Almost There: Jamie Lee Curtis in "True Lies"

by Cláudio Alves

When announcing his honors for the year's first half, Nathaniel cited Jamie Lee Curtis among his Supporting Actress favorites. If Everything Everywhere All At Once keeps its buzz going into the awards season properly, we might see Curtis among this year's Oscar contenders. This Hollywood princess turned erstwhile scream queen has had a storied career full of outstanding performances, and it's about time the Academy pays her respect. Maybe the reason for her nomination-less state is that Curtis' best work tends to happen when she's playing in genre pictures – comedy, action, and horror. Such is the case of 1994's True Lies, a James Cameron-helmed action-comedy for which the actress got some buzz.

As we wait to see how Curtis' new Oscar hopes pan out, let's look back to the 90s and re-examine the actress' take on the character of Helen Tasker…

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One For Them, One For Me - Emma Thompson's 1994-95

A series by Christopher James

Emma Thompson's output between 1994 and 1995 couldn't be more different.

Do one for them; do one for you. If you can still do projects for yourself, you can keep your soul.

— Martin Scorsese: A Journey

Emma Thompson was on a pretty incredible run in the early 90s. Following her Best Actress win in 1992 for Howard’s End, Thompson had a consistent streak of great films. In 1993, she received two acting nominations for her work in The Remains of the Day and In the Name of the Father. On top of that, she was delightful in the critically lauded Peter’s Friends and Much Ado About Nothing (the latter perhaps the hottest film of the 90s). By 1995, she would win her second Oscar for Sense and Sensibility in the Adapted Screenplay category. Every track record is bound to have a blemish. Sandwiched in between Merchant & Ivory and Ang Lee is Ivan Reitman’s infamous Junior, better known as the movie where Arnold Schwarzenegger gets pregnant.

Was starring in an Arnold Schwarzenegger comedy the means to the end of getting her passion project made?

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Doc Corner: NYC film history in 'Searching for Mr. Rugoff'

By Glenn Dunks

The nostalgia is strong in Searching for Mr. Rugoff, a delightfully cinephile-oriented documentary from director Ira Deutchman. It is an affectionate dive into a beloved segment of New York City’s film culture of the 1960s and ‘70s—one that no longer exists and is built around a figure who remains little known by those who didn’t work directly alongside him. His name is Donald S. Rugoff. A pioneer of the global exhibition and distribution market who bought international, experimental, and acclaimed cinema to a chain of upmarket boutique arthouses in New York from his office decked out in modern furniture and art, he steered successful Academy Award campaigns for the likes of Z and Seven Beauties, and was a gimmick superstar who would make William Castle kick himself that he didn’t get there first.

Does that make Searching for Mr. Rugoff a great movie, though? Not exactly...

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De Laurentiis pt 5: the Schlocky 80s

This week at TFE we've celebrated the centennial of one of cinema’s most prolific and legendary producers, Dino De Laurentiis... with look backs at his Italian breakthrough, his expensive taste in 60s epics, an American reinvention, and the hubris of King Kong.

Here's Chris Feil to wrap things up...  

With the exception of Hannibal Lecter, history tends to overlook Dino De Laurentiis genre contributions. In fact when Manhunter (1986) would arrive, Hannibal was somewhat the closing chapter to what Dino would bring in the late 70s and 80s. Instead the interim brought its share of delightful schlock, namely giving David Lynch enduring battle wounds and introducing the world to Arnold Schwarzenegger. I’m talking about the earnest disasterpieces Dune and Conan the Barbarian.

Think of this as the De Laurentiis dessert of our week-long series...

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"True Lies" at 25

by Mark Brinkerhoff

On July 15, 1994, the re-teaming of James Cameron, fresh off the monstrous success of his previous film (1991’s groundbreaking Terminator 2: Judgment Day), and his Terminator star Arnold Schwarzenegger, not so fresh following the flameout of The Last Action Hero the year prior, debuted in theaters across the U.S. In one of those packed theaters that day: a teenaged me eagerly anticipating the ballyhooed, $100+ million spectacle. 25 years later, has True Lies held up? For that matter, have I? Let’s dive into one and the other, n’en parlons pas...

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