TFE PSA: Stop asking Nicole Kidman about her wigs!

by Ilich Mejía

Last week, Nicole Kidman called into KIIS 1065’s The Kyle & Jackie O Show to promote the Australian release of Destroyer. The actress talked to Jackie O about working on the film and the future of Big Little Lies before the host introduced a discouraging question. 

“They do this podcast and, literally, the podcast is all about your wigs. It did make me wonder, what is your favorite wig?” Jackie started. Coolly, Kidman replied...

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"I don't see how I can go on living my life the way I've lived it before..."

Great Moments in Screen Bitchery #6: Catherine Keener in Being John Malkovich

Posterized: Julianne Moore, Leading Roles Only

by Nathaniel R

Let's start a new season of Posterized, shall we?

With Gloria Bell expanding nationwide (or thereabouts) let's talk about Julianne Moore's leading roles. She's now in her Post-Oscar years which can be tricky territory for actresses but if Gloria Bell is indication she still has a lot more left in her.

We can't do the ginger goddess's entire filmography on Posterized because she works almost as much as Nicole Kidman, and apparently considers no part or no project too small to be part of. She's been in over 70 movies since her debut in the horror flick Tales of the Darkside (1990) but many of those were supporting roles. So let's focus on ONLY the films that she either headlined or co-headlined (in case of films without one clear lead) for this week's episode shall we, which takes us down to a far more reasonable 27 pictures. How many have you seen? All 27 posters are after the jump...

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Review: Hotel Mumbai

by Jason Adams

What scares us -- the communal us -- shifts through time. The 70s gave us Vietnam allegories like The Texas Chain Saw Massacre, while in the 80s Slasher Movies were all the rage as divorce numbers went up and women asserted their rights. Then there was so-called Torture Porn, which was all the rage while Bush & Cheney were throwing their waterboarding parties. So what now? It's hard not to see Grief as the theme of our current moment -- the great horror films of our age, films like The Babadook and Hereditary, are profound ruminations on a world that's already slipped through our fingers -- a madness so close its breath is hot on your throat, and a knowledge that its our own failures, our own shortcomings, that brought this all down upon us.

Hotel Mumbai is technically not a horror movie (look to Jordan Peele's Us, which Chris just reviewed, for this weekend's official entry in that genre) but it sure operates like one...

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Review: "Us"

by Chris Feil

With his Academy Award winning debut feature Get Out, Jordan Peele distilled an expansive theme into one formidable package. His follow-up Us - a film as giddy to scare us as the kind of carnival house of horrors that its young Adelaide wanders into in the film’s opening moments - does the exact opposite. Here Peele builds upon a single idea, one that doesn’t come into its clearest view until the final moments. Whether Peele is asking us to look inward or look outward, he has shown to be one of the sharpest modern storytellers when it comes to exploring an expanse of intertwined psychosocial ideas.

After her brief ominous prologue, we are reintroduced to the adult Adelaide Wilson, played by the immediately knighted scream queen Lupita Nyong’o. Adelaide is beginning a summer vacation with her husband Gabe and two children, Zora and Jason, but she is seemingly ever at ease. After returning to the beach of her unspoken trauma brings her lingering paranoia to the surface, her family is visited upon by a doppelgänger one. And each of these uninvited guests has brought a very large pair of scissors.

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