What should have been Meryl's third?

by Cláudio Alves

Daniel Day-Lewis may be the best triple Oscar winner among actors, but that doesn't mean he's the best performer of the bunch. It just means that he's had the luck of getting awards for his very best efforts. Historically, if we can count on the Academy for something it is to award the right people for the wrong movies. That started early -- Katharine Hepburn won her first Oscar for Morning Glory in the same year she was eligible for George Cukor's Little Women?

In any case, neither Hepburn or Day-Lewis are the subjects of this piece. That would be Meryl Streep, the most nominated actor ever and proud winner of three Oscars. Her first two victories, for Kramer vs Kramer and Sophie's Choice, are usually considered among the best in their respective categories, but the same can't be said for her third triumph...

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The Best of a Bad Lot: Oscar Winning Actresses in Bad Movies

by Seán McGovern

The shade of it all... the 1974 ceremony for the Best Actresses of 1973 (L-R from the bottom corner) Marsha Mason, Ellen Burstyn, Joanne Woodward, Glenda Jackson, Barbra Streisand

Christmas really brings out my contrarian side, and since it's the Most Wonderful Time of the Year (awards season), permit me to be a humbug. Those who truly appreciate the Oscars understand that sometimes it is about the politics and not the performance. Academy voters are not infallible, but we shouldn't underestimate their other important role in taking the cultural temperature to find out what and who was hot in cinema in any given year. Without getting into a discussion of who did and didn't deserve their award, there are definitely some great female performances honored in films that may otherwise not have been so deserving. Some potentially controversial opinions after the jump...

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Months of Meryl: The Iron Lady (2011)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#43 —Margaret Thatcher, the polarizing British prime minister.

MATTHEW: After decades of heavy speculation about when, not if, Meryl Streep would finally win her third Academy Award, the most widely admired actress of all time picked up another trophy for a performance that may best be remembered as a textbook study in How to Win an Oscar. Despite stiff, down-to-the-wire competition from The Help’s eminently deserving Viola Davis, who transcended lackluster material in much the same way that Streep herself did in her most acclaimed tour de force, the actress sailed to victory after a season’s worth of ovations and exposure. The months preceding Streep’s first Oscar win in nearly 30 years found the acting legend accepting her eighth Golden Globe, her fourth New York Film Critics Circle Award for Best Actress, her second BAFTA Film Award, her very first Vogue cover story, a Kennedy Center Honors lifetime achievement tribute, and endless publicity concerning one of the most challenging roles of her late career, that of Margaret Thatcher in what should rightfully be called Phyllida Lloyd’s The Iron Lady, but might just as suitably be described as Meryl Streep’s The Iron Lady. And when one truly considers the sheer size and notoriety of the role, who could have possibly topped Streep that year? Conversely, when truly considering the actual performance that returned Streep to Oscar glory, away from all the myth/history-making hubbub that surrounded it, one could be forgiven for wondering, Is that all there is?

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European Film Awards. You've Always Wanted to Visit Malta, Right?

Each year the European Film Awards move to a different location and this year for their 25th anniversary they'll be in Malta. If you vote on their Audience Award prize starting September 1st (today!) you become eligible to win a trip to the ceremony on December 1st (today in 3 months!). Voting closes at the end of October.

vote now

The audience prize nominees, an eclectic bunch, are...

• THE ARTIST (france -- last year's best picture winner)
• BARBARA (germany -- Germany's official submission for the upcoming Oscars)
• THE BEST EXOTIC MARIGOLD HOTEL (uk)
• CAESAR MUST DIE (italy)
• HASTA LA VISTA/COME AS YOU ARE (belgium)
• HEADHUNTERS (norway) 
• IN DARKNESS (poland - oscar foreign film nominee 2011)
• INTOUCHABLES (france)
• THE IRON LADY (uk - oscar best actress winner)
• SALMON FISHING IN THE YEMEN (uk)
• SHAME (uk)
• TINKER TAILOR SOLDIER SPY (france, uk, germany)

I'm baffled about the inclusion of The Iron Lady as it certainly doesn't fit any "crowd pleaser" definition previously known to man. Unless by crowd you mean the entire population of StreepStanistan. Obviously in any "people's choice" situation the film that has been the most widely seen has the edge, so this prize is probably going to The Intouchables ($363 million globally) given its global phenom status. The Artist ($133 million globally), and The Best Exotic Marigold Hotel ($131 million globally) look like the only possible spoilers.

Lest you dismiss the European Film Awards outright through headscratching over this particular list, please to remember that it's only their audience prize. Their regular nominations don't arrive until early November. Last year they were the only awards body to give the great Melancholia multiple statues.

In related Ocean-Crossing news, The Oscar Foreign Film Submission Charts are now up to detail the official Academy submissions as well as rumors of which films might compete:

• ALBANIA thru ISRAEL - one official submission thus far, one official finalist list, a few rumors
• ITALY thru VIETNAM - one official submission thus far, some rumors

iTunes Review of the Week:

Think 'Zombie Kill of the Week'; just with iTunes Reviews. If anyone can top this one (#7) for the week? I will bow to you.

And no fair making a fake one. Cheating gets you nowhere. Unless you're on Wall Street.

Any takers?