Sundance: 'The Territory' is a winner!

by Cláudio Alves

Settlers fight their way into the land. Inspired by colonialist ideals of manifest destiny, they go on a journey of discovery and conquest. This is how new countries are born, with blades cutting down the wilderness and burning paths. However, the settlers are not alone. Deep in the mysterious unknown, indigenous people reside in a land that's been their home for millennia. These adventurers wear cowboy-like hats while their enemies, abstracted into an exotic other, fight with feathers in their hair. The two forces clash, but theirs is not a fight of equals. Invaders calling themselves heroes have numbers and firepower on their side, centuries-old systems built to perpetuate violent domination. Even their bodies carry weapons, sicknesses they spread to the natives, killing them in active genocide. 

No, this is not an old-fashioned western of less enlightened days nor a chronicle of historical crimes. This is the story of our days. This is The Territory…

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Sundance: Thandiwe Newton finally gets a film worthy of her with 'God's Country'

by Matt St Clair

Thandiwe Newton has been a riveting screen presence throughout her career whether or not the films haven’t matched her level of excellence. With just a sharp glance or an emotive line reading, she always finds ways to grab your attention . The new Sundance thriller God’s Country, helmed and co-written by Julian Higgins, is finally a star vehicle worthy of her beguiling gifts...

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Sundance: In 'Utama,' home is where you die

by Cláudio Alves

Before he became a film director, Alejandro Loayza Grisi was a still photographer. Looking at his debut feature, Utama, it's easy to see the remnants of a photographer's sensibility, now transmuted into cinematic storytelling. Along with DP Barbara Alvarez, Grisi has framed the Bolivian highlands as a presence more important than any human. The cliché of the landscape being a character is not only present but transcended, to the point that the natural vistas become something of a cosmic deity. They're titan-like, cracked earth making up a wrinkled visage. The river is its mouth, once a gaping maw spewing life. Nowadays, it's just the sliver of a grimace, growing thinner, drying into oblivion.

This land is dying, and so are its people…

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Sundance: The relaxed dramedy of 'Am I OK?'

by Matt St Clair

Films like Am I Ok?, are something of a relief. The new joint directorial effort from Tig Notaro and Stephanie Allyne dispels the myth that we must have our entire life path figured out by the time 30 hits. Your chosen career, who you want to marry, etcetra. 30 may be a milestone, but you've still got plenty of time to find yourself. 

As 32-year old Lucy (Dakota Johnson) discovers, some people even figure out who they want to love later than expected...

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Sundance: Aubrey Plaza shines as 'Emily the Criminal'

By Ben Miller

Comedic actors turning to serious drama is nothing new, but the sardonic stylings of Aubrey Plaza are perfectly utilized in the grim Sundance offering Emily the Criminal, the feature fiilm debut from John Patrick Ford...

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