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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Friday
Aug232019

"Homecoming: A Film by Beyonce" (with Marni Senofonte)

by Ginny O'Keefe

I got invited to Homecoming! This past Monday I had the pleasure of representing the Film Experience at the Icon Lobby in the Netflix headquarters at an event celebrating Homecoming: A Film by Beyonce. The Netflix documentary takes an in-depth look at Beyoncé’s 2018 performance at Coachella and how long she and her team had been on the creative road to make this whole iconic performance and cultural event live up to the hype. It took Beyonce and her team months to create this performance and Beyoncé would end up being the first Black woman in history to headline Coachella. Throughout the film you immediately get that Beyoncé didn’t want this to just be a concert, she wanted this to be a historical moment for her career and for her culture. She knew that she couldn’t come in with something expected to fit the Coachella vibe, so she ditched the typical flower crown aesthetic and came in with a predominately Black cast of performers and helped emphasize the importance and the richness of historically Black universities in America. Something that doesn’t get enough recognition in society.

Beyonce says it herself in the beginning of the film, she never went to college. Her college was touring and traveling. But I have a good feeling that if she had gone to college, then she would be doing exactly what these young performers are doing at their respective schools. Whether it be dance team, stepping, marching band, or Greek life. The film quotes W.E.B. Dubois who states “Education must not simply teach work, it must teach life.”...

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Friday
Aug232019

Breakfast with... Magic Mike

Stale pretzels only, but it looks like all the booze is used up. Sorry!

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Thursday
Aug222019

Over & Overs: Indiana Jones and the Last Crusade

In this new series, members of Team Experience wax rhapsodic on films they've never been able to stop watching. Here's Lynn Lee...

Conventional wisdom holds that Raiders of the Lost Ark, the O.G. Indiana Jones, is also the best Indiana Jones.  Yet the Indy installment I love the most is Indiana Jones and the Last Crusade, which I’ve watched more times than I can count and can practically quote from beginning to end.  It’s one of my cinematic comfort food go-tos. I can count on it to put a smile on my face and – perhaps more surprisingly – a tear in my eye.

I suspect my deep affection for The Last Crusade is at least partly rooted in the fact that it was the first Indiana Jones movie I saw, and the only one I ever saw in a theater...

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Thursday
Aug222019

Yes No Maybe So: "Bombshell"

On the heels of Showtime’s unheralded miniseries The Loudest Voice, Lionsgate and director Jay Roach are diving into the zeitgeist with Bombshell (formerly titled Fair and Balanced). The film details the #MeToo fallout at Fox News and stars three of today’s greatest working actresses. For whatever reason, Bombshell is being mostly ignored by many early Oscar prognosticators.

This despite, well...let’s dive into that teaser shall we?

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Wednesday
Aug212019

Doc Corner: 'Cold Case Hammarskjöld'

By Glenn Dunks

Sometimes a movie can turn you off in such an extreme fashion that it almost becomes interesting. Almost. Underlined and in bold for effect. After all, I don’t want to give the false impression that Cold Case Hammarskjöld is in any way a movie that you should watch. Lord knows, my reaction to this smug and smarmy directorial ego trip and non-fiction lark was violently negative, and while I admit that there’s something striking about a documentary that so callously appears to mock its subject and audience, Danish director Mads Brügger can’t spin it into a film that I enjoyed the experience of watching.

It’s also, sadly, completely of the moment. It’s themes of international intervention and conspiracy are probably the sort of thing that will no doubt appeal to certain audiences who can't help looking over at the metaphorical grassy knoll. But this story of (possible) intrigue, (maybe) scandal, and even (potential) AIDS warfare (!!!) is treated with none of the acute seriousness that it (probably) deserves...

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