oliver! is commonly disparaged these days as an Oscar blunder and a typical example of the bloat that eventually derailed the musical genre. Musicals were big business back then and like animated family features now or action films roughly a decade ago, the running times got more and more padded. It's a common hubris problem for whatever genre is the reigning box office champion. 1968 featured at least four big ticket musicals -- Funny Girl, Finian's Rainbow, Star! and Oliver! -- and they all clock in well over 2 hours with all but one of them tipping over to be closer to 3 hours in length.  Combine this problem with the critical endurance of 2001: A Space Odyssey's legend and add in that six Oscar haul and what do you get? Critical animosity. Oscar enthusiasts are familiar with this phenom and they know that winning the big prize isn't always good for your place in film history. 

So Oliver! will have to settle for its place in personal histories and in mine it looms large. (It's weird that as a child I had such a long attention span. As an adult I get antsy once you've past the 110 minute mark but wee Nat couldn't get enough of all 153 minutes of this musicalized Oliver Twist whenever it played on television.) It probably won't surprise you to hear that literally every one of my favorite scenes was focused on Nancy, the prostitute with the heart of gold (Shani Wallis). 

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