Review: Last Christmas

by Chris Feil

A sure signal of the coming holiday season at the movies is the arrival of unpretentious lighter fare like Last Christmas. This year’s offering falls in line with the easy charms of such previous entries as The Holiday and Almost Christmas, but also arrives with a somewhat affably strange lump of ingredients. Inspired by the Wham! song and packed with a slew of George Michael songs, the Paul Feig-directed film is co-written by Emma Thompson (with Bryony Kimmings and Greg Wise) and offers up timely context within a classic romcom structure. It’s a sugar high of a movie that remains grounded in some substance, not exactly tidy but satisfyingly more than meets the eye.

Emilia Clarke plays the disillusioned would-be singer and Yugoslavian immigrant Kate, couch-hopping between friends that she quickly burns out with carelessness and working in a Christmas-themed giftshop. She avoids her family, particularly her domineering mother (also played by Thompson), and is increasingly testing the patience of her demanding but doting boss (Michelle Yeoh). Kate’s self-destructiveness comes after a serious illness has left her not with renewed gratitude, but with a diminished sense of self she has internalized into constant misbehavior. But her main challenger in the struggle comes when a charming man on a bike named Tom (Henry Golding) wanders in and out of her life.

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Spike Lee gets the "Chaplin"

by Nathaniel R

The honors aren’t over for Spike Lee who has spent the last two awards season in high demand walking red carpets and giving speeches as an Honorary Oscar winner and then a competitive winner for the screenplay of BlacKkKlansman. Next up the Chaplin Award at Film at Lincoln Center on April 27th, 2020 . They first handed out this award in 1972 to, you guessed it, Charlie Chaplin… though it obviously wasn’t called the Chaplin Award that first year — what was it called? The official website doesn’t say!

 Though the Chaplin Award has mostly gone to movie stars since, or directors who also happened to be famous movie stars (like Chaplin himself), a fair number of behind the camera legends have also been recognized… especially in the first ten years of the award. 

We’ve highlighted the directors in the list of previous recipients after the jump...

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Musings from SAG screenings (Pt 1): The Farewell, The Irishman, Marriage Story

Special Secret Guest Post!

This New-York-based performer (and Emmy-nominated writer) has been a SAG member for 19 years, though this is his first time on the SAG Awards Nominating Committee.  He works primarily in television -- most famously, playing a role on a series that has been seen in over 100 countries. We've invited him to share impressions from SAG Nominating Committee screenings which are happening left and right of late. Here we go...

THE FAREWELL:  For what it’s worth, this is the only screening I’ve been to where the movie itself—not the panelist, but the movie itself—got a standing ovation.  I, frankly, wasn’t bowled over by it (I thought, for such a dramatic subject, the emotions were curiously muted—I didn’t feel much during the movie, but maybe that’s me)…But anyway, the crowd loved it.  When Awkwafina came out for the Q&A, the comments were positively effusive. One guy called it a “perfect” movie.  Everything was perfect, he said: the acting, the writing, the directing, the editing. (The editing?) With a celebrity in the room, it’s hard to know when people are really being honest with themselves.  But Awkwafina seemed super cool.

Side note: SAG members ask the dumbest questions.  One person asked Awkwafina how she got her start in the business—which is fine, but I’m thinking, really?  You’re in a room full of peers, you’ve just spent two hours watching something that’s ripe for discussion, and this is what you ask?  Look it up online. At least it gave her an entree to talk about her youtube video “My Vag,” which, amusingly, caught a few people off-guard. 

The Irishman and Marriage Story after the jump...

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Beyoncé's "Spirit" and the Best Original Song Competition

Please welcome new contributor Kyndall Cunningham...

When the soundtrack for this year’s The Lion King remake dropped in July along with the lead single “Spirit,” performed by Beyoncé, fans on Twitter described its long-awaited arrival as the singer “coming to collect her things” - one of those things obviously being an Oscar for Best Original Song. 

The gospel-inspired ballad penned by Beyoncé, the British singer-producer Labrinth and songwriter Ilya Salmanzadeh includes Swahili chants, a choir and, of course, Beyonce’s acrobatic vocals that practically summon thunder by the end of it. The song is noticeably Oscar-baity in its grandeur but also in that a live performance at the ceremony would prompt a long standing O and make for one of the best moments of the night...

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Review: Motherless Brooklyn

by Michael Frank

Edward Norton has accomplished many things. His first major film role in Primal Fear landed him an Oscar nomination. He’s acted in over 40 movies since, earning himself two more Oscar noms, a Golden Globe, an Emmy nomination, and dozens of awards around the globe. His accomplishments speak for themselves. Norton’s new film though, Motherless Brooklyn, won’t add much to that list, though, as he whiffs on a huge swing... 

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