The Good Oscar Winner
by Nathaniel R
Look how I ran into last night at The Good Nurse premiere at the Paris Theater in NYC! And by "ran into" I mean "eagerly accepted an invitation to attend assuming we'd get to say hello again"...
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THANKS IN ADVANCE
by Nathaniel R
Look how I ran into last night at The Good Nurse premiere at the Paris Theater in NYC! And by "ran into" I mean "eagerly accepted an invitation to attend assuming we'd get to say hello again"...
Jose here. In Tobias Lindholm’s A War, the hardest battle for Danish commander Claus M. Pedersen (Pilou Asbæk) comes not in the warzone of Afghanistan, but in a courtroom back home where he faces prison time for a tactical decision that ended the lives of civilians. A thoughtful essay on the rules of humanity during wartime, the film remains largely apolitical while still engaging audience members who might question the very nature of foreign invasions, the need for war, and our roles as humans in a world that pits us against each other. Directed with confidence by Lindholm, the film remains outside any specific genre while providing a master class in how to create tension, intimacy and thrills.
A War has been nominated for the Best Foreign Language Film Oscar and Lindholm isn’t completely unfamiliar with the experience, having also worked as a writer in the 2012 nominee The Hunt. The versatile filmmaker is next working on yet another screenplay with Thomas Vinterberg and is also writing Paul Greengrass' next film. I had the opportunity to talk with him the day after the Oscar luncheon, and he shared his insight into creating time on film, his cinematic pet peeves and the excitement of awards season.