Tuesday, September 8, 2015 at 2:20PM How was your Labor Day Weekend, readers? Do tell. What was the best part of the long weekend?
And which of these celebrities do you most wish you could have spent the holiday with: Palm Springs with Lea Delaria? The beach with Jesse Bradford? swimming with new puppies and The Rock? the Prague opera with Jessica Chastain? BBQ with Reese? Or backyard fun with Judy Greer?
Tuesday, September 8, 2015 at 12:35PM Jason from MNPP here, bringing us this week's "Beauty vs Beast" a day late thanks to holiday circumstances -- sorry for the delay! Hope those of you who celebrated Labor Day had a nice one. Okay on to the main event: this week marks the 30th anniversary of the film Smooth Talk, which stars Laura Dern (in a very early role - this was a year before Blue Velvet!) and Treat Williams as the teenage girl Connie and the suspicious sexy stranger Arnold Friend (A. Friend -- get it???) who's come to make a woman out of her whether she likes it or not. The film was based on Joyce Carol Oates' short-story "Where Are You Going, Where Have You Been?" which means my first introduction to this film was in High School English class. Anybody else? I was really into it at the time, but now I mostly look back at it as my introduction to the Wonder-of-Dern and a time-capsule of Treat-Hotness. Still, I must ask - would you stay in that house with Connie or zoom off for a ride with Arnold?
PREVIOUSLY We looked at this Summer's most boisterous bad girls tragi-comedy Mistress America, and asked you which colorful city gal you prefered - while newcomer Lola Kirke put on a good show it was always gonna be Greta Gerwigbopping in the winner's circle, and sure enough. Said Brian:
"Team Brooke ; She's a dreamer, even if her ideas are beyond her grasp."
Tuesday, September 8, 2015 at 11:00AM We already shared the EFA's People Choice nominees but it's important to remember that that's a special award, quite apart from their actual nominations. In their slightly tortured roll-out we get part two, the long list. These are the titles that form the "selection list"... they have to do it this way before nominations from a sheer numbers perspective. Add up the annual releases from dozens and dozens of countries and you have hundreds of films, you know? Here are the 52 films their nominators will be considering. We've divvied it up by country for you and if they're already a part of the Oscar race or on TIFF's schedule, we'll say so. The titles will be a mix of familiar to you and "what is that?" to anyone reading because who can keep up with every country's cinema?
Because there are so many films, though, it's all after the jump...
Tuesday, September 8, 2015 at 8:36AM 
Grammy winner Sam Smith has finished recording his James Bond theme song. It's called "Writing's on the Wall" and hopefully that's not in reference to Daniel Craig hanging up the suit.
The choice of musical artist and song for the 24th "official" Bond film (there are actually 26 of them) is historic in two different ways.
1. Smith is the first male solo artist doing a Bond song since 1965, aka when Tom Jones sang "Thunderball" (you'll remember that Paul McCartney and Wings doesn't count as a solo artist for 1973's "Live and Let Die")
2. It's the first time an out LGBT artist has done the song duties
Less notable though we'll still note it is that this is only the fifth time that the theme song does not share the film's title. 007 movies didn't always have the traditional opening titles theme song. That tradition, as we know it, really began with the third film Goldfinger (1964).
Do you think Sam Smith will benefit from the Adele love-in of 2012 and snag the series only its 5th nomination for Best Original Song? It'll be interesting to see if Spectre finds any favor at all with the Academy. Did Skyfall change things with it's 5 nominations or will AMPAS go back to ignoring the franchise as they always had before - it's worth remembering that the entire franchise averaged less than ½ a nomination per film before that 50th anniversary blockbuster.
Here's the new poster...
Monday, September 7, 2015 at 11:30PM 
For this week's edition of Hit Me With Your Best Shot, our last until October, we're looking at George Miller's thrilling return to his signature franchise Mad Max: Fury Road. It's the kind of movie that, as we just discussed on the "best of summer podcast," really goes the extra mile. And we're not talking about Imperator Furiosa's detour to "the green place" though that's well out of her way as drives go. George Miller completely outdid himself with this saturated, explosive, delirious, feminist action film.
One shot won't do of course which is why "Hit Me With Your Best Shot" is a communal experience. We each choose one and hopefully it adds up to a survey of a movie's crucial inspired images. My piece will be up late tomorrow before your host heads out for the Toronto International Film Festival and because this movie totally deserves an extra day. If you meant to participate and forgot, you have 24 more hours to get your choice in. I'll add more entries if they come in...
MAD MAX FURY ROAD
Directed by George Miller (Mad Max, Lorenzo's Oil). Cinematography by John Seale (The English Patient, Witness). Starring Charlize Theron & Tom Hardy
Click on the 10 images to read the 12 corresponding articles
Miller has made his subtext text in this image...
-The Entertainment Junkie
Despite being an intensely colorful film, there are actually just two main colors in the film’s palette...
-Magnificent Obsession
I was not prepared to be blown away by the awesomeness...
-Jija
Given the sprawling vistas and circus craziness that are the film's bread and butter, my pick for best shot is almost idiotically off-book:
-Antagony & Ecstacy
For all the images incongruous potency and humor, it's also a rich story point, introducing us to "the stuff" that got stolen and humanizing it.
-The Film Experience
It just hit me so hard in the cinema I legit gasped...
-Cinematic Corner
Movie Motorbreath - VIDEO ENTRY
Throughout Fury Road, character is defined by action; how we react to it and what we do after.
-Zitzelfilm
Anguish never looked so beautiful...
-I Want to Believe
The grand spectacle that Miller created in that vast, unforgiving, and beautiful desert wasteland...
-Sorta That Guy
a palpable sense of the scale of the action...
-Film Actually
The movie is full of scenes that reveal themselves with a remarkable efficiency
-Awards Circuit
AGAIN. You have 24 more hours to get your "best shot" in before we close out this episode late Tuesday night before TIFF travels begin!
