Costuming Helena, Finding Sherlock, Winning Oscar

INTERVIEW
As one half of the first costuming team I ever noticed as a young movie fanatic, interviewing JENNY BEAVAN was a special treat. She's currently enjoying her ninth Oscar nomination for her work on The King's Speech. This is her third solo nomination. She and her former partner John Bright costumed the Ishmael Merchant & James Ivory period dramas that I grew up obsessing over: A Room With A View, Howard's End, Maurice and the like. When Jenny and I spoke to discuss her current Oscar run for The King's Speech, however, it was less period drama and more modern comedy. "I'm guessing as to what you're saying" she told me while technical difficulties had us both comically shouting into our phones / computers until the situation was resolved.

We began at the beginning.

Merchant/Ivory is after all, a very good place to start, both for a young film buff in the 80s and a costume designer embarking on a huge career in the movies.  "That was my start in the whole thing," Beavan recalled, noting that the films were great fun to do.

The Merchant & Ivory Days
John Bright's name was peppered throughout her conversation. In fact, she had just seen him earlier that day. I had long wondered why they stopped working together. "We were known as Jenny Bright and John Beavan," she says about their close partnership. "I mean, he is just one of my absolutely best friends and also my most important collaborator. Believe me we're still collaborating. Just not so officially."

As it turns out Bright owns and runs Cosprop, a hugely important costume house which specializes in period wear,  an enormous job in and of itself though he still does the odd film. I mention how much I love his work on the ravishing The White Countess (2005) with elicits a barrage of superlatives from Beavan. "Absolutely brilliant!" 

Howards End (1992), a masterpiece.

We discuss a particular moment in Howards End that I'm very fond of. The Schlegel sisters (Emma Thompson and Helena Bonham-Carter) walking home one evening run into Mr Wilcox (Anthony Hopkins). One can't get enough of the beauty of that movie. The clothes are so modest but there's such sensuality to them and something so resonant and bohemian about the sisters. Beavan credits the screenplay with the specificity that makes character costuming easier and the actresses with the film's modernity.

Beavan, having logged a lot of time in costume dramas, thinks there's real power with staying utterly within period. If you step away from the period, she explains "it looks wrong and then you get a sort of worry in the audience."  Producers, particularly the America ones, she shares, don't like to see hats in the movies. And sometimes you just have to use hats. "Everybody wore hats up until the 1950s in England!" she says with feigned exasperation.

My grandmother would never go out without a hat on. She wouldn't have felt dressed.

After the golden period of the Merchant/Ivory films, Beavan's official partnership with John Bright ended and  the designer got a chance to "fly a bit more my own." That's what one might call an understatement.

READ THE REST for thoughts on Helena Bonham Carter's style, "finding" Sherlock Holmes and more.

Click to read more ...

and furthermore...

Tom Shone "acting as a special effect" interesting piece.
The Playlist unveils the teaser poster for Pedro Almodovar's latest, The Skin That I Inhabit. Ewwww. I'm so scared to see this movie. But I shall.

In Contention checks out Vanessa Redgrave and Ralph Fiennes in the modern dress film version of Coriolanus, directing by Fiennes himself. How about that?
The Carpetbagger interviews The Social Network's invisible man Josh Pence, the other half of the Winklevii
The Wrap Lady Gaga on Jay Leno. You know... one thing I have to hand to Lady Gaga, the generosity and sentimentality she exudes in song and message doesn't seem faked at all. The way she handles Madonna questions in particular with respect is great. Because Madonna is the queen. Infinity.

Finally, the NY Times reports on Judi Dench's new book "and furthermore." The title implies that there is a previous book and we ought to read it since she's prepping a post script, addendum or some such in book form.

Complete the Sentence
If you were speaking with Dame Judi Dench what would follow your "and furthermore" with? "and furthermore ___________________"

Do tell her (and us) in the comments.

