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Wednesday
Jun262019

"The Prom" gets a starry cast for its film version.

by Nathaniel R

Two girlfriends in the midwest just want to go to their prom in "The Prom"

The Prom, running through August 11th at Broadway's Longacre Theatre, has defied expectations more than once in its short life. That starts with the plot synopsis which reads like a lecturing social justice message play (Broadway stars fight against discrimination to get a young lesbian to her prom when her school balks at the idea) but is in reality a sweet often hilarious comedy which has more targets than just homophobes in its sights. The musical began previews last October on Broadway and while it wasn't expected to be a big hit (given the sad state of Broadway where branding is all important - it came with no bankable stars, no jukebox score, wasn't based on a movie) it managed to stay open for months, snag high profile Tony nominations, and secure both touring and movie adaptation deals. (It is also a total delight, as Dan told us in his review which we co-sign.)

As you've undoubtedly heard, Netflix snapped it up some time ago. Originally we thought it was going to be a straight to streaming situation, given what Netflix is planning for the new Boys in the Band (with the all-gay Broadway cast reprising their roles for the camera), but it turns out they have an Oscar run in mind. And with that a starrier cast and some degree of a theatrical release in 2020 (so we'll have at least two musicals in the mix that year given Spielberg's West Side Story remake).

But are The Prom's days of defying expectations over?

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Wednesday
Jun262019

Soundtracking: Bob & Carol & Ted & Alice

by Chris Feil

Perfect movie endings are hard to come by. And I don’t mean a great sticking of the landing or simply ending on a high note - I mean a perfect ending. But of the ones that quickly come to mind, music feels like an essential component to the magic. Gloria (and her Bell counterpart) dancing her way into a resilient future, 45 Years slowly crescendoing to sudden romantic collapse, morbid opulence and ego to bring All That Jazz to meet its maker.

Paul Mazursky’s Bob & Carol & Ted & Alice belongs in that very special class, closing its satire by ascending the audience into a higher plane of communal experience. The film is already sublime, but its coda stands apart.

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Wednesday
Jun262019

Showbiz History: Chéri, Elvis, and Top Gun: Maverick?

7+ random things that happened on this day (June 26th) in history...

1925 Charlie Chaplin's classic The Gold Rush premieres at the Egyptian theatre in Hollywood. Tickets were $5.50 (which would be around $70 today)

1971 The 21st annual Berlinale begins (it used to be held in the summer rather than February). The winner will be Vittoria de Sica's Italian classic The Garden of the Finzi Continis which will win the Oscar the following April for Best Foreign Language Film...

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Tuesday
Jun252019

Podcast: Last Black Man in San Francisco, Toy Story 4

by Murtada Elfadl and Nathaniel R

 

Index (49 minutes)
00:01 Toy Story 4. Fun but was that necessary?
06:57 Emma Thompson shines in Late Night. Deserves a bigger audience.
20:10 Sienna Miller's character study American Woman 
32:00 We highly recommend the stylized, moving The Last Black Man in San Francisco.
47:11 The wrap-up 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Late Night and Last Black Man in San Francisco

Tuesday
Jun252019

The New Classics - The Hurt Locker

Michael Cusumano here to look back on one of the few classics about the Iraq War on the 10th anniversary of its release. 

Scene: The Daisy Chain Bomb
When Kathryn Bigelow’s The Hurt Locker hit theaters in the Summer of 2009 it was sold as an all-thrills, zero-politics experience. Here, the ads promised, was a film that wasn’t going to go all Valley of Elah on you with ponderous anti-war messages. The trio of soldiers that make up the film’s central bomb disposal unit never discuss politics. They defuse the bombs, they don’t get to hung up on why they are there in the first place. At no point do any of them sigh during a low moment and wonder, “Man, I don’t even know what we’re doing here...”

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