2022 Ophir Nominees include dramedy "Karaoke" and animated "Where is Anne Frank?"

by Nathaniel R

the marital dramedy "Karaoke" might become Israel's Oscar submission

Israel's annual film awards, the Ophirs, are very hard to track. The nominations were announced yesterday but we're still searching for a full list of nominees since their website is in Hebrew (I think this is the list). Online media is historically terrible about providing full lists of nominations for anything outside Hollywood, usually opting for a couple of paragraphs about the top prize only. Such is the case this year. The only online article available at the time I'm writing this is from the Jerusalem Post which, true to form, lists only the Best Picture contenders. IMDb only lists two categories at this writing. But we finally found a list. The translation was computer generated so there may be a few errors and it reads a bit messy. Have patience.

The Best Picture nominees (one of which will become the Oscar submission)...

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Shira Haas up for another Ophir Award!

by Nathaniel R

Alena Yiv and Shira Haas as mother and daughter in ASIA

Our current actress obsession Shira Haas may have lost the Emmy she deserved to win a week ago for Unorthodox but she has another shot at an acting trophy this year. The 25 year-old actress is once again up for the highest film honor in her home country, the Ophir Award. She's nominated for Best Supporting Actress for a mother/daughter Israeli drama called Asia. The drama won three prizes early this year as NY's Tribeca Film Festival, including Best Actress for Shira (though she's nominated for Supporting at home). This is Haas' fifth Ophir nod, two of which have been for lead actress and three for supporting. She won this same category just two years ago for a film called Pere Atzil.

Due to the COVID pandemic there's no date for the Ophir ceremony yet (which is usually held right about now). As you may recall, the annual winner for their Feature Film category automatically becomes Israel's Oscar submission (unless there's some reason it can't be the submission). UPDATE:  You can see all the nominees and some of the winners (details are hard to come by so far) after the jump. IMDb doesn't even have all of them and most articles only list the "top" categories. But we're always trying to keep you informed...

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"Incitement" will represent Israel at the Oscars while Thailand sends a horror film.

IncitementWe are now up to 73 films competing for those coveted 5 nominations in Best International Feature Film at the Oscars. Submissions are due to the Academy at the end of the month.  Israel's Ophir Awards were held over the weekend with Incitement taking Best Picture, making it their submission. The film tracks the year leading up to the assassination of Prime Minister Yitzhak Rabin from the point of the view of the assassin. Curiously the film only one two Ophir Awards, the other being Best Casting. The acting prizes largely went to Peaches and Cream and the craft prizes largely went to The Unorthodox but neither could muster up the support to take the top prize. The two Israeli pictures of 2019 with the arguably highest US profiles, festival hit Synonyms (at NYFF next) and currently in release Tel Aviv on Fire (nearing half a million at US arthouses) took Cinematography and Screenplay respectively. You can see all the winners here on the updated nominations post.

Other updates? Argentina is sending the pleasant heist comedy Heroic Losers starring their ubiquitous top film actor Ricardo Darín (The Secret in Their Eyes, Wild Tales) and his son Chino Darín (El Angel, A Twelve-Year Night), neither a stranger to headlining Oscar submissions. We saw that one at TIFF and it could make the finalist list if Oscar voters are in the mood for charming 'light' entertainment.

But the real curveball, and there's always one or two true oddities in the submission list, is Thailand's choice of the horror film Inhuman Kiss (starring Oabnithi Wiwattanawrang and Phantira Pipityakorn) which is about a girl whose head detaches from her body to hunt human flesh. Has there ever been a purer form of Oscar bait? Kidding but... wow. Want to see. 

TIFF: "Synonyms" is essential viewing

by Chris Feil

Unfolding with the wonder of a contemporary fable, Nadav Lapid’s Synonyms takes a sometimes witty but often breathtaking approach to displaced national identity. Already awarded the Berlin International Film Festival’s Golden Bear, the film is an unpredictable existential examination of redefining oneself in a world that exploits you, and the limitations of willful self-reinvention.

Newcomer Tom Mercier stars as Yoav, a young Iscraeli man relocating to Paris after a term in the military. He’s quickly robbed of all his belongings while squatting in a posh apartment, begging for help naked throughout the building before being found near death by young couple Caroline and Emile (Louise Chevillotte and Quentin Dolmaire). They possess the prototypically French persona that Yoav wants to adopt, and are all too generous and willing to play welcoming committee...

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Interview: Ofir Raul Grazier on his Oscar hopeful "The Cakemaker"

An abridged version of this interview was originally published in Nathaniel's column at Towleroad

Ofir Raul GrazierThe Oscars are coming and with them, renewed attention for some of the year’s most memorable films. One of this past summer’s sleeper hits was The Cakemaker, an LGBT drama that’s just been released on DVD / Blu-Ray. The tiny but prolific distributor Strand Releasing, who have released many gay favorites, have been in business for almost 30 years now and, if you don’t adjust for inflation, The Cakemaker quietly turned into their biggest box office hit ever this summer. The drama about a grieving gay German man who seeks out the widow of his lover (who was unaware of her husband’s affair) earned nearly a million at arthouse box offices across the U.S!

After winning Best Picture at the Ophir Awards in Israel, it became the country's submission for Oscar’s Best Foreign Language Film category. We recently caught up with its director Ofir Raul Grazier. Our interview follows, edited for clarity and length.

NATHANIEL: The Cakemaker is your feature debut. Was that terrifying for you or totally natural on set? 

OFIR RAUL GRAIZER: It was a bit scary, of course, because the amount of responsibility is huge. The producers,  the crew, the actors --  I was thinking about all of that more than the film itself. But once the camera was rolling it felt quite natural. I love to do this. This is my passion. I managed to enjoy shooting. Everything between the shots was a nightmare [Laughs]...

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