Months of Meryl: It's Complicated (2009)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#42 —Jane Adler, a successful bakery owner caught in a love triangle with her ex-husband and her architect.

JOHN: Quick: name a recent American movie starring a 60-year-old woman who, in attempting to enliven her long-deferred sex life, is pursued by not one but two enamored men. Additionally: name a film like this that grossed over $200 million worldwide. Perhaps the only correct answer is Nancy Meyers’ It’s Complicated, which is itself a testament to both the rarified and barrier-breaking career of its leading lady, the one and only Meryl Streep. “Only” because, well, who else but Streep could get a movie like this off the ground and steward it toward a box office tier reserved almost exclusively for inane, teenager-courting blockbusters? In her 2011 Vogue cover story, Streep remarked that “in the period of Silkwood, [It’s Complicated] could never have been made, with a 60-year-old actress deciding between her ex-husband and another man. With a 40-year-old actress it would never have been made.” It’s Complicated is a star vehicle that is in some ways completely uncomplicated, but in other ways downright revolutionary, showcasing the effervescent charisma of its beloved star while also demanding that audiences consider a woman who undoubtedly exists in the real world but hardly ever graces the big screen... 

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NYFF: The Ballad of Buster Scruggs

Jason Adams reporting from the New York Film Festival

Anthology films always have a bit of an under-cooked quality - you like a chunk of meat here, a chunk of potato there, but the stew's uneven, the broth skinned over from sitting. Even the very best ones can feel haphazard - you can and should certainly argue that Pulp Fiction is an anthology film, albeit one that's po-mo'd up in glorious fashion, but some days you're just not in the mood for Honey Bunny, ya dig?  The Coens' six-part The Ballad of Buster Scruggs maintains that streak - highs, lows, and everything in between, slapped between two fraying book covers...

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TIFF Review: "Wildlife"

by Chris Feil

Paul Dano’s directorial debut Wildlife is a period domestic drama with a fire in its gut. It’s the kind of piercing portrait of a family that makes you want to marinate in all of its surprising details just as you desperately want to escape its breathlessly realized pain.

Picturing an emotionally desolate suburban America of shitty lawns and ranch style homes, Dano strikes a balance between toughness and compassion, cruelty and honesty. It's as if its family was built on the fault line of two massive tectonic plates and no matter how violent the inevitable eruption that is to come, it might be sadly better that they be ripped apart. For everyone.

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Review: The Big Sick

by Lynn Lee

Judging from its early reception, The Big Sick has all the markings of a sleeper hit.  Directed by Michael Showalter (My Name is Doris, Wet Hot American Summer: First Day of Camp) and written by comedian Kumail Nanjiani (best known to TV audiences as Dinesh on Silicon Valley) and his wife Emily Gordon, the movie’s loosely based on the stranger-than-fiction true story of how the couple overcame the dual barriers posed by his traditionalist Pakistani Muslim family and her medically induced coma.  That’s a story you couldn’t make up, or imagine mining for laughs rather than melodrama.  And yet here it is: a crowd-pleasing romantic comedy (though it’s really more of a dramedy) about a girl in a coma that’s equal parts funny and poignant without feeling the least bit exploitative.

Nanjiani plays himself, a tricky job he handles deftly, with a beguiling Zoe Kazan as the on-screen Emily, 

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"The Big Sick" is Coming for Your Heart

Chris here. Summer movie season isn't complete without one solid romantic comedy (or four, or ten, wishful thinking). This year's winner could very well likely be Sundance sensation The Big Sick.

The film stars comedian Kumail Nanjiani (who also cowrote the semi-autobiographical film with Emily V. Gordon) and Zoe Kazan as a young lovers on the outs thanks to the pressures of their interracial coupling...

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