Rosemary's Baby Pt 3: All of Them Witches

50th Anniversary Three-Part Mini-Series
Occasionally we'll take a movie and baton pass it around the team.

In Part One Seán McGovern sang the praises of Oscar winning Ruth Gordon as nosey neighbor Minnie to Mia Farrow's iconic Rosemary. The apartment is a find for Rosemary and her husband Guy (sleazy John Cassavettes) but the Bramford sure has sinister tenants.

In Part Two Jason Adams eyed fascinating visual details as the perversions mount and Rosemary becomes emaciated and pale -- aren't pregnancies supposed to make you fill out and glow? As we pick back up Rosemary has just left the funeral of Hutch. He left her a book and a cryptic message "the name is an anagram." 

Part 3 by Nathaniel R

1:26:00 Rosemary never gets a moment to herself. Home from the funeral she barely has time to hang up her hat and throw off her shoes and the doorbell is wringing. I'll give you one guess as to who it is. 

Minnie, yup. Notice how chalky that drink is *wretches* and how much Ruth Gordon is doing in every scene including this brief one, conveying just how watchful, manipulative, and blasphemous Minnie is  -- "Grace, one of my favorite names" -- underneath all the old-lady eccentricity, flashy clothing, and innocuous chatter. 

1:27:00 Hutch wrapped the book up tightly like a gift, but it's not a pleasant one...

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Rosemary's Baby Pt 2: This is Really Happening!

Rosemary's Baby print by Jonathan Burton. For sale here.50th Anniversary Three-Part Mini-Series
Occasionally we'll take a movie and baton pass it around the team and really dive in. 

Rosemary's Baby (1968) is 50 years old now but it feels both ancient and fresh. It's always alive when you watch it. Having seeped into the very DNA of both the movies and our nightmares, it deserves a deep dive. In Part One by Seán McGovern we watched as Rosemary (Mia Farrow) and Guy Woodhouse (John Cassavettes) moved into a strange new apartment building, saw a neighbor mysteriously die, and become socially entangled with an intrusive neighbor couple Minnie and Roman Castavet (Ruth Gordon and Sydney Blackmer), who are both eccentrically endearing and very possibly sinister. 44 minutes into the film we can scratch out "very possibly" and just make that sinister. Full stop. We return to Rosemary just as we realize she's been drugged by Minnie's chocolate mousse "mouse" and has begun to dream... - Editor

Part 2 by Jason Adams

44:21 It seems appropriate to jump right in in the middle of a dream about to turn nightmare, for what else is Rosemary's Baby but that?

44:21 So much of this sequence will come back to haunt us later when Rosemary makes her final horrific discovery...

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Rosemary's Baby Pt 1: Tannis, anyone?

50th Anniversary Three-Part Mini-Series
Occasionally we'll take a movie and baton pass it around the team and really dive in. If you missed past installments we've gone long and deep on Rebecca, Silence of the Lambs, Thelma & Louise, Who's Afraid of Virginia Woolf, and A League of Their Own. Now... Rosemary's Baby - Editor

Part 1 by Seán McGovern

I'm delighted to take you through Part 1 of Rosemary's Baby, a terrifying personal favourite. 

00:01 William Castle, who in the pantheon of horror was basically a schlock-jock, produced the film but according to Mia Farrow, Castle was at one point going to direct. What would the outcome of that have been? Potentially not the paranoid horror we revere today but maybe something more gimmicky. William Castle was portrayed by John Waters in Ryan Murphy's Feud: Bette & Joan, and if that's not a fitting tribute I don't know what is.

01:00 In these short two minutes of opening credits are also the names of some of the twentieth century's best character actors: Ruth Gordon, Charles Grodin and Ralph Bellamy. The theme melody is la-la-la'ed by Mia Farrow herself, giving that girlish tone a chill that you'll also be humming all day...

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Worst Best Picture Snubs Ever?

by Nathaniel R

This week on Las Culturistas I froze on the question of "Greatest Oscar Snub of All Time?" so with 5 days out until the nominations (we know we know final predictions coming at'cha starting tomorrow), let's answer it! Restricting ourselves to Best Picture here because you gotta keep it tight when answering loose questions. 

SO WHAT WERE THE DOZEN WORST BEST PICTURE SNUBS EVER? Let's group them according to types of injustice...

TYPE 1. PLENTIFUL NOMINATIONS INCLUDING BEST DIRECTOR. SO WHY COULDN'T OSCAR GO THAT ONE SIMPLE HAPPY STEP FURTHER?  My Man Godfrey (1936) and Some Like it Hot (1959), 2001: A Space Odyssey (1968) and They Shoot Horses Don't They? (1969) and Thelma and Louise (1991)

In all five of these cases the Best Picture snubs are puzzling. It's not just that the movies are all so grand that you watch them with jaw dropped -- from laughter, cathartic despair, or sheer awe. It's also that the Academy loved them enough to recognize them across multiple branches...

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YNMS: Mother!

Jason from MNPP here with our first look at the trailer for Darren Aronofsky's Mother!, or as it's known around these parts That New Michelle Pfeiffer Movie! The exclamation point in the actual title definitely stands for "That New Michelle Pfeiffer Movie!" at least. It's been seven full years since Black Swan came out (I am pretending Noah didn't happen at this point, but perhaps I'll reassess it in another decade) and this feels, at first glance, like similar territory for the director. Watch:

So Jennifer Lawrence is happily partnered with Javier Bardem until Ed Harris and Michelle show up, at which point the walls begin to crumble and swarms of looky-loos come hustling out of the forest? I mean isn't that what happens whenever Michelle shows up somewhere? Let's "Yes No Maybe So" this sucker (and watch me have trouble coming up with the latter two!) after the break...

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