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Oscar History

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Entries in Oscars (12) (290)


Animation in 2011/12. Oscar Predix and "Brave"

Will 2011 go down in history as the year when animation's hot streak finally cooled? Oh sure, bix box office awaits a great number of the toons arriving this year but box office isn't everything. You can be a huge hit and impress virtually no one (just look through some past box office charts and think about the way people talk about some of those "blockbusters") since audiences have a Pavlovian response to certain genres in certain decades with certain ubiquitous forms of advertising: Must Buy Ticket.

Will we see a 2006 rematch in Animated Feature?

It's hard to figure which animated films will be nominated for Best Animated Feature come January since half of the releases (literally by my count) are sequels. Sequels are judged differently than original fare. Half of our response (at the very least) is in the way the new film dialogues with the old. Does it add to the conversation, merely parrot it, deepen it, spoil it, change it? Once studio creatives get too self-referential or repetitive they can turn into a soulless production line workers and whole genres can become museum pieces rather than evolving vivid living things. The documentary Waking Sleeping Beauty, which I highly recommend to animation lovers, charts this very problem in regards to Disney. It documents the dwindling audience love and studio creativity in the 1980s through to its spectacular rebirth in the early 90s. It's a good film to see to remind ourselves that we can only borrow heat from past glories for so long before things gets chilly.

Click here for  Oscar charts / Animated Feature predictions

Here's a potentially happy visual extro that has nothing to do with this year's Oscars. Here are three concept drawings from Pixar's Summer 2012 feature BRAVE.

Since the delightfully cute-looking Newt was cancelled it's Pixar's only original film in the pipeline with sequels to Cars (this year) and Monster's Inc (called Monsters University in late 2012) bookending it. Brave (formerly titled The Bear and the Bow) features their very first lead heroine "Merida" (voiced by Kelly MacDonald), and was at one point going to be Pixar's first movie directed by a woman and then it wasn't and now it's (co)directed by her. It's also NOT a sequel. Let's hope it's great so that 50% of the population (the ones with vaginas) don't get blamed for spoiling Pixar's unbroken winning streak*.

*If you ask me this "ALWAYS PERFECT" business is a myth, a huge pitcher of Kool-Aid we all drank. It would be much healthier to let go of it. Though it made a billion dollars Cars (2006) is NOT a good movie. People are always (still) making excuses for it like "I didn't love it but..." Just stop making excuses. Accept that they've already stumbled once and we won't be pressuring them with this "Perfect!" myth. And we won't be so heartbroken when they start churning out a gazillion sequels. And they won't be so nervous about mixing up the formulas a bit or scared into only making sequels.



Clint Eastwood & Beyoncé. A Match Made In...

This might just be the strangest thing you read all week.

Clint Eastwood, currently working on FBI biopic J. Edgar, starring Leonardo DiCaprio as Hoover and Armie Hammer as his lover and star employee, will be chasing that unlikely project with... wait for it...

A STAR IS BORN with Beyoncé. According to Deadline it's a go and they may even start shooting the third musical version of this story before the end of the year. There are so many things one might say to this news including.


or perhaps

"the earth is doomed" which is what I tweeted.

Maybe "Streisand is gonna be pissed" which is what I went with for my upcoming Towleroad column.

Stars Are Born in the 30s (Gaynor) the 50s (Garland) and 70s (Streisand)

I've never understood why anyone would want to remake A Star is Born (including Babs in the 70s), given that Judy Garland's 1954 performance is so unassailably ginormous and mythical and awesome and Oscar winning (damnit!). But mostly, I'm scratching my head about conservative manly "get off my lawn" Clint Eastwood doing two gay-appeal projects back to back. First he's training his Oscarbait eyes on a closeted cross-dresser and then he's turning klieg lights on an actual show queen?

Finally, aside from Eastwood's "what the hell will this be like?" involvement it feels rather redundant and not just because we've already had three film versions. Won't watching Beyoncé do A Star is Born be like watching a two hour extended remix of "Listen" from Dreamgirls.

That's the whole emotional arc and story right there.



Mama's Getting Hot: Babs for Gypsy?

Fockin' BarbraBy now, should you have a known predilection for movie musicals or Barbra Streisand as musical comedienne (we endorse both predilections, though we can do without Babs otherwise), someone has undoubtedly forwarded you something saying along the lines of "OMFG. BABS. GYPSY. SQUEEE (and/or) EWWW."

According to Playbill, she is in talks to star in a new film version about the ur stage mother "Mama Rose". Other reports have the diva, currently atop the box office charts in her Meet the Fockers role, directing and producing as well. That Babs, always multi-tasking. We heartily approve of Babs returning to musical comedy, her true yet abandoned once-in-a-century gift, and we get that she'd want to scale the musical Mt Everest of "Mama Rose". Many divas have tried their hand at the enormous role. Streisand, at 68 years of age, would definitely be the oldest filmed Mama Rose. Which isn't a big deal since you do need a BIG performer except that the musical is about a mother's tempestuous relationships with her young children who she carts around on the vaudeville circuit as child and then teen performers until the elder kicks free of Mama (and clothing) to become the famous stripper Gypsy Rose Lee.

Well, maybe she'll pull it off. She did famously sell herself as "Second Hand Rose" already.

The major Mama Roses to date (Gypsy never stays away for long):

  • Patti Lupone (2008 Broadway revival, Tony Award)
  • Bernadette Peters (2003 Broadway revival, Tony nomination)
  • Bette Midler (1993 TV movie, Emmy nomination, Globe winner)
  • Tyne Daly (1989 Broadway revival, Tony Award)
  • Angela Lansbury (1975 Broadway revival, Tony Award)
  • Rosalind Russell (1962 Film, Globe winner -- snubbed by Oscar)
  • Ethel Merman (1959 Original Broadway musical, Tony nomination)

Which was your favorite? (I've only see Russell, Midler and Peters and, despite her divisive reviews, Bernadette Peters was my favorite. How about them eggrolls?)

(Remember when Hugh Jackman had super long hair? Hee.)

Hey you know what?

Forget Babs. Wasn't Sigourney Weaver supposed to star in a non-musical version sequel of sorts called G String Mother? That one was about Mama Rose's daughter "Gypsy Rose Lee" in her later years after retiring from stripping. Maybe that project got cancelled? It no longer has an IMDb page. Sadness. That sounded interesting.

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