Links: Movies (and TV) Matter, Garrel Picks Pics, Oscar's Centennial

Thrillist "Why everyone was wrong about Warcraft" - the summer's most underrated movie?
MNPP great moments in movie shelves hits Young Frankenstein
The Wrap looks at Colton Haynes winning an HRC award. Why Colton, exactly?

Criterion Louis Garrel chooses movies from the Criterion closet. He likes Jacques Tati, Loves of a Blonde, and Amarcord among others
FlavorWire looks back at Madonna & Sean's Shanghai Surprise in its Bad Movie Night column
Telerama (in French) Alain Guirardie talks about his filmography - he thinks he can do better than Stranger by the Lake! 
SBS hilarious satire video on White Fragility in the Workplace
Slate pits Bad Moms against Ghostbusters because women have to be pitted against each other!
NY Times on current film restoration anxiety asking the following question which I swear is going to give me regular nightmares:

What happens to an art when its foundational medium disappears? 

Today's Must Read
Richard Brody at the New Yorker wrote a great piece called "Why Movies Still Matter?" that examines the critical circularity that leads people to write things like "Could This Be the Year Movies Stopped Mattering?” We're all inside this ororborus! Help. My favorite part is his contention that the rise in popularity of serial television is actually emulating the college experience. Interesting.

The experience that the watching and the critique of new serial television resemble above all is the college experience. Binge-watching is cramming, and the discussions that are sparked reproduce academic habits: What It Says About, What It Gets Right About, What It Gets Wrong About. There is a lot of aboutness but very little being; lots of puzzle-like assembling of information to pose particular kinds of questions (posing questions—sounds like a final exam), to explore particular issues (sounds like a term paper). For these reasons, television’s actual competition isn’t movies or museums or novels but nonfiction books, documentary films, journalism, radio discussions, and general online clicking. Serial television is designed to gratify the craving for facts to piece together and analyze. The medium seems created for the media buzz that’s generated by the media people who are its natural audience, and to whom the shows owe their acclaim, their prestige, and their success.

Then he goes on to investigate the personal versus the public in our cinema experience. Love this piece. So much to think about and not judgmental about those film or television! Or to quote another great writer...

TV and movies have been coexisting for decades, yet the number of people insisting one must vanquish the other remains constant.

— Farran Nehme (@selfstyledsiren) August 29, 2016

  

News
EW Emily Blunt hears what Julie Andrews says about her casting as Mary Poppins Returns
Guardian Anne Hathaway to star in Live Fast Die Hot  the adaptation of a bestseller about new motherhood and responsibility
Variety Richard Linklater is making a sequel (of a sort) to The Last Detail (1973) called Last Flag Flying
/Film early photos from Woody Allen's Crisis in Six Scenes, his new streaming series
Towleroad Matt Bomer has signed on to play a trans sex worker in a new film called Anything. They're still not casting trans actors for trans roles which is a shame. Especially since we actually have famous trans actors now, proof that there's no reason to not cast them or think they can't win media attention themselves 
Variety Stranger Things renewed for Season 2. (I liked Season 1 but a continuation of that story seems like a mistake to me. Better an anthology template!)
Comics Alliance Stranger Things' breakout "Barb" (Shannon Purser) will guest star on CW's Archie adaptation Riverdale
Awards Daily Warren Beatty's Rules Don't Apply will open the AFI Fest this year in November 

FINALLY
In case you haven't heard ABC and Oscar have extended their contract. The Oscars will now be held on ABC through 2028 now. In extremely related news: 2028 is when the 100th Academy Awards will be held so imagine that centennial. If you'd like TFE to be around for that (so far away) please consider joining our monthly donaters --see sidebar -- because it's so not easy to keep making this site work each year, financially speaking. 

the link i live in

Animation Magazine Have you heard that Steve Jobs wanted Aaron Sorkin to write a Pixar movie? It's be more interesting if he wrote a movie about Pixar. How would his sharp sometimes cynical wit mesh with Pixar's self-promoted internal cheer as the happiest workplace on earth?
Towleroad I say a few words about Pedro Almodóvar's latest
IndieWire interviews Elena Anaya on her role in The Skin I Live In. *mild spoiler alert*
New York Times "The Formula of Melodrama" brought on by Almodóvar's gripping The Skin I Live In.
My New Plaid Pants more pics from the set of Steven Soderbergh's flesh fest Magic Mike plus JA's hilarious commentary. 

