Stage Door: The Father

Frank Langella is an imposing figure. Standing 6'4" tall, with a countenance absolutely befitting a man who has played both Dracula and Richard Nixon, the man simply looks like a force to be reckoned with. His sense of gravitas demands attention and respect. All of which makes what he does in Manhattan Theater Club's Tony-nominated production of Florian Zeller's play The Father even more impressive.

Langella plays André, an elderly man living in Paris with his daughter, Anne (Kathryn Erbe). At the start of the play, Anne is explaining why she has to get him a new helper: The last one apparently quit after André called her "a little bitch" and threatened her with a curtain rod. For his part, André at first denies the incident, then laughs it off, saying that he is perfectly competent to care for himself.

And here is where talking about the play gets difficult...

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Stage Door: She Loves Me (and Tony Preview)

Overheard whilst exiting Broadway's She Loves Me this weekend:

[surprised] That was just like 'You've Got Mail'!

Bingo, tourist ladies, bingo. She Loves Me, the 1963 musical, currently in the middle of its second Broadway revival, is adapted from the 1937 Hungarian play Parfumerie by Miklós László. It's inspired so many riffs so often you'd think it was a Shakespeare comedy. The play has already resulted in three well-known movies in the form of the touching Jimmy Stewart clasic (The Shop Around the Corner, 1940), an undervalued Judy Garland romance (In the Good Old Summertime, 1949), and the Meg Ryan/Tom Hanks rom-com You've Got Mail (1998). The shop changes as does the mode by which the anonymous lovers correspond without realizing they know and hate each other in real life. Expect an internet catfishing riff on the story in 3...2...1... Anyway, in 1963 the play was adapted into She Loves Me for the musical stage...

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Stage Door: The Crucible w/ Ben Whishaw & Saoirse Ronan

On Monday's (the "dark" night for many shows) Stage Door, we talk theater ...and often its film connections.

Arthur Miller's classic allegory about the Salem witch trials The Crucible is back on Broadway for a limited engagement currently scheduled to run through July. Expect Tony nominations as it's a gripping night of theater with high profile actors like Saoirse Ronan as the vengeful aggressive Abigail, fresh off her Oscar nomination, and acclaimed Brits Ben Whishaw and Sophie Okonedo as the doomed Proctors.

The Crucible has only been adapted to cinema twice, once in French in 1957 and most famously in English in 1996 with Winona Ryder, Daniel Day Lewis and Joan Allen (Oscar-Nominated) in the principle roles. That film was no classic so it's easy for the current production to obliterate it in the mind's eye. But for Joan Allen's utterly brilliant rendering of Goody Proctor. [More...]

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Stage Door: The Color Purple

The Color Purple (1985), Steven Spielberg's hit adaptation of the 1982 bestseller by Alice Walker lives in Oscar infamy as one of its two greatest losers with 11 nominations that produced zero wins. Here's a lesser known piece of trivia: The Color Purple, the stage musical adaptation of the same novel, narrowly avoided repeating that exact same trick at the Tony Awards in 2006. It was nominated for  11 Tony Awards but LaChanze won the Best Actress prize that eluded Whoopi Goldberg in the 80s for interpreting the mousy but resilient Celie.

Despite the original production closing only 8 years ago, The Color Purple is back on Broadway in a revival that's been winning raves; it's aiming for a bigger trophy haul this time. [More...]

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Stage Door: Nicole Kidman in Photograph 51

Stage Door is taking a little trip across the Atlantic, since David is lucky enough to live in London, where TFE deity Nicole Kidman is currently treading the boards in Photograph 51.

Every article announcing Nicole Kidman’s return to the London stage made reference to the infamous review labeling her “pure theatrical Viagra” when she first played in the West End in 1998’s The Blue Room. Seventeen years on, the subject of Photograph 51 could hardly seem more antithetical: Rosalind Franklin’s passion in life is her work, the groundbreaking research into the structure of DNA, her part in which has been forgotten by mainstream history, partially due to her premature death from ovarian cancer before her male peers were awarded the Nobel Prize for their work.

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