Oscar Horrors: Nosy Neighbor Finale
Monday, October 31, 2011 at 7:00PM 
Editor's Note: This is the final entry in our Oscar Horrors miniseries. We really hope you enjoyed all 17 entries -- full index at the bottom of this post. Should we do it again next year? (Yes, there are more nominations afforded to the creepy-crawly films. The Oscars have been around for 84 years after all...) -Nathaniel
HERE LIES... Ruth Gordon's Oscar-winning turn in Rosemary's Baby who drugged her competition and dragged them to hell in 1968.
Robert here, with a look back at one of Oscar's best Best Supporting Actress decisions. You probably already know that Ruth Gordon was a real Hollywood veteran when she won her Oscar for Rosemary's Baby, having been in the showbiz business ever since appearing as a picture baby in 1915 and taking a stage role as one of Peter Pan's lost boys. Even if you didn't know that, it's the sort of thing that seems right. Or you may have deduced it after seeing footage of Ruth winning her Oscar and declaring "I can't tell ya' how encouraging a thing like this is" followed by a big audience laugh. It's a good laugh line and a silly thing to say after over fifty years in the business. But the laugh was on the audience because Ruth was right. At the time of her win, Ruth's career was going fine. She'd already been a nominee for Inside Daisy Clover a few years earlier. So it would be wrong to say that the Oscar raised her career from the dead... but it sure created a monster.
In the first 53 years of Ruth Gordon's career, the pre-Oscar years, Miss Ruth assembled 13 screen credits to her name. Not an insane amount. Not the hundreds you probably assumed from such an enduring actress. But hey, showbusiness is showbusiness. You take what you can get to put food on the table. In the final 19 years of her career, the post-Oscar years, Madam Ruth showed up on screen 28 times. If you take out TV roles the number still almost doubles post-Oscar. so between the ages of 72 and her passing at 88, Ruth Gordon worked twice as much onscreen as in the first 70 years of her life. You'd think she'd made a deal with the devil.
How'd she do that? Well, Ruth Gordon knew what she was doing. Her performance in Rosemary's Baby is the most memorable in the film. But it's not written that way. Consider the descriptive names given to all the characters in the film: the plain but still very pretty Rosemary, the generically masculine Guy, the ancient and powerful Roman, and Ruth Gordon plays Minnie. She's a tiny little thing. Okay, she's got some sass, but she doesn't have any big emotional stand-out Oscar scenes, except of course that she makes every scene she's in stand out.
She's a villain. She's evil. Really evil. Frustratingly, annoyingly evil. She's your grandmother's pestering friend, but evil. And the Oscars don't like their supporting actresses to be that evil. Even when they're villainous, like Tilda Swinton or Mo'Nique, they're multi-layered evil. They have human moments. Oscar like's his supporting ladies complex but his supporting men sociopathic. Ruth's Minnie Castevet is dangerous and remorseless. She has more in common with the Hannibal Lecters, Anton Chigurhs and Jokers of the world then her fellow supporting actresses. Then she followed it all up with Harold & Maude. Chances are, if you don't know Ruth as Minnie, you know her as Maude. From the malevolent to the benevolent. It was the one-two punch of her career and it proved that she could do anything. And that, is truly scary.
OSCAR HORRORS
The Swarm - Best Costume Design
Whatever Happened to Baby Jane -Best Actress in a Leading Role
The Fly -Best Makeup
Death Becomes Her -Best Effects, Visual Effects
The Exorcist -Best Actress in a Supporting Role
The Birds - Best Effects, Special Visual Effects
The Birds - Best Effects, Special Visual Effects
Rosemary's Baby - Best Writing, Screenplay Based on Material from Another Medium
Beetlejuice - Best Makeup
Carrie - Best Actress in a Leading Role
Bram Stoker's Dracula - Best Costume Design
Dr Jekyll and Mr Hyde - Best Actor in a Leading Role
King of the Zombies - Best Music, Scoring of a Dramatic Picture
Poltergeist - Best Effects, Visual Effects
Hellboy II: The Golden Army -Achievement in Makeup
The Silence of the Lambs -Best Director
The Tell-Tale Heart -Best Short Subject, Cartoons
Reader Comments (7)
Rosemary's Baby is my favorite film of all time. Gordon is a major reason why. Her winning the Oscar for a comedic/villain role takes the sting out of Mia Farrow not even being nominated.
Please, do it again next year. I loved this mini-series. I'm a sucker for horror stories. I think this is the list of movies published here I have seen more of. So, I guess that says something. Not sure if it's something good , though.
Yes, I think this has got to one of the best Supporting winners I've seen this. Somebody on this site'll be happy to know I watched this movie on account of this horror series. And Ruth Gordon's character steals the show; the movie is familiar enough that you know what's coming, but the difference between Minnie's exterior and interior is the scariest thing about the movie.
It's weird to also note that she also wrote some of those classic Tracy/Hepburn films as well.
Ruth Gordon is awesome...but how can you select her as best supporting actress and overlook Farrow in the best leading actress category?
Marsha -- yay. Though I'm not a horror guy Rosemary's Baby is one of my holy trinity ...er.... quadruple of horror (Psycho, Rosemary's Baby, Carrie and What Ever Happened to Baby Jane?...) nothing else comes close to those four for me.
Horror: So tenuous at times and easily confusable for thrillers, but my definition defines that, in case of confusion as thriller = hero focused and horror = villain focused.
My Five Best Horrors: Father (Night of the Hunter), Mother (Psycho), Son (Eraserhead), Daughter (Carrie) and Ghost (Don't Look Now)