Review: Charlie's Angels (2019)

Box office and reviews have been tough on the new Angels. I guess today the contrarian corner is a theme here at TFE. Tony likes it! - editor.

by Tony Ruggio

We'll start with where I'm coming from: I’m no fan of the original series. The early-Aughts adaptations were mostly forgettable save a dance or two from Cameron Diaz and Sam Rockwell. But these 2019 Angels are surprisingly fresh and fun. It’s an IP brought back from irrelevant hell and updated with verve.

About the three new Angels. Elizabeth Banks is clearly in love with Kristen Stewart, and who can blame her? Stewart is a charisma machine as the weird, spunkiest Angel of the bunch. She's so good you almost wish she took movie star roles more often. You also forget there was once a time when she got gruff for playing mopey all the time. Those days are long gone...

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Noirvember / Contrarian Corner: Motherless Brooklyn

By Lynn Lee

Is Motherless Brooklyn just another high-profile Oscar hopeful turned dud-on-arrival?  The early signs for Ed Norton’s long-gestating passion project have not been encouraging, to put it mildly.  Reviews on both the festival circuit and the film’s general release and here at TFE have been tepid, the box office even more so. Its awards prospects are pretty much nil.  It’s also not the kind of movie that’s likely to find success through word of mouth or build a long-term cult following, and its chances of future critical reevaluation are uncertain at best.

All of which makes me a little sad, because I quite enjoyed the film, and think Norton deserves more credit than he’s getting for what he’s accomplished...

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Over & Overs: "Sister Act"

Please welcome new contributor Kyndall Cunningham...

As a churchgoing kid with a fairly good singing voice, choir took up a big chunk of my adolescence. I attended weekly rehearsals, went to my choir mates’ houses to practice and woke up at the crack of dawn on Sunday mornings to perform for the congregation (and God). I had a strong affection for gospel music, but my intense involvement in ministry at such a young age felt deeply uncool at times, if not isolating from the rest of the world. It wasn’t until I picked out Sister Act from my family’s VHS closet one day that I saw that part of my life tied to pop culture in an exciting way. Needless to say, I began screening the film religiously. 

Sorry. 

Like a lot of stories about women turning a new leaf, Sister Act begins with a breakup and ends with a love story...

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Yes No Maybe So: Pixar's 2020 Films "Soul" and "Onward"

by Tony Ruggio

Pixar gonna Pixar. That is, use cute anthropomorphic beings to explore the many profundities of life and make us cry in the process. Soul appears to be another excellent example of their personal stamp. Better yet, it's one of two Pixar originals this year (their firsts since Coco in 2017 since the last two years have been sequels). Let's do the Yes No Maybe So after the jump... 

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Centennial: Gillo Pontecorvo

100 year ago today in Pisa, Italy, the director Gillo Pontecorvo was born.

He only made five narrative features in his career, which is surely one of the reasons that he's overshadowed in cultural memory by the far more prolific mid 20th century Italian giants Vittorio de Sica and Federico Fellini. Still Pontecorvo's two best known films were both nominated for the Best Foreign Film at the Academy Awards, the concentration camp drama Kapò (1960) and the resistance/war drama The Battle of Algiers (1966). The latter, which won the Golden Lion at Venice in its year, is still revered as a masterpiece. Have you seen either of these classics?