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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.


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Review: Ready or Not

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Yes Not Maybe So: Bombshell

" I am not liking this trend of portraits of terrible women, like Meghan and Phyliss Schafly, unless it's camp." - Jane

"Miss Charlize is like, "Do I need to remind you guys again who is the baddest bitch around here?." I just can'ttttt! She looks like Megan Kelly's twin -- that makeup work is insanity!!!" - Jono

"if Nicole doesn't wear a bad wig in a it really a must see event?" -Chris

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Directors of For Sama

Lulu Wang (The Farewell)
Ritesh Batra (Photograph)
Schmidt & Abrantes (Diamantino)
Wanuri Kahiu (Rafiki)
Jia Zhang-ke (Ash is Purest White)

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Entries in Paulina García (4)


Daniel Gives Thanks

Daniel here, and Happy Thanksgiving! I couldn’t be more thankful to be a member of such a lovely film-obsessed sphere as the one here at TFE. From the passionate readers and writers to our fearless leader Nathaniel, it’s a plain and simple thrill to be here with you all. In a year that I’ve found stuffed with cinematic delights, here are ten things I’m especially thankful for…

...the swirling morass of overlapping dialogue in Trey Edward Shults’ Krisha. Nothing says Thanksgiving like talking over your relatives in every room of the house and – in this turkey-trotting tale – conjuring a palpable sense of potential explosion in the process. And if that won’t make your head spin, the chaotic camerawork sure will!

…all eight hours of OJ: Made In America.

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Interview: Paulina García on Her Favorite Actresses and the Political Relevance of 'Little Men'

by Jose Solis

Audiences fell in love with Paulina García as the romantic heroine in Gloria, the Chilean sensation that won her the Best Actress award at the 2013 Berlin Film Festival and other honors along the way (including a nomination here). In that film she gave a delightful performance as a woman ready to find purpose in a life that others thought had lost all meaning. Where in Gloria she exuded a sincere need of approval and warmth, Leonor, her character in Ira Sachs’ Little Men is just the opposite. She’s a woman in full control of her emotions and moods, she seems a little bit too calculating to Brian (Greg Kinnear) who has just inherited a house from his late father Max, from whom Leonor rented a commercial space, and finds himself in the position of having to raise her rent. She’s also intimidating to her son Tony (Michael Barbieri) who lowers his head when asking her for permission to go hang out with his new friend Jake (Theo Taplitz) who happens to be Brian’s son.

But in García’s richly layered performance we see a woman on the edge, she’s about to lose everything she’s worked her entire life for and she refuses to go down without a battle. García is the kind of actor who is eloquent even when she’s not speaking, one of her glances can be more devastating than a Shakespearean soliloquy, a simple “no” from Leonor can contain an entire life history. I had the opportunity to speak to her from her home in Chile, to discuss her work with Sachs, actresses she loves, and why Leonor is such an important character for 2016...

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Little Men: Poster and Trailer!

Manuel here. One of the films we're most excited about this summer here at TFE is Ira Sachs' Little Men. His last film Love is Strange was excellent. And think of how great his three new adult leads are.

Poster, trailer, and more after the jump...

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Berlin Announces Its Winners.


Jose here. The Berlin Film Festival came to its end a few hours ago and the big winners came from Romania and Bosnia. Călin Peter Netzer's Child's Pose won the prestigious Golden Bear, while Danis Tanovic's An Episode in the Life of an Iron Picker picked up the Jury Grand Prix as well as the Best Actor award for Nazif Mujic.

The winners as selected by the jury headlined by Wong Kar-wai were:

  • Golden Bear: Child's Pose by Călin Peter Netzer
  • Jury Grand Prix: An Episode in the Life of an Iron Picker by Danis Tanović

    Tanović's movie has a real life family recreate an event that almost cost them their son's life. Not only does this sound like an interesting project but it also shows a two year trend in the festival where real life people dramatizing events have taken the main prizes. Last year's Golden Bear winner, Caesar Must Die (which is great and just opened in NYC!) had real life inmates put on a Shakespeare play. Tanović has also had a great record with awards, remember his No Man's Land upset Amélie for the Oscar twelve years ago? We might be in the presence of the first Oscar-y movie of 2013...

Emile Hirsch and Paul Rudd in Prince Avalanche

  • Silver Bear for Best Director: David Gordon Green for Prince Avalanche
  • Silver Bear for Best Actress: Paulina García for Gloria

    García keeps on perpetuating the fantastic renaissance of Chilean cinema. Chile is having a great year so far, with No (which just opened in the US) being perhaps the only movie that could give Amour a run for its money in the Oscar race. Incidentally Pablo Larraín, who directed No is listed as a producer for Gloria.
  • Silver Bear for Best Actor: Nazif Mujić for An Episode in the Life of an Iron Picker

A still from Closed Curtain.

  • Silver Bear for Best Script: Jafar Panahi for Closed Curtain

    Panahi, who is still banned from film making, shot this in his own beach house and once again managed to smuggle the film out of Iran! Just two years ago, his brilliant This Is Not a Film (which was shamefully left out of the Oscar documentary race) caused a commotion in Cannes after it arrived via birthday cake! Is it just me or is Panahi's life much more interesting/politically inspiring than Argo? Sigh.
  • Award for an outstanding artistic contribution: Vic and Flo Saw a Bear by Denis Côté
  • Teddy Award: W imię... by Małgośka Szumowska (the Teddy, an LGBT-focused award, is chosen by an independent jury)

    On an interesting note, the Special Award winner - Vic and Flo Saw a Bear- also features lead characters who are gay, yet the movie wasn't featured in any of the Teddy selections. Makes for an interesting question on how different jury members vote for different things and spread out the wealth.

  • Special Mentions:
    • Promised Land by Gus Van Sant (whatever happened to this movie Stateside?)
    • Layla Fourie by Pia Marais

In recent years, more than ever before, we've seen an overlap of Berlin and Oscar, particularly in the Foreign Language category. Just last year Berlin gave awards to War Witch and A Royal Affair, both of which ended up being nominated in the Best Foreign Language Film category this year. Which of these movies are you dying to see? Have you kept up with Tanovic's work after his Oscar win?