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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Tuesday
Jan292019

Sundance: Zac Efron is "Extremely Wicked..."

Abe Fried-Tanzer reporting from Sundance

Everyone knows the name Ted Bundy, but I’m not sure that everyone knows as much as they think they do about him. I certainly didn’t going into Extremely Wicked, Shockingly Evil and Vile, the Sundance premiere from director Joe Berlinger, an Oscar nominee back in 2011 for the documentary Paradise Lost 3: Purgatory. The key curiousity here is the casting of Zac Efron, onetime star of High School Musical, as the notorious killer...

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Monday
Jan282019

Team Experience Awards 2018: Our Favourites

by staff

We couldn't let the Oscar season go without our team of writers giving you our 7th annual Team Experience Awards (Nathaniel doesn't vote on these but his Film Bitch Awards will resume in a couple of days). We've given ourselves some time to catch up to 2018's offerings and as a result we have some fun surprises in store for our ballot! This year our Best Film goes to Yorgos Lanthimos' The Favourite, one of the six prizes we've given it of thirteen total nominations. Next behind is Barry Jenkins' If Beale Street Could Talk with nine mentions, and then the love is spread pretty wide elsewhere with Roma, Hereditary, BlacKkKlansman, and Can You Ever Forgive Me? doing well among nominations.

Best Picture

  1. The Favourite
  2. If Beale Street Could Talk
  3. Roma
  4. Can You Ever Forgive Me?
  5. Hereditary
  6. BlacKkKlansman
  7. Widows
  8. Annihilation
  9. First Man
  10. We the Animals

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Monday
Jan282019

Box Office Gold Rush - The Post Nomination Boosts

Okay, ready. This is a big post today. We're looking at everything in wide release (all 21 films) and their counterparts at the arthouse to see how the Oscar nominations affected the box office. 

Weekend Box Office (Actual)
(January 25th-27th)

W I D E
PLATFORM / LIMITED
1 Glass $18.8 on 3844 screens (cum. $73.4)  Review
1 Uri: Surgical Street $630k on 132 screens (cum. $2.7) 
2 The Upside   $11.9 on 3377 screens (cum. $62.8) 
2 🔺 Cold War $571k on 111 screens (cum. $1.4) ReviewPodcast13th Biggest Foreign Hit Foreign Nominee ★
3 Aquaman $7.2 on 3134 screens (cum. $316.4) ReviewPodcast, 6th Biggest Box