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Entries in Romantic Comedies (99)

Thursday
Apr212022

Counter-Point: The 50 “Best” Rom-Coms (Pre-’90s)

by Mark Brinkerhoff

That sound you heard this week? It likely was #FilmTwitter collectively reeling from reading The Ringer staff’s list of the 50 “best” romantic comedies of all time. What prompted such a breathless response, however, was that only one of the films on the instantly infamous list pre-dated the 1980s, and it *wasn’t* Annie Hall. No, that Best Picture-winning, genre-redefining classic didn’t make the top *50*, Harold and Maude did. 

Now far be it for me to quibble about anything the late, great Hal Ashby made (namely Harold and Maude) but the otherwise ignorance of literally more than half a century of not only the very best rom-coms, but some of the finest films of all time—period—can’t go unnoticed. So with that, here’s a non-exhaustive, chronological list of the “best” rom-coms from the genre’s Golden Age in the ’30s through its modernization in the ’70s/’80s with links to where you can watch them...

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Friday
Apr152022

Hit Me With Your Best Shot: Seven Brides for Seven Brothers (1954)

by Nathaniel R

Jane Powell is no Julie Andrews but she does take a spin on a hilltop while singing in MGM's "Seven Brides for Seven Brothers"

Our film title this week on Hit Me With Your Best Shot is Seven Brides for Seven Brothers which is streaming on HBOMax. We knew we'd need to chase The Godfather with something lighter so we opted for a musical. So saddle up, and ride into this absurdly problematic but bouncy and colorful comedy after the jump...

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Saturday
Apr022022

Doris Day @ 100: "Pillow Talk"

By Christopher James

Doris Day had the biggest hit of career with "Pillow Talk," which was her first movie with Rock Hudson

Doris Day’s sole Oscar nomination came for Pillow Talk. If this isn’t the best performance of her career, it’s at least the most iconic version of her persona. For those looking to get a sense of her star character, this is the best place to start. Pillow Talk was the highest grossing movie of Day’s career, and the start of her most bankable period. According to the Numbers, Pillow Talk was the fifth highest grossing film of 1959 with $18 million box office (roughly $182 million adjusted for inflation). In addition to acting, Day also sings three songs in the film, most notably the titular song that plays over the delightful opening credits.

It’s impossible to resist the pairing of Rock Hudson and Doris Day in Pillow Talk. While Down with Love most infamously used this film for reference, so many modern romantic comedies and sitcoms mine from Pillow Talk, which effectively wrings laughs from miscommunications, mistaken identities and odd couple dynamics...

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Monday
Jan242022

Sundance: 'Cha Cha Real Smooth' is Frustrating, But Lands On Its Feet

by Eurocheese

Cooper Raiff wrote and directed Cha Cha Real Smooth, in which he stars as Andrew, a conflicted often frustrating man. The first scenes show Andrew in romantic situations at different ages (preteen and just after college), letting the audience know two things about him: he speaks without a filter when it comes to his emotions, and he falls head over heels when he is drawn to someone. When he isn’t romantically entangled, he stays with his loving mother (Leslie Mann) and her boyfriend (Brad Garrett), who he taunts at every opportunity. (At one point, Andrew asks the boyfriend if his purpose on earth is to make things weird… which someone should have been asking him instead!) 

Andrew’s outspoken nature is an excuse to be casually cruel at times though people find him charming. The script relies too heavily on this “charm,” including when he attends a bar mitzvah with his brother and meets Domino (Dakota Johnson) and her daughter Lola (Vanessa Burghardt). It’s clear he feels a spark with Domino right off the bat. The feeling is mutual though he makes remarks that would have most people running away from him... 

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Tuesday
Jan112022

Streaming: "Four To Dinner" and the problem with Italian Netflix movies

by Elisa Giudici

In the new Netflix movie Four to Dinner, beautiful thirtysomething singles are invited to a married couple's dinner on a picturesque Roman terrace. The terrace is not quite as breathtaking as the one with the hammock facing Colosseo in The Great Beauty, but it's still the kind of terrace mere mortals can only dream off, in Italy or elsewhere.

The married couple hosting the dinner is playing matchmaker, but they have different opinions on which singles should be paired. Would it be better to match their friends with similar temperaments or to test the chemistry between two opposites? The answer is both, at the same time...

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