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The Film Experience™ was created by Nathaniel R

Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Top Ten Cate Blanchett


Remember when George Clooney swore she was going to win an Oscar for The Good German?
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Elizabeth Debicki in Gatsby reminded me of Cate in Ripley. That same haughty confidence, although Debicki galloped across the screen while Cate glided.
-Murtada 

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Entries in Catwoman (19)

Monday
Apr292013

Meow. It's Michelle Pfeiffer's Birthday!

To celebrate the 55th birthday of the one and only I thought we'd resurrect an old post about her Catwoman performance. If she's got nine lives so should this post. Please to enjoy...

Tim Burton's Batman Returns, the best Batman film (you heard me... throw down!) is now 15 21 years old and still one of the best comic book films. The movie didn't change cinema or its genre or significantly alter any careers. But it did send yours truly and millions of other Pfeiffer inclined moviegoers into a pfrenzy, arguably marking the apex of La Pfeiffer's cinematic reign. She was still in Oscar chasing mode (Love Field) and the full fledged move from heavy dramatic lifting into light mainstream fare (One Fine Day) and then blink and you'll miss her erratic appearances (Dark Shadows) was years away.

Ten Best Catwoman Line Deliveries
All the dialogue rocks but these are my favorite Pfeifferian readings

10 "Life's a bitch. Now, so am I"
Blockbusters love to shove quips on the public, in the hopes of catchphrase afterlife. This one’s pretty basic but Michelle sells it with true believer zeal.

9 more purring quips after the jump

Click to read more ...

Wednesday
Mar202013

Beauty Break: Horizontal Lovelies


 

 

From top to bottom chronologically: Natalie Wood, Jane Fonda as Barbarella, Burt Reynolds as The Cosmopolitan Man, Carrie Fisher as Princess Leia Organa, Miss Piggy, La Pfeiffer as Catwoman, Rollergirl of Boogie Nights fame, Charlize Theron as Aeon Flux, and Dame Helen Mirren.

P.S. If you would like to replay this post at maximum volume, might I suggest queueing up the Velvet Goldmine soundtrack whilst doing so?

 

Saturday
Dec222012

Screenplays of '12. Pg 12. "The Dark Knight Rises" 

New daily! I'll be sharing page 12 of every screenplay I've received for 2012 Films. With commentary! Until you get bored. Which maybe you already are? I thought y'all would love the last entry on Zero Dark Thirty but there be crickets.

The following scene is our introduction to the sole bright spot in Chris Nolan's final Batman film. That'd be Anne Hathaway as Catwoman if you were momentarily confused. I'm not sure what I was thinking when I gave the film a positive if unenthused review. It did not age well within the summer, let alone the year. I'd easily name it Chris Nolan's worst film (though I have not seen Insomnia). But anyway... PAGE 12. 

INT. SITTING ROOM. EAST WING, WAYNE MANOR - CONTINUOUS

The Maid looks at FRAMED PHOTOGRAPHS OF RACHEL, THOMAS, and MARTHA WAYNE. Some are half-burned. She notices an ARCHERY TARGET, ARROWS stuck in it. She reaches out - WHAM! AN ARROW STICKS IN THE TARGET - the Maid spins around, FLUSTERED. Wayne, at the other end of the long room lowers a COMPOSITE BOW. Picks up his cane.

                    MAID
I'm, I'm terribly sorry, Mr. Wayne.
It is Mr. Wayne, isn't it? 

Wayne nods, gently. Limps toward her.

                    MAID (CONT'D)
Although you don't have the long
nails...
(nervous laugh)
Or facial scars...

She trails off, embarrassed. Coy. She seems very young. 

                   WAYNE
Is that what they say about me?

                     MAID
It's just that... nobody sees you...

Wayne approaches, slowly. He nods at her PEARL NECKLACE...

Aren't you glad I didn't bore you with the first half of the page which is a scene with Marion Cotillard? Good Chris(t) but Nolan didn't do her any favors by casting her in that picture.

So let's all just focus on Awesome Annie (VIDEO AFTER THE JUMP)

Click to read more ...

Thursday
Dec062012

Once Upon a Time in the Link

I have been remiss at sharing good stories and posts from around the web so I hereby return to it.

Pop Matters Jose takes another look at Marion Cotillard's work in Rust & Bone and contemplates Oscar
Pop Elegantarium Alexa loves the screwball comedy of David O. Russell's Silver Linings Playbook 
Sam Hiti Once Upon a Time in the West fans should check out this artists tumblr 
The Hot Blog David Poland on the NYFCC winners
Cinema Blend two Woody Allen classics coming to Blu-Ray this January 


EW top ten lists from popular critics Owen (Lincoln @ #1) & Lisa (Zero Dark Thirty @ #1). They both choose one Oscar hopeful among their "5 worst of the year" lists, too.
E! Online Rose McGowan is the latest actress trying to achieve Michelle Pfeiffer's now immortal Scarface look 
Antagony & Ecstasy wonderful piece on Life of Pi by one of the web's best critics 
The Carpet Bagger talks to the editor of Flight about the plane crash scene 
My New Plaid Pants who wore it best: animated decapitation
In Contention I totally forgot to mention the Golden Satellite nominations. Lots of love for Les Miz but also weird nominations for films that never opened in the States like Kim Ki-Duk's Piéta so I'm not sure what their criteria is for eligibility anymore

