Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS

THE OSCAR VOLLEYS ~ ongoing! 

ACTRESS
ACTOR
SUPP' ACTRESS
ORIGINAL SCREENPLAY

COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in TThe Butler (1)

Wednesday
Jan082014

Costume Designers Guild Hustling for 'Gatsby', '12 Years a Slave', 'Her'

Glenn here to share the Costume Designers Guild nominations that were just announced this morning (what? you think they pay attention to whether other award organisations are announcing the same day?) I think it's safe to say that the costume category is The Film Experience collective's favourite category outside of the actressing ones, and this year's category looks like it will be a fight to the death between the spectacle of The Great Gatsby, the refined flare of American Hustle, and the authenticity of 12 Years a Slave. All three showed up in today's guild nomination - the first "below the line" guild citations of the season - alongside titles like Blue Jasmine, Her and The Hunger Games: Catching Fire.

Excellence in Period Film

  • 12 Years a Slave, Patricia Norris
  • American Hustle, Michael Wilkinson
  • Dallas Buyers Club, Kurt & Bart
  • The Great Gatsby, Catherine Martin
  • Saving Mr. Banks, Daniel Orlandi

The aforementioned three plus Saving Mr. Banks were obvious selections (and Nathaniel was already predicting them for Oscar), but the low-key '80s Texas ranch duds and Rayon's striking color-blocked ensembles of Dallas Buyers Club feel like a surprise. Or, they would if Jean-Marc Vallee's film hadn't been charging through the precursors already, I guess. Sad to see the fleetingly eclectic and generation-spanning work of Ruth E. Carter in Lee Daniels' The Butler miss out. Whither Oprah's crocheted disco suit. Likewise the sumptuous work of William Chang on The Grandmaster, the divinely textured albeit little seen fashions of Ralph Fiennes' The Invisible Woman, and (despite my loathing of the film) Julian Day's less-jokey '70s Rush attire including Chris Hemsworth's procession of fabulous, retro tees that I wish I owned and open-necked button-ups I wish I had the body to pull off.

Contemporary, fantasy, TV and Sandy Powell after the jump.

Click to read more ...