Nom Reactions Pt 1: Brilliant Acting, Good Surprises, Underperformers & "Snubs"

As is our habit we polled the team here plus some friends of the site about their Oscar nomination reactions and wanted to share those little blurbs with you! Would LOVE to hear you answer the same questions in the comments. Here's the first set of questions. 

Andrea Riseborough in "To Leslie"

1. Fav Acting Nomination?
2. What Shocked You the Most on Oscar Nom Morning (in a Gleeful Way?
3. Share your 'Ode to a Snub' 
4. Any Theories as to why ______ underperformed?

Would LOVE to hear you answer the same questions in the comments. But first here are our answers...

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"Pinocchio" and "Living" among USC Scripter Nominations

by Nathaniel R

The annual USC Scripter awards honor film and television adapted from other literary sources. The cool thing about them is they award both the current screenwriter and the original author being adapted.

It should be one of the nomination announcements that excite us the most each year in terms of assessment of screenwriting -- the jury is generally made up of writers and critics -- but they often fail to live up to their potential. Usually that's a result of them hewing very close to the Oscar conversation rather than suggesting that the full jury has actually been watching plentiful movies year round and thinking about the craft of writing. Whch is not to say that some of their choices aren't strong but there's usually at least one title that suggests they've been reading Oscar tea leaves rather than books and screenplays. I'll leave it to you to glean what that title is this year. They get a little more creative with the TV side, perhaps because there's no current awards buzz (Emmys were over a few months ago) to piggyback on...

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Left off the "Cast" list! (Our annual SAG outrage)

by Nathaniel R

It's a tradition of ours at The Film Experience for a long time now to note the egregious problem that they never fix in SAG voting. Which is that you have to be famous enough to get your own title card in order to be included in your movie's "Outstanding Cast" nominations. This has led to some truly grotesque omissions over the years... especially for scene-stealers whose breakout performances weren't honored even though they definitely helped the film to that very same "Cast" nomination.

If you're curious about this rule we explain it better here. This year we're already very late with this annual article, so let's get right into the SAG Outstanding Cast nominations and complain about who ISN'T nominated despite doing great work in those ensembles...

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'Everything Everywhere' and all over the Spirit Award Nominations

by Nathaniel R

A24's restless inventive sleeper hit Everything Everywhere All At Once continues to win. It's now the leader at the 38th annuel Independent Spirit Awards with 8 nominations and all four of its principal actors were nominated. In second place is Tár with seven nominations. Aftersun missed a couple categories we thought it might hit but it still did very well with five nominations overall.  Love for the rest of the eligible movies was more measured but Bones and All, The Inspection, The Cathedral, and Women Talking also showed up in a few places. 

Since the Spirit Awards have a budget cap ($30 million now) many key potential Oscar players weren't eligible including most Netflix titles as well as presumed Oscar players like The Fabelmans, Banshees of Inisherin, Empire of Light   and naturally all of the spectacle blockbusters. The Spirit Awards rule also deny international cinema the chance to compete in major categories, relegating them to a single "international" category... 

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AFI Fest: “The Son,” “Women Talking” and "Alcarràs"

by Christopher James

Sarah Polley assembles a terrific ensemble for her fourth feature, "Women Talking."

Though Saturday was Day Four of the AFI festival, it was merely my second day spent wandering around the halls of the TCL Chinese Theater subsisting on popcorn and soda alone. What a doozy of a day it was. The films all spoke in different ways to parenthood, family, community, and gender dynamics. Between Sarah Polley's Women Talking, Florian Zeller's The Son and Carla Simón's Alcarràs which film soared to be the best of the bunch and which missed the mark entirely? My takes on all three are after the jump...

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