Doc Corner: 'Retrograde'

By Glenn Dunks

Retrograde is the best movie that Matthew Heineman has made. At least from those I have seen. I’ve been critical of this American director in the past for taking the somewhat lazy non-fiction critical expression “it plays like a real-life thriller” too literally, making movies like Cartel Land and City of Ghosts that put themselves above the subject. I never saw his dramatic feature A Private War with Rosamund Pike, but it didn’t surprise me that Heineman had made that leap.

This film, his third in as many years, thankfully takes something of a step back from what appeared to be his natural directorial instincts. For the most part, Retrograde is in service of its subjects and not the filmmaker.

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