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Entries in Vera Farmiga (22)

Monday
Jul222019

Great Moments in Horror Actressing

by Jason Adams

Howdy folks and say howdy-do to my brand new series here at TFE, "Great Moments in Horror Actressing". I'll be smashing together my favorite things (horror movies) with your favorite things (actresses). We'll focus in on great women giving the scary movies that little oomph of something extra. I'm just going to be lasering in on little moments, scenes, flourishes that I find especially special -- the pieces that make the big scary whole all the sweeter. Or sourer, as the case will probably more often be, given the genre. 

First up, Vera Farmiga in Orphan (2009). Jaume Collet-Serra's horror film about an orphan (Isabelle Furhman) just looking for a home, no matter the cost, is celebrating its 10th anniversary this week. It's a truly astounding box of shocks that's managed to retain its ability to jaw-drop a full decade later. But for all its third act reveals that I still can't believe they got away with, and the titular mind-blowing performance, the film packs such a visceral punch as its bottom drops out because of the sound emotional foundation Vera Farmiga set up in its opening scenes...

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Monday
Jun032019

Review: When They See Us 

By Spencer Coile

Ava DuVernay, notable for her righteous films like Selma and 13, is unafraid of holding a mirror up to a culture that has condemned the subjects of her work. Her Netflix limited series, When They See Us is a piece of television that is rooted in the history and the humanity of its subjects. Following a contentious court battle, five boys (all either Black or Hispanic) were convicted of a crime they did not commit.

Accounts of the Central Park Five have been speculated and picked apart for decades, including necessary think-pieces, documentaries, and protests. After all, they were exonerated of all their crimes in 2002. When They See Us presents the timeline of this case; interrogation to court to their eventual release. These are all facts that a simple Wikipedia search would produce. What makes DuVernay’s work so astonishing, though, is the way she imbues this narrative -- one that is deeply embedded in our public consciousness - with traces of anger, and above all else, grace.

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Tuesday
Mar192019

Would you rather?

Time for another round of our silly Instagram-time-wasting distraction. Would you rather...

...have a double-ginger moment with Isabelle & Juli?
...see Dumbo with Dame Helen? 
... share a meal with a Quokka and a Hemsworth?
...cuddle a lamb with Vera Farmiga? 
... hike Koko Head with Cynthia Erivo? 
... visit Patagonia with La Pfeiffer? 
... sing-along with the Bee-Gees and Guillaume Canet? 

Pictures are after the jump to help you decide...

Click to read more ...

Thursday
Jan102019

Interview: Ben Foster on "Leave No Trace" and Acting as Therapy

by Nathaniel R

Ben Foster discussing "Leave No Trace" last summer when it openedWhen I first met Ben Foster he was promoting Rampart (2011), a hard and angry movie about corrupt cops in which the acting was (unsurprisingly) terrific, he would barely speak about himself. Time has mellowed him, or at least made him more lighthearted about his own intensity. He ended our last interview begging for a screen comedy but sadly that project has never materialized. In person he's friendly and thoughtful and funny, never as impenetrable or scary or tragically sad as he has been is in his famous roles. In fact he's a happy new father, having had a daughter with his wife, the actress Laura Prepon, just over a year ago.

We met last month to discuss Debra Granik's award-winning drama Leave No Trace. He plays Will, a former soldier who has shut himself off from society with only his daughter Tom (Thomasin McKenzie) for companionship.When Will and Tom are found living in the woods at the beginning of the film, social workers attempt to reintegrate them into society. The daughter immediately adapts but the father is tougher to reach. Leave No Trace is moving and insightful and beautifully acted so that's where we begin as we discuss his career, his early days in acting, and what's next.

Our interview, has been edited for clarity and length...

with Director Debra Granik on set

NATHANIEL: Projects like Leave No Trace live or die based on the chemistry between the leads, so how can you prepare for a two-hander like this. Were you involved in casting? 

BEN FOSTER: I was involved in casting so far as Debra said 'I found someone I really like, and she's in New Zealand, here's the tape'. It was recorded on her phone and I watched like 30 seconds before I was like 'Oh yeah, that's it.'  

Instant approval. That's so cool.

She has a quality --you see it in person and you see it onscreen, she's lit from within. [In awe] She's one of them.

And I assume you trusted Debra a little bit on unknown actors, too, because she's famous for that Jennifer Lawrence discovery...

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Tuesday
Nov062018

Review: "The Front Runner"

by Chris Feil

Fresh off of delivering exacting holistic wisdom with frequent collaborator Diablo Cody in this past spring’s Tully, Jason Reitman is already back and pivoting hard into political commentary with The Front Runner. Detailing the combustion of Gary Hart’s 1988 presidential campaign due to the outting in the press of Hart’s not-so-secret affairs, the film stars Hugh Jackman as the prideful candidate fatally underestimating the public’s association between his character and marital fidelity. Reitman and cowriters Matt Bai and Jay Carson cover the unraveling in stringent attention to the timeline, while angling this as a key breakdown in the separation of political media consideration and tabloid press.

The result is something unintentionally passive, a film about a political candidate flailing against public expectations he refuses to assuage. The film itself is equally headstrong about satisfying on its own rather limited terms...

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Wednesday
Oct252017