Months of Meryl: The Deer Hunter (1978)

Hi, we’re John and Matt and, in case you missed it, we are watching every single feature film starring Meryl Streep.

#2 — Linda, a working-class girl waiting for the return of her fiancé (and her fiancé’s pal) from Vietnam.

JOHN: The Deer Hunter is a mammoth film, both an epic tale of a soldier’s journey to hell and back (and back again), and an intimate communal study. Meryl Streep is Linda, engaged to Nick (Christopher Walken) but in love with his best friend Michael (Robert De Niro). Streep is given an underwritten part and asked to stand-in for ideas about femininity — and often simply femininity itself — in a picture dripping with testosterone. The film carefully takes stock of its male relationships, tracing masculine bravado from the Pennsylvania mines to the roulette dens of Vietnam, both critical of masculinity and uncommonly poignant in uncovering the deep bonds that exist between men. Linda often provides the film’s only tender balm to such machismo, but Streep transforms her Girl Back Home into an uncommonly rich creation. This is no flimsy Anne Marie. Linda is a supernatural creation of intense sincerity, relaxed yet energetic, guarded yet vulnerable, the film’s emotional core and its anxious heartbeat.

The Deer Hunter contains your favorite Meryl Moment, Matthew, right?... 

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Months of Meryl: A gossipy debut in Julia (1977)

Presenting a new weekly series that we know you'll love since Meryl always perks you up. This one is modelled after Anne-Marie's "A Year with Kate" series (Anne-Marie will be back soon with a new series) so it's extra delicious that Meryl's first movie character was named Anne Marie! And now I turn you over to John and Matt. -Nathaniel R

Hi, we’re John and Matt and we are watching every single feature film starring Meryl Streep.

Meryl Streep is the Greatest Actress of All Time. Even those who have never seen a single performance of hers know this woman as, perpetually, the Best Actress. Her career is staggering. Her talent limitless. Her influence infinite. We don’t need to sell these claims, especially here. Dissenters there may be, but the choir roars. We kneel at her altar.

Meryl has acted in 52 feature films. If ever there was ever a body of work that deserves a thorough and complete look, we can think of few others than Meryl Streep’s filmography. Thus, Months of Meryl!

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72 days until Oscar nominations. Let's talk '72

What's your favorite movie of 1972? My top ten goes like so...

01 Cabaret (Bob Fosse)
Come to the cabaret 🎵

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113 days 'til Oscar. The Existential Question of the Honorary Oscars.

by Nathaniel R

Audrey Hepburn giving King Vidor his HonoraryThe Honorary Oscars, which will be given out again tonight to a very deserving quartet (Donald Sutherland, Owen Roizman, Agnes Varda, and Charles Burnett), have always been a curious and quite arbitary distinction. Like competitive Oscars the timing has to be just right. You have to be on people's minds. You have to have a cheerleading section in the right places within the Academy. You mostly have to be of a certain age (so if you die before you're 75 or so, forget about it!). Curiously, though, you don't have to be overdue having lost a bunch of previous Oscars. This year's recipients fit into the tradition of "overdue because they've been under-honored" but this is not always the case. The Honorary Oscars, even since the beginning have often gone to people who've won competitive statues. That's a strange thing, if you ask us, since shouldn't the point be to cover your bases? Quite a few great stars who have never been the single best in any particular year so the Honorary is a perfect way to honor them. At the very least it's a better way to honor them than a competitive statue in a year where they don't really deserve one (and that's happened so often!)

At the 1978 Oscars the 111th through 114th Honorary Oscars were handed out and they illustrate this confusion as to the award's purpose...

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The Furniture: Grotesque Extravagance in Fellini's Casanova

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail. Since the Honorary Oscars are handed out next week, here's a Donald Sutherland film for you!

Federico Fellini didn’t much like Giacomo Casanova, the famously amorous subject of his meandering fantasy-biopic. The director may not have liked Donald Sutherland, either. The actor was required to shave his head and sport both a false nose and a false chin to play the long-winded lover. The costumes aren’t especially flattering either. Fellini’s Casanova is an erotic descent into Hell, a grotesque pageant of 18th century moral abandon. It frequently borders on the disgusting.

It was also on the edge of Oscar’s attention, sliding into only two categories. While Fellini’s Casanova did win for its costumes, its production design missed out entirely. Anyone betting that year would likely have lost money; La Dolce Vita, 8 ½ and Juliet of the Spirits were all nominated for both.

Though this sexualized panorama thrilled the costume designers, it may have shocked too many art directors. Like Sutherland’s performance, it’s proved to be a bit too much for the Academy. That’s a shame, because the contribution of legendary designer Danilo Donati is dazzling...

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