Showbiz History: Sophia Loren, Emmy Nights, and Female-Driven Hits

13 random things that happened on this day, September 20th, in showbiz history...

1941 The Porky Pig short "Notes to You" was released. It's sometimes credited with introducing Sylvester the Cat but that's erroneous. The confusion probably stems from the fact that this short was remade as "Back Alley Uproar" seven years later with Sylvester, by then an official character who looks not unlike this cat, and Elmer Fudd in the roles. 

1975 "Fame" hits #1 in the US, the first David Bowie record to do so... 

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Round 7 for Penelope & Pedro with "Parallel Mothers"

by Nathaniel R

Given the elegaic tone of Pedro Almodóvar's brilliant autobiographical Pain & Glory (2019) we worried that it might be his last film. We're so pleased to be feeling paranoid about that now. The 70 year-old master is already writing again or perhaps has finished writing something new. And not just one new project, but three! His next feature (which will shoot in early 2021) is a melodrama called Parallel Mothers, which will star his muse Penélope Cruz. The film will follow the lives of two mothers who give birth on the same day but whose lives take different courses (no word yet on who will play the other mother or if this is a dual role for Cruz). This will be the director and actress's seventh collaboration...

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Eric Rohmer Centennial: Six Moral Tales

by Eric Blume

Last weekend marked the 100th birthday of one of France’s greatest directors, Eric Rohmer, and we here at TFE figured that a nice way to celebrate him would be a look back at the six-film series that launched his career, the Six Moral Tales, which were released between 1962 and 1972.  

These films basically have the same plot:  a man obsessed or in love with one girl finds himself distracted by another woman, only to return to the first girl.  Rohmer uses this framework to examine the stunted male psyche, the rationalizations of behavior, and the mystery of love...

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SXSW didn't have a festival. But they do have winners.

Shithouse (2020) was the big winner at the phantom SXSW festivalA not so secret secret about film festivals: many juries are watching their category on screeners before the festival due to tight schedules, scads of programming, and the general chaos of actual festivals. So, though SXSW didn't actually happen this year, their juries DID give out prizes. Yes, it feels like new movies are but figments of our imagination but that's always the case to some extent with festivals, isn't it? Like Saint Frances which won big at SXSW a year ago only to finally emerge just in time for the Coronavirus to strike it down in theaters, a couple of weeks ago. So maybe in a year's time we'll see these movies!

Their winners and what the juries said about them....

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Cinema as the theatre of memory

by Cláudio Alves

Cinema is the ephemeral crystalized. The camera transforms the now into a remembrance like the petrified bodies of Pompeii, those monuments of frozen life that frightened Ingrid Bergman in Rossellini's Journey to Italy. I still recall when I first watched that classic and felt as if I was witnessing a film reacting to its own limited existence. When Bergman cries we see a star realizing she's no more than a shadow of yester, like those burnt cadavers her image is an unwitting memento mori. Since then, cinema's relationship to time has fascinated me, especially when it comes to the portrayal of memory. Rossellini showed me cinema remembering itself and Resnais shattered the recollection of personal history, Chris Marker paralyzed the days long gone and Varda made them abstract.

While these are names of the European vanguards, cinema as theatre of memory isn't a phenomenon exclusive to the art house. We need only look at this year's Oscar contenders to find ways of picturing memory on the big screen…

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