The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Sometimes, when watching a particularly starry TV production, whether it's a movie or a miniseries, one wonders how it might have impacted the Oscar race if had been released on the big screen. Would Mike Nichols' epic Angels in America have made Jeffrey Wright an Oscar nominee back in 2003? Could Drew Barrymore have snagged Sandra Bullock's Oscar if Grey Gardens had gone to movie theaters? With the 2002 Supporting Actress Smackdown nearly upon us, I began to wonder how Academy Award nominee Queen Latifah might have figured in the 2015 Oscar race with her Bessie. After all, that HBO film is one of AMPAS's favorite types of buzzy titles, a famous musician's biopic with a cast full of prestigious names…
Considering I haven't watched it in almost 10 years, it was amazing how much I could accurately recall from Lee Daniel's Precious. As I revisited the Academy-Award winning film to write this piece, I found myself startled at how much of it had seared into my mind. A few line readings were so vivid that, even before hearing them again, they felt like echoes from years ago. Individual scenes had metastazied into memories like vociferous ghosts, brighter than any recollections of my actual life.
The way Gabourey Sidibe says that nobody loves her still hurts, a dagger of vulnerability mercilessly plunged into the audience's heart. No less affecting is Paula Patton's desperate response, assuring Claireece 'Precious' Jones that she is loved. Notice how Mariah Carey shows her social worker's interiority through repressed horror. She wears an armor of acerbity, delivering her lines with a put-upon dryness that both masks and iluminates the hurt inside. Then there's Mo'Nique and her final monologue, a sobbed question tearing through her throat and reminding us that this monster is painfully human. The film even packs some comedic delights. Who can forget Xosha Roquemore telling the class that her favorite color is fluorescent beige?
We're back to weekly podcasts! This week Nick, Joe, and Nathaniel discuss two new Best Picture hopefuls and one bold remake
Index (43 minutes) 00:01 Arrival - thinky empathetic sci-fi just when we're starved for understanding in the real world + Amy Adams! 19:35 Slight spoilery territory on Arrival and comparing it to other movies 27:05 Cape Fear's 25th anniversary. One of our favorite Scorsese's. 33:30 Loving a quiet civil rights drama 41:11 Almost Christmas and goodbyes
You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you?
For over two decades Queen Latifah has been trying to bring the life of Bessie Smith, the legendary "Empress of the Blues" who found success in the 1920s and 1930s, to the screen. Despite Bessie's life being a perfect mix of glamour and tragedy that seems tailor made for a biopic I'm not surprised it has taken Latifah this long to bring her story to life. Bessie Smith (Queen Latifah) is a rough hewn, country, bisexual, and passionate broad. The film doesn't sand off her edges or shy away from her contradictions instead it embraces them. Bessie tracks the legend from her early days as a singer with her older brother/manager, Clarence (Tory Kittles) always in her corner to the Great Depression when all her personal and professional success falters.
Anyone familiar with women's pictures knows the emotional terrain Bessie is covering. But what makes this women's picture downright transgressive is its sympathetic,multi-layered portrayal of black queer desire...
All Oscars All The Time Big Group they've taken that 'Oscar Dresses infographic' that was so successful a year ago and updated and expanded it with interactivity AV Club wants the Oscars to add these 11 categories. I say Nay! to most of these. The Academy nixed two of these very recently (Best Casting and Title Design) when they were proposed again David Poland thinks "preferential balloting" makes virtually anything possible in this tight Best Picture race and seems to expect a true spread the wealth night (as do I) Gurus of Gold the full charts in all categories The Atlantic Joe Reid on the lack of connection between Best Picture & Best Actress Vox tries to explain all the confusing Oscar categories - not who will win but the category definitions themselves THR Mo'Nique believes she was blackballed after her Oscar win for Precious for not playing the game and being "difficult". Hollywood is so frustrating. Who cares if she's difficult. That's one of the best performances of all time. Doesn't anyone wanna try bottling lightning again? The Wrap, truly jumping the gun, proposed 20 actors of color and 5 directors for all 25 of the major Oscar nominations for next year's race from films like Creed, Silence, Nina, Lila & Eve, and Crimson Peak
More Movies Keith Gow reviews The Last Five Years and he's much more satisfied with it than I am. One of my friends who is much more critical of modern movie musicals than I also loved it. I am definitely ready for a second look. GMA Jeremy Jordan and Jason Robert Brown perform a Last Five Years number on morning TV Empire 8 secrets from the set of Nightcrawler Dissolve on Neil Blomkamp's plans to direct another Aliens sequel. Sigourney Weaver is planning to return as Ripley. So exciting if we really do get a sixtysomething action heroine but I'm not holding my breath since Ridley Scott is working on a Prometheus sequel, too Interview amazing new photoshoot of Kristen Stewart who really turned it out as an actress this past year. More please First Showing yes it's true Pirates of the Caribbean 5 has started production (Noooooooo) with Javier Bardem wasting more of his time and YA stars Kaya Scoledario and Brenton Thwaites joining the cast The Film Stage Xavier Dolan in the new trailer for Elephant Song - he's just acting this time Details Calum Marsh looks at The Breakfast Club 30 years on In Contention looks at some of the tougher to call races THR Brutally Honest Ballot of an Oscar voter from the PR branch - these things are always a mix of cringeworthy and/or interesting revealing quotes THR Brutally Honest Ballot #2 - this one loves Theory of Everything and admires Boyhood
New Mad Men Trailer! "The Final Episodes"
Because of this people are speculating that the final episodes take place in 1976. People are silly. It's not like that show to jump 7 years. And Matthew Weiner said he always wanted to make a show about the decade of the 1960s and he's always been willing to be anachronistic about music. The movies on the other hand, they're usually right on schedule so I wish I knew what year the final episodes took place in so as to study that year's movies. I want to see Don Draper in a movie theater one last time. Pretty please!
Monty waiting for more cakeOff Cinema Wisdom Nation screw motivation, seek discipline Billboard Madonna speaks, makes journo drink shots BuzzFeed Trans model recreates Adam Levine's famous never-nude shot Towleroad Lady Gaga is engaged to her actor boyfriend Taylor Kinney (The Other Women / Chicago Fire) Playbill the great Victoria Clark (The Light in the Piazza) is doing a diary of her out of town tryouts of Gigi, a reworking of the Oscar winning musical AutoStraddle "50 Shades of Grey Cats". Monty made me include that one. He's breathing very loudly right behind my chair as I type this, surely plotting my murder for the recent vet visit. FTR he is also upset that Jennifer Aniston didn't get nominated for Cake because he was hoping for more edible swag.
Tuesday, June 16, 2020 at 10:00PM 