Gold Derby finds fun elected trivia about Meryl Streep's upcoming nomination for The Iron Lady (what do you mean "if") 
Awards Daily pontificates about Olivia Colman's Oscar chances for Tyrannosaur. I saw the movie much earlier this year and she is brilliant in it. 
Culture Map Austin Kristen O'Brien shares memories of George Harrison, whose back in the cultural ether (not that the Beatles ever leave it) given Martin Scorsese's documentary. Love this bit about Madonna and Shanghai Surprise (which Harrison provided music for) of all things.

On this last visit to Friar Park we met first to view footage from the film Shanghai Surprise. I joined Dad to watch the dailies with Harrison and the principal actors in the film, Madonna and Sean Penn. After the screening, we went back to Friar Park for dinner. However, before dinner was served, we gathered in the TV room so that Madonna could get Harrison’s feedback on her latest as-yet-unreleased video. It was "Live to Tell," and she shyly played it for all of us, looking earnestly to George for his approval. After the video we watched The Muppet Show, and I remember thinking it was funny, but yet perfectly natural, to be sitting here with Madonna laughing over Miss Piggy and Kermit the Frog.

CBR has a list of unproduced superhero movie screenplays that might make good comic books. Though I knew that Tim Burton and Michelle Pfeiffer wanted to do a Catwoman movie after Batman Returns... I didn't realize that an actual screenplay was turned in (and rejected). Either that or I've just forgotten to block out the pain. 
Keyframe Nick, Timothy and Kevin (three of my four favorite Chicagoans) are arguing over the Chicago Festival fare in this ongoing conversation including The Kid With a Bike, Miss Bala, My Week With Marilyn, and The Artist, and Melancholia. I'm happy to see Nick appreciated Melancholia as much as I did. Where is my review? Funny you should ask. Why am I procrastinating it so? 

Finally, if you're young musical theater performer type -- I know TFE has readers of that persuasion -- you might want to consider auditioning for The Glee Project Season Two. In the past I've always been violently opposed to reality shows which cast productions of anything. Casting should not be a democracy. It should be left to the experts or the people who have to work with the people that are auditioning. I had NO intention of watching this show but I stumbled on it one day and was surprised at how interesting it was. The audience couldn't vote (yay!) and it became this behind the scenes expose (albeit heavily edited and undoubtedly self-censoring) of how show creators react to talent who would love to work with them, and what does or doesn't factor into their hiring decisions. It reminds you of how true it is that talent will only get you so far (i.e. a foot in the door) but there are so many intangibles in showbiz.

Shanghai Surprise?

Last night while Lady Gaga was living through an entire MTV VMA evening as "Jo Calderone" her male alter ego, I began to wonder if she could ever transfer to the big screen? In the past I'd always dismissed the notion but I think she pulled off that bit of theater last night. At the very least she sure is committed. And doesn't it seem that every major pop star eventually tries the silver screen. Britney Spears, who was also honored last night, did. Remember Crossroads? She didn't. For every Cher or Justin Timberlake who make a real honest go of it, there are dozens and dozens of musicians that fail at it or do okay but move on any way and their efforts are, generally speaking, quickly forgotten.

Which got me to thinking about Shanghai Surprise, which opened 25 years ago on this very day. No joke!

Madonna and Sean Penn, the early years

...though many thought the movie was.

Shanghai Surprise was Sean Penn and Madonna's first and last film together and it premiered just a year after the media explosion that was their wedding and subsequent volatile marriage. I haven't seen Shanghai Surprise since the 80s and the only thing I remembered about it before I took a wee peek today was that Madonna played a missionary who at one point just stripped into a white slip and seduced Sean Penn.

As missionaries do.

The reason Madonna was never much of an actress is that she was always too aware of the camera. It's a bit of an irony, since great film acting is all about an actor's relationship with the camera, but they really can't show that they're aware of it unless they're wildly talented and doing so on purpose. Otherwise, the audience just gets uncomfortable. 

God Nathaniel, why are you reminding people of a rare failure?!

Still, for all of Shanghai Surprise's badness, whenever two colossal careers meet in some disastrous way that's recorded for posterity, it's kind of fun to witness / remember. Take the moment Madonna first sees Sean Penn above. She is prim and proper and he is a totally drunk, half naked man who's screaming at people in Chinese.

Madonna's only had a couple of lines before this, all of them entirely wooden. But when she stares at him in disgust and confusion, it's hard not to feel a bit sympathy as soon as you are also staring at him. Penn was already, by 1986, an acclaimed and wildly confident actor.  

And he's ACTING enough for both of them, trust.

Look at that. [Displaying tattoo] He didn't even finish the nipples on my little sweetheart!"

Have you ever seen Shanghai Surprise? Do you ever think about which pop stars could make it as actors?