1947: Kathleen Byron in "Black Narcissus"

by Nick Taylor

Ah, 1947. Back when the Golden Globes only announced their winners and neither NYFCC (age 12) nor NBR (age 2) had supporting acting categories. Searching for alternatives to Oscar’s lineup -- as we like to do when approaching a new Smackdown --  is appealingly open-ended. There are ways to find other options without awards bodies, though. The simplest is to call upon decades of film history to see which of any year’s most durable films have noteworthy female performances. For instance, has any other 1947 film so formidably established itself in the canon as Powell & Pressburger’s Black Narcissus... particularly as an offering of great actressing?

Centered on a group of Anglican nuns instructed to open a school on a Himalayan mountainside already infamous for scaring off other settlers, the film maintains the directors’ penchant for overripe atmosphere and jaw-dropping spectacle... 

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Review: A Hidden Life

by Cláudio Alves

Though I'm an atheist, I've long been fascinated with stories of faith and spirituality. When it comes to cinema, this is especially true. It's difficult to not be drawn to Bergman's reveries about a cruel God, Dreyer's religious ardor or Bresson's catholic severity. They move and engage, they challenge and inspire, even when the viewer doesn't believe in the cosmic orders they take for granted. Terrence Malick is a good name to add to that list. After all, the Philosophy professor turned filmmaker has dedicated much of his career to the transmutation of the soul into film. He creates spiritual odysseys out of light and color, intuitive editing and ephemerous scripts, star-studded casts and beautiful cinematography.

His style is so specific it's become prone to parody and his self-important themes can feel alienating. A Hidden Life exemplifies all of this to the extreme and, in some ways, it seems to announce itself as the ultimate Terrence Malick project…

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Over & Overs: "Sister Act"

Please welcome new contributor Kyndall Cunningham...

As a churchgoing kid with a fairly good singing voice, choir took up a big chunk of my adolescence. I attended weekly rehearsals, went to my choir mates’ houses to practice and woke up at the crack of dawn on Sunday mornings to perform for the congregation (and God). I had a strong affection for gospel music, but my intense involvement in ministry at such a young age felt deeply uncool at times, if not isolating from the rest of the world. It wasn’t until I picked out Sister Act from my family’s VHS closet one day that I saw that part of my life tied to pop culture in an exciting way. Needless to say, I began screening the film religiously. 

Sorry. 

Like a lot of stories about women turning a new leaf, Sister Act begins with a breakup and ends with a love story...

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Review: "Cyrano, My Love" & "By the Grace of God"

by Cláudio Alves

Pity those who live in the shadow of Oscar's champions. Such is the case of two French films from last year which now arrive in American theatres. If they were Hollywood productions, we'd surely be talking about Cyrano, My Love and By the Grace of God as potential contenders. As it stands, they can expect some golden recognition in the shape of the César rather than a little golden man. They must also expect eternal comparisons to more famous movies... 

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AGLIFF: Gay Choruses, Trans Athletes, and Chicken-Fried Everything

by Nathaniel R

Nathaniel and two fellow jurors (though we weren't in the same jury) at AGLIFF

Hello "y'all" (when in Texas...) writing to you from blistering hot Austin where the 32nd annual aGLIFF festival is nearing its wrap. The festival, which runs from Thursday to Sunday each year in late August is actually the oldest film festival in Texas. Yes, even older than SXSW though not as famous.

The festiviites began Thursday night with a packed house at the Alamo Drafthouse for a performance by the Austin Gay Men's Chorus followed by the opening night film, Gay Chorus Deep South (2019). It's a very moving documentary about a the iconic San Francisco Gay Men's Chorus and an all volunteer charity tour they made of the Deep South after T****'s election. The tour was an attempt to bridge divides between red and blue, and combat rising anti-LGBT sentiment within the country and specificially the ever-present anti-LGBT sentiment within our nation's churches...

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