Coming Soon Anne Hathaway recently burst into tears when asked about doing a Catwoman spinoff, adding

...assuming there was enough Kleenex in the world, I would love to do a spin-off

 

 


Vulture Speaking of Anne Hathaway. Sort of. a screening of Les Misérables that I would've killed to be it for Academy and Globe members. Hugh Jackman sang and lap danced for birthday girl Amanda Seyfried 
Gawker on the 13 most powerful images of naked celebrities for 2012 
In Contention Pedro Almodóvar, as you know my favorite living filmmaker, will be getting an Academy tribute in London. I'm so jealous of Guy Lodge right now who gets to attend these London events
Stale Popcorn Glenn on Australia's film award nominations (formerly AFI and now called AACTA) . The musical The Sapphires leads.
Cinema Blend Casey Affleck stayin' creepy. He aims to play the Boston Strangler in a new film 

Finally, Grease superstars of yore, John Travolta and Olivia Newton-John made a new video together for their Christmas album.

No comment. My inner child loves Livvy & Grease too much to comment. (Other than that John Travolta who not so unrecently commanded $20 million a movie maybe could have spared two hundred thousand dollar bills so this didn't look like it was made for two!)

Thursday
Oct252012

Feline Oscar Twins: Anne & Michelle?

In the hall of fame of superhero/villain catchphrases “oops” (Anne Hathaway, The Dark Knight Rises) never stood much of a prayer against “me-ow” (Michelle Pfeiffer, Batman Returns), nor could the dark side self importance of 2012’s “there’s a storm coming Mr Wayne” ever best the sexier playful 1992 ‘dark side?’ retort “no darker than yours Bruce”  But catch phrases aren’t everything...even when you've got zingy ones like "life's a bitch now so am I" In the great Catwoman wars of popular culture, it’s always in some ways a draw. Every generation and every aesthetic gets their own James Bond and so it goes with all enduring characters which win several iterations. Michelle Pfeiffer’s Selina Kyle may never claim the easy universally agreed upon “Best Catwoman Evah!” victory you’d expect given Pfeiffer’s mammoth performance (give or take Heath Ledger, the most psychologically precise, overachieving & seismically inspired in superhero cinema) but what can you do? Before The Dark Knight Rises premiered I braced myself for the onslaught of “best catwoman ever” pieces which I knew would proliferate. In truth they would have even for a  performer less dazzling than Anne Hathaway’s.  Out with the old and in with the new is, generally speaking, the law that governs pop culture. It’s just How Things Work.

Catwoman watching Catwoman. Feline staring contest in 1...2...

With the recent news that Anne Hathaway would be campaigned as Best (Leading) Actress for the role, a strategic move which has been taken more seriously than I was expecting given that she has no prayer in hell of a nomination for everyone’s favorite good/bad girl in spandex, this Hathaway/Pfeiffer story wouldn’t leave me.

Twenty years back when Michelle Pfeiffer lept into the feline role vacated by Annette Bening she nailed the role winning “best in show” reviews, winning a massive new army of fans, achieving her biggest box office hit, and sailing on to an Oscar nomination for the year (albeit not as Catwoman). Leap forward a couple of decades and history repeats itself four times over…. Well three times over for now but we all know Anne Hathaway will make it four-for-four once Les Miz hits.

It's worth thinking about Hathaway and Oscar through the prism of Pfeiffer. It's not a perfect identical twin situation but the similarities don't end with "what happened with Catwoman." At the time of Batman Returns/Love Field Michelle was a 34 year old previous Oscar nominee who had been famous for 10 years and had already co-starred in one very major also-ran Best Picture nominee (Dangerous Liaisons). At the time of The Dark Knight Rises/Les Miserables Anne is a 30 year old previous Oscar nominee who has been famous for 11 years and has already co-starred in one extremely major also-ran Best Picture nominee (Brokeback Mountain). Both actresses played Catwoman in the summer and followed it up at Christmas time by starring in something more typically Oscar-friendly, Pfeiffer in a civil rights drama and Hathaway in an epic musical. 

On top of all of Fantine's problems... she never return her DVDs to the video store

But here's where the similarities end and Hathaway's Oscar story may have a much happier ending. For one, Anne Hathaway's Catwoman arrived in a culture that has moved past viewing superhero films as "fluff" and is therefore less shy about recognizing acting achievements inside of them. For another, the eventually nominated performance by Hathaway is likely to be "the right one of the two" whereas Michelle was chosen for the wrong performance -- not that she isn't very good in Love Field, but it's not the inspired no one else could do this work that her Selina Kyle was. Finally and most obviously Les Miserables will be no Love Field, a film that was barely released and was largely only acknowledged -- if it was acknowledged as all -- as a vehicle for a Michelle Pfeiffer nomination. If you want to stick to the Pfeiffer narrative Les Miserables is far more likely to be Hathaway's own Fabulous Baker Boys... only this time there's no Jessica Tandy in sight to steal the statue away from a glorious actress in the full bloom of her star power.