May Flowers: Stage Door

The Calla Lilies Are in Bloom Again... 

Such a strange flower. Suitable to any occasion. I carried them on my wedding day and now I place them here in memory of something that has died.

That line, uttered by Katharine Hepburn in 1937's Stage Door, quickly became synonymous with the actress. One need only adapt that clipped, upper crust voice and mention the bloomin' of those calla lilies for people to know exactly who you're impersonating. No other line is as popular in conveying what a unique star she was. (Well, a strong case could be made for some from On Golden Pond, you old poop. But by then even she seemed to be doing a Katharine Hepburn impression. And none of those have the history of this one.)

The line was used in the film for the play that Hepburn's character makes her theatrical debut in. It came from an actual Broadway flop that Hepburn starred in called The Lake. Just how bad was the show? In Dorothy Parker's review of it, she said, "Miss Hepburn runs the gamut of emotions from A to B." The play was so wildly atrocious that Kate herself paid the director to halt production. But, it was a learning experience for Hepburn.

When they decided to use it in the film, Hepburn proved that despite the seeming haughtiness and snobbishness people perceived in her, she was still able to laugh at herself and poke fun at her previous failings --–especially in the rehearsal scenes where she mechanically goes though the motions. Later in the film, when she says the line on opening night, she surprises everyone with how great an actress she actually is. The public, like her fellow actresses in the film, had underestimated her. (By the way, if you haven't seen Stage Door–you must! You owe it to yourself as an Actressexual. It's all about a theatrical boarding house and co-stars Ginger Rogers, Eve Arden, Lucille Ball, and Ann Miller!)

So, the next time you're doing your Katharine Hepburn impersonations for your movie-loving friends (and, really, who doesn't love a good Kate impression. Hell, Cate Blanchett won an Oscar for it...), remember those calla lilies and make Kate proud.

Stage Door: "Trip to Bountiful"

Dancin’ Dan here. The Tony Nominations come out tomorrow and Nathaniel will be discussing them along with a couple new plays he's seen. He has yet to see this one, though.

I have been a lifelong lover of live theater. As much as I love movies, nothing beats the experience of seeing a play or musical live on stage. Even at its worst, there is still an intangible quality to watching a story unfold right in front of you at the same time you are watching. At its best, though, that turns into something transcendent – there is something about watching a person really live a moment while you watch that is indescribable. In the new Broadway revival of Horton Foote’s The Trip to Bountiful with Cicely Tyson and Vanessa Williams (and Cuba Gooding, Jr.), there were two moments when the power of live theater asserted itself so strongly that I wept.

The first moment is by far the broadest in Tyson’s wonderful, Tony-worthy performance. Having almost reached her childhood home of Bountiful, TX, Tyson’s Carrie Watts finds herself in a bus station with a young friend she made on the bus (a lovely Condola Rashad). First, she breaks out into the hymn “Blessed Assurance”, clapping and swaying like a revival preacher. Then, only a couple of minutes later, she drags Rashad through the dance she remembers doing at the first social dance she went to, which just so happened to be in the very town in which they find themselves. It isn’t merely the sight of the eighty-something Tyson singing and dancing up a storm that moved me, but the transfer of energy between audience and performer that can only take place during a live performance. As Tyson went on, the audience was right alongside her, clapping along and willing her into a bigger, more energetic display. Tyson was all too happy to oblige, alight with a glow from within, sending the audience’s energy right back out to them, earning every bit of the ovation she received. It was truly a sight to behold. [more...]

Click to read more ...

Stage Door: Tom Sturridge Oscar's it Up in "Orphans"

Jose here. From its start, the new production of Lyle Kessler's famous Orphans, has been plagued with controversy and an aura of pure chaos. First, Shia LaBeouf infamously quit the play during the first week of rehearsals leading members of the press to wonder exactly what had gone wrong. While some blamed Alec Baldwin for his notorious bad temper, others wondered if there was indeed more than met the eye. LaBeouf was handily replaced by Ben Foster in the midst of a Broadway scandal that combined leaked emails, unexpected theater appearances and juicier drama than anyone in Smash could ever come up with.

Click to read more ...

Stage Door: Sigourney Weaver in "Vanya & Sonia & Masha & Spike"

On Mondays, Broadway's dark night, let's talk theater! I have reason to talk tonight, shout even. The highlight of my weekend was an unexpected one. I agreed to see Vanya & Sonia & Masha & Spike with friends knowing virtually nothing about it aside from the safe-guess that it was somehow riffing on Chekhov and that Sigourney Weaver was in it. Sigweavie was draw enough. 

This semi-blind purchase happily delivered far more than just starpower.

The play takes place in a single weekend at the childhood home of the very famous Masha (Sigourney Weaver), an Oscar-less aging movie star who made her name on a violent genre franchise. Heh. That sounds so familiar! Is playwright Christopher Durang having a winking laugh at his close actress friend? more

Click to read more ...

Stage Door 'Cast This!' Edition: The Other Place

Ocassionally on Mondays or Tuesday's, we'll talk theater.

Do we have any fans of TV's historic sitcom "Roseanne" in the house? I ended up watching a couple of episodes the other day in syndication which happens to me probably once a year when I chance upon it -- it's hard to click away from. It was a double dose of Laurie Metcalf, Roseanne's sitcom sister Jackie, since I'd just seen her onstage anchoring the psychological drama "The Other Place" in which a brilliant neurologist's life begins to fall apart. Or... is it her life falling apart or (SLIGHT SPOILER) just her mind? That's the crux of the drama and it's a real actor's showcase of a play.

Metcalf won three Emmy Awards (and probably a lifetime supply of bank account) for her work on that famous sitcom but now she's aiming at a Tony. This is a juicy role -- the whole show would be a concave mess if the actress at its epienter couldn't keep it lively -- and I think she's definitely a threat come June for the statue. 

I enjoyed the play -- despite it feeling a bit small for the big stage --  but since I long for more intimate drama films that give actresses this much to work with, I already want to see it as a movie. So let's play...

"CAST THIS!" in the comments

Zoe Perry (Laurie Metcalf's daughter) & Laurie Metcalf in "The Other Place"

The Roles:
• Juliana Smithton, a neurologist who may or may not be lying to herself about all the drama in her life: her husband leaving her, her young daughter running away with her husband's colleague, and her own declining health. 
Who You Need: an actress in her 40s or 50s who can project real intelligence with weird snaps of emotional immaturity and possibly mental illness. 
• The Woman who is several characters including an angry daughter, put upon assistant, and lonely divorcee.
Who You Need: an actress in her 20s or 30s to shapeshift for multiple characters, some actual characters some possibly only projections of actual people. Bonus points if she could believably be your lead's daughter. 

Theater Links To Go
20at20 Off Broadways shows for only $20 for next 20 days only
Playbill Frank Wildhorn's Jekyll & Hyde musical might be getting the big screen treatment. Ugh of all the stage musicals to adapt?! One that's of a story that's already had a bajillion film versions? Oops, that describes Les Miz too but at least Les Miz has the Les Miz music! This sounds more like a potential Phantom of the Opera problem.