Friendly Neighborhood Spider-Man

With the official fully costumed first release from Sony we know that they're calling the Spider-Man reboot The Amazing Spider-Man (2012).

I love how Spider-Man is always so scrunched up or compressed in photos and drawings when he isn't all stretched out swinging on webs. He only has two physical modes and one of them is the one wherein he seems to be giving himself claustrophobia.

That's a neat photo but I've been totally giggling at the paparazzi shots of the filming. Fight scenes always look so ridiculous in still photos before special efffects and sound effects and score are added. Plus Spider-Man looks less amazing and more, uh, "Friendly" in these photos if you know what I mean.

[set photos from Socialite Life.]

Are you beginning to change your tune on this one with the neat texture and worn details of the costume and the terrific cast or do you think there's still no point?

Dark Shadows Slowly Moving Our Way

A big screen adaptation of television's cult oddity supernatural soap opera  "Dark Shadows" has been in development for ages now but it looks like it's finally happening. Tim Burton is finalizing his cast. In previous years this news would have thrilled me to no end. But it's been a long time since I could love a Burton film without reservation and adapting long form serials to the two hour demands of the big screen is wrought with... ahem... issues, no matter how talented the team. But maybe it's worth hoping that Burton could regain some early 90s glory? The last "vampires" (of sorts) that Tim Burton trained his camera on were actors playing them in his superb biopic Ed Wood (1994) so let's take that as a good omen.

And this:

"Elizabeth Collins Stoddard" and Michelle PfeifferDeadline reports that both Michelle Pfeiffer (wheeeeeeeee) and Helena Bonham Carter (duh! It's a Burton film) are both lined up for the major roles of Elizabeth Collins Stoddard and Dr. Julia Hoffman respectively.

The best part of this news might be this sentence at The Hollywood Reporter.

Pfeiffer is finding herself very much in demand this new year.

Music to a pfan's ears.

Since I've never seen an episode of Dark Shadows (have you?) I had to look these roles up. Elizabeth sounds like a beauty of a part. She's the regal shut in matriarch of the mansion where the story takes place and Wikipedia says "Despite her imperious and reserved exterior, Elizabeth is a deeply passionate woman who harbors several dark secrets." Ice queen with deep wells of inner fire? That's what you call Pfeifferian. It's not exactly a stretch but let's pray that Burton gets performances as good as he got for Ed Wood (which won Martin Landau the Oscar as the drug-haunted, faded star Bela Lugosi).

Dr Julia Meet Dr HelenaAs for Helena's role, she's a doctor who specializes in blood disorders who discovers the vampiric lead character Barnabas Collins. Over the course of the series her relationship to the vampire changes apparently but since this is a feature film with only two hours to tell the story who knows if she's friend or foe.

Some of you may recall that my friend Susan wrote a piece on this movie a couple years back at the old Film Experience blog and wherein she saw HBC coming in this exact role, writing.

Dr. Julia Hoffman's questionable methods and attitude make her my favorite character (so far) from the original series. The epitome of Barnabas’s foolishness is that he can’t see how fabulous the not-so-good doctor is since he’s blinded by the boring (but youthful) babes. If Burton ends up directing this, I’ll expect Helena Bonham Carter to take on this role, and since she doesn’t have to sing, I think she’d be a pretty good choice.

I presume I don't have to tell you which movie star has the lead role of Barnabas Collins. Who else would it be? Yes, him. Eva Green as the witch Angelique and Jackie Earle Haley as the con artist Willie Loomis have also joined the ballooning cast.

Have you ever seen Dark Shadows? Do you like the casting?

The Grammys Down Under

Awwwww I hadn't seen this.

I love Australians so much I feel like someone should offer me honorary citizenship. It's only right! In case you missed the previous Grammys posts, here's a better video of Nicole Kidman's already famous lipsynching moment. It makes me wanna put Moulin Rouge! in the DVD player right this second. 10th anniversary this summer!

But here we go again: Baz, stop partying! Get back to work.