Podcast: Smackdown '72 Conversation

Part Two of the Smackdown of 1972. (Part One ICYMI)

 

You've read our blurbs about Oscar's Supporting Actress Nominees of 1972, a fascinating bunch. Now hear the in-depth conversation that goes along with it. Nathaniel welcomes actresses Donna Lynne Champlin (Crazy Ex-Girlfriend) and Kathy Deitch (American Horror Story: Freakshow) as well as writer/directors Arun Welandawe-Prematilleke and Eric Blume to discuss these talented women and their time capsule movies. Come with us to 1972! Find out which movie is accurately described as "hot garbage," which inspired a musical spoof, and marvel that the Smackdown winners were somehow the performances we were actually most divided on.

You can listen to the podcast right here at the bottom of the post or download from iTunes. 

Supporting Actresses of 1972

Smackdown '72: Jeannie vs Eileen vs Susan ...with Geraldine Page and Shelley Winters

An overprotective mother, a vain social butterfly, a swimming grandmother, a newlywed, and a barfly walk into an Oscar ceremony...

Geraldine Page did not attend the ceremony but the rest were there.

The 1972 supporting actress Oscar lineup is quite literally a singular group. It's the only one in all of Best Supporting Actress history to feature not a single Best Picture nominated film. There's always at least one Best Picture represented. Not so in 1972. Even The Poseidon Adventure missed that top category despite 8 nominations in total.

The panelists and part one of the Smackdown after the jump...

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Review: "Little Woods"

by Tony Ruggio

Little Woods, North Dakota: not far from our border to the north, and a poster child for the death of the American Dream. Tessa Thompson is Ollie, a woman hardened by a life selling oxy and a an allergy to hope. Her adopted mother has passed and she and her younger sister Debbie (Lily James) are left to pick up the pieces, namely a pittance of a house and what’s left of Ollie’s former life. She’s nearing the end of her probation and you know what that means. Life’s about to throw her a curveball, sending her back to the wheelin’ and dealin’ trenches, where seedy characters and searing guilt are part of the job. Debbie needs help and Ollie’s good at doing, so she’s back at it to pay the mortgage and get her sister the medical care she needs. It’s all very predictable, but it hardly matters...

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Tribeca 2019: "Knives and Skin"

Team Experience reporting from Tribeca Film Festival. Here's Jason Adams

If someone you had a crush on in high school suddenly handed you a crude anatomical drawing of your genitals how might you have reacted? I, uhh, sure can think of a few reactions I might have had. But several of them would have involved a smile, a chuckle - anything but utmost sincerity, which in this instance would have a tinge of the absurd. And that tinge turns trickle turns ten-fold flood in Knives and Skin, writer-director Jennifer Reeder's surreal small-town murder-mystery that feels beamed in from another planet; one where the reactions are all upside down.

It all starts with a missing blonde girl, tipping its Twin Peaks cap right off the bat...

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Tribeca 2019: "Ask Dr. Ruth"

Team Experience reporting from Tribeca Film Festival. Here's Jason

A personality-based crowd-pleaser similar to what we saw last year with Won't You Be My Neighbor and RBG, only with heaps more clitoral commentary, director Ryan White's Ask Dr. Ruth doesn't break any documentary molds. It's content to merely bring us the life story and work of itty bitty sexologist Dr. Ruth Westheimer. And Dr. Ruth's too warm-hearted (not to mention itty bitty) to go about straight-forwardly smashing molds anyway. The iconic personality is more content to sneak in, make you comfy, offer you a cookie or two, and ease all of your deepest secrets out first...

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