Say Goodbye Together with "The Conjuring: Last Rites"

by Nick Taylor

After twelve years, the main branch of The Conjuring film series has seemingly closed its doors. Whether we get any more Annabelles or The Nuns or a subsequent cash-grab inspired by the success of The Conjuring: Last Rites is a different story entirely, and I’ll wait a few years before I truly believe James Wan’s claims about this really being the end. But as a send-off to cinema’s own Ed and Lorraine Warren, there’s plenty of affecting work to admire within some godawful cinematography and a villain that’s never very compelling on its own terms.

We begin The Conjuring: Last Rites in 1964, as Ed and Lorraine (Orion Smith and Madison Lawlor) begin recording statements for their first-ever case. They’re investigating the haunted goings-on at a curiosity shop, where according to the shop’s assistant, there’s been an uptick in inexplicable paranormal activity since the owner inexplicably killed himself . . . .

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A Haunting in October: Halloween Round-Up

by Nick Taylor

Boo! You all thought this half-alive miniseries was dead for good, but you were wrong! I have returned from the grave for one final shriek to celebrate some of my favorite new watches from this October, along with a shout-out to a surprisingly durable favorite. As I wipe off my makeup from a long night of trick or treating, enjoy your candy and feast your eyes on this!

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The box office is open again. What did you see this week?

Been back to the movie theaters yet? We're so thrilled to be able to post a full top ten weekend box office report again. It's been ages since there were enough theaters open and movies in play. We've just barely gotten there of course. But the box office results to date (especially overseas) with the world starting to turn again suggest that Disney and Warner Bros have left a lot of money on the table by making things available to stream simultaneously or ONLY; they're betting their entire futures on streaming. Which might be wise but some decisions still feel foolhardy especially the decision to not release Pixar's Luca in theaters, given that it's already winning raves and might have been a perfect summertime bet in airconditioned theaters since it's a summertime tale and Pixar movies generally make hundreds of millions in movie theaters. Strange decision especially since they gave Raya the traditional release! When viewed in broader context of what gets a theatrical release versus what doesn't it's like pissing directly on Pixar when something like Dreamworks Spirit Untamed gets a theatrical release and Luca doesn't. Ugh.

Anyway. Here is the chart. What did you see this past week/weekend?

Weekend Box Office June 4th-6th 🔺 = new or expanding / ★ = recommended
WIDE RELEASE	PLATFORM TITLES
The Conjuring: The Devil Made Me Do It	Undine

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The Furniture: The Malevolent Secret Code of The Conjuring 2

"The Furniture" our weekly series on Production Design. Here's Daniel Walber

There are many ways to scare an audience. Music, special effects and editing are combined to surprise the audience with loud, unexpected images of malevolent demons or slashers or whatever. But what about production design? Can you be terrified by a stationary armchair?

The Conjuring 2 holds all the answers. James Wan is an excellent horror craftsman, a director who uses every trick in the book, including the sets and props. Production designer Julie Berghoff and art directors A. Todd Holland and Andrew Rothschild run amok, with the same ferocity as the film's music and editing.

Their first order of business is to exploit some of the genre’s stand-by images. There are a lot of crosses, in this case an entire roomful.

They stand at attention, ready to demonically invert themselves at a moment’s notice. There are smaller crucifixes sprinkled throughout the film, as well as the occasional window lit to resemble a cross... 

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