Supporting Smackdown '68: Lynn, Sondra, Kay, Estelle and Ruth

The revival of "StinkyLulu's Supporting Actress Smackdown" now in its new home at The Film Experience continues. The year is... [cue: time travelling music] 1968.  Oscar skipped the Globe nominees in this category from For the Love of Ivy, The Lion in Winter and Finian's Rainbow and despite their love of Oliver! AND of women in musicals AND of prostitutes with hearts of gold they also skipped newcomer Shani Wallis. Instead they went with these five...

Tony Curtis presented the 1968 Best Supporting Actress Oscar

THE NOMINEES

Estelle Parsons, the previous year's winner in this category for Bonnie & Clyde returned for a victory lap (though she skipped the ceremony). She was joined by two showbiz veterans: Ruth Gordon, a three time nominee for screenwriting who was in the middle of a surprising golden years reinvention as a beloved character actress, and Kay Medford, who had previously experienced her greatest successes on stage. Filling out the shortlist were two fresh faces nominated for their film debuts: Sondra Locke (who would later partner up with Clint Eastwood both on and offscreen for 14 years) & Lynn Carlin (who would later vanish into a series of guest spots on television).

Who will win the Smackdown? Read on 

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Podcast: 12 Years A Slave To Horrors

Nick and Joe join Nathaniel to discuss the Chicago Film Festival where they're catching movies like August: Osage County during the day and falling asleep watching old Oscar broadcasts chez Nick (1991 and 2006 make vital cameo appearances in this 'cast). That's our kind of weekend!

We all share the love for Steve McQueen's amazingly powerful 12 Years a Slave which Nathaniel has just seen a second time. Then we're on to discussing some horror classics which we've been thinking about due to our recent Team Top Ten lists of the best of that genre. Horror films briefly discussed include: Carrie, Rosemary's Baby, The Night of the Living Dead, Carnival of Souls, Misery and Suspiria. 

You can listen at the bottom of the post or download it on iTunes. Join in the conversation in the comments.

12 Years a Slave to Horror

Team Top 10: Horror Films Before "The Exorcist"

It's Amir here, brining you this month's poll. It's October so we're obligated to take you to the dark depths of cinematic greatness with a list of horror goodies. We're looking at the best horror films of all time, with a twist. We chose The Exorcist (1973) as our milestone since it's the first horror film nominated for the best picture Oscar and about to celebrate its 40th anniversary. So we've split the Best list in half, with The Exorcist as cleaver. Part two comes next Tuesday, but for now

The Top Ten Best
Pre-Exorcist Horror Films

There really isn't much I can add by way of introduction, aside from pointing out that the boundaries of what is or isn't within the limits of this particular genre are blurry. Can Freaks still be considered a horror film today, removed from the initial shock of seeing circus performers with deformities on the screen in 1932? Cruel and unreasonable as it is, the appearance of the protagonists is the chief reason why such a passionately human piece of film history is considered scary at all - though as you will see below, one of our contributors has other ideas. No such questions would apply to Night of the Living Dead but what about Night of the Hunter? Hour of the Wolf? So on and so forth. The point is, take the genre categorizations with a grain of salt, but the suggestions to watch them very seriously. If you haven't seen any of these eleven films -- why is there always a tie? -- here's hoping this list persuades you to do so this October.

10. = Vampyr (1932, Carl Theodor Dryer)
There’s never been a horror movie with stronger art film credentials than this one, made according to the then in-vogue Surrealist style by a director who’d already created The Passion of Joan of Arc and had Ordet yet to come. But just because Carl Theodor Dreyer was a proper “artist” doesn’t mean that Vampyr’s pleasures are exclusively aesthetic. In fact, the same dictatorial control over image and space that makes Ordet a spiritual masterpiece makes this familiar story of one man’s journey through a creepy rural town living in fear of a bloodsucking old woman one of the most thoroughly unsettling things you will ever experience. It's more of a walking tour through a nightmare than a clear-cut narrative, with eerie shadows and shapes every which way and a profoundly moody score by Wolfgang Zeller that jangles one’s very last nerves.
-Tim Brayton

ten more spooky films after the jump

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Curio: Alexa's Favorite Film Moments of 2012

Alexa here with my own contribution to the year in review. Everyone seems to agree that 2012 was a great year in film, and many are dissing 2011 in the process. Was 2011 really that bad? I would argue no...but I digress.  This week is about honoring the films of last year, and we will hear from Seth MacFarlane's loud mouth on Thursday which will get the most attention in the coming weeks. So rather than add another best-of list to the heap, I thought I'd share instead my favorite film moments of 2012: my best cinematic experiences, old and new, best film celebrations, and generally the moments that reinvigorated my love of the medium.

10. Discovering the joys of reform school
After finding a musty promotional packet for So Young, So Bad at a thrift store in Georgia, I found myself down a juvenile delinquent rabbit hole, devouring many films in the reform school girl genre, including Reform School Girl (1957), Reform School Girls (1986), La residencia (The House That Screamed) (1969), and my personal favorite, Untamed Youth (1957). 

9. Drowning my Oscar sorrows in pie
Overall I was displeased with the Oscars last year, primarily because my favorite Tinker Tailor Soldier Spy was passed over in the few categories for which it was recognized. (Don't get me started on Gary Oldman's loss). So in the spirit of Minny from The Help, a transferred my anger into a pie that was all but annihilated by the end of the broadcast, yet without her secret ingredient.

Take This Waltz, Silver Linings Playbook and more... after the jump

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You Only Link Twice

Broadway World the SNL cast does "One Day More" from Les Miz to celebrate their lame one-day weekend. With Anne Hathaway as host. For the third time, bitches.
Vulture Joaquin Phoenix's apology (of sorts... if you stretch the definition of the word) for his comments about the Oscars
Cinema Blend Joe Wright talks about restored confidence and directing Anna Karenina. Calls the release of The Soloist "heartbreaking" 
Film Drunk on Channing Tatum the "Sexiest Man Alive" ... and other prizes
Awards Daily Ben Affleck to receive the "Modern Master" award at Santa Barbara Fest after only three films. (I think it's time you all bowed down to my stunning predictive powers about Monsieur Affleck. I predicted his ascendance to Eastwood Jr. status years and years ago!)

In Contention Skyfall's amazing un-Oscared tech team 
The Envelope overhears a "Who is that?" question in relation to... Jennifer Lawrence?!? Also: The Best Actress race.

Retro
Criterion Collection Ira Levin on the origins of Rosemary's Baby and what he worries about in terms of the film's legacy 
MNPP on the infamous and still-censtored 'Rape of Christ' sequence from Ken Russell's The Devils.  

Off Cinema For Fun
Fantagraphics Illustrator Wilfred Santiago illustrates Victoria Jackson's Election Night tea-party addled tweet meltdown
i09 studies suggest that mankind is getting dumber and dumber
The Advocate the internet's fascination with gay geek / political prophet Nate Silver of "Five Thirty Eight" fame
Boy Culture a new wax replica of Madonna for Madame Tussauds