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Entries in Natalie Morales (3)

Wednesday
Nov172021

Gotham Nominees: Natalie Morales in "Language Lessons"

by Nick Taylor

Every year or two at the Gotham Awards, there’s a nominee in the Breakthrough Performance category whose storied career in film or television generates a few raised eyebrows. Yes, the category is clearly meant to honor film breakthroughs, and this shouldn’t automatically be any more suspect or praiseworthy than a familiar face being recognized for reaching a new apex in their careers. Nevertheless, it’s always a bit odd when a performer who’s already highly prolific in a different medium gets slotted here. Kathryn Hahn, Michael B. Jordan, Mary J. Blige - it makes sense, but there’s also a wildly celebrated career being 'broken through' for the sake of movie stardom.

Natalie Morales, a regular supporting player on film and television for the past decade, has gotten those notices this year. Morales has been recognized for her starring role in Language Lessons, which she also directed and co-wrote with her producer/co-star Mark Duplass...

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Thursday
Mar182021

SXSW: Reviews of "WeWork" and "Language Lessons"

 by Christopher James

Day Two of the SXSW Festival provided even more interesting, high profile premieres. Between a billion dollar flamout and a star-studded movie shot entirely on zoom, it would be hard to find more disparate projects on the second day of the festival. Both WeWork: or the Making and Breaking of a $47 Billion Unicorn and Language Lessons were engaging and worthwhile watches in very different ways. One was a grandiose look at the rise and fall of a famous company born out of the ashes of the financial crisis. The other was a heartfelt dramedy where two lonely souls connect via online Spanish lessons...

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Saturday
Jul132019

Review: Stuber

by Dancin' Dan

Stu is a nice guy. Far too much of a nice guy, in fact. After he clocks out from his job working a big-box sports store, he cleans his car and clocks in to Uber, enduring all the assholes and drunks that use the car service in and around Los Angeles. He does this to get the money to help his best friend Becca open an all-women spin center, because he's also hopelessly in love with her. So after a rash of particularly bad (and mostly unfair) Uber reviews puts his precious star rating in jeopardy, and taciturn cop Vic Manning gets in his car, Stu is willing to do just about anything to make sure he gets a five-star rating. The problem is, Vic is reeling from the death of his partner, has just gotten a lead on his killer, and just had Lasik eye surgery. He can't see, and needs someone to drive him. Let the sparks - and laughs - fly.

Yes, the plot of Stuber is pretty boilerplate buddy comedy stuff. But it gains a lot from its casting...

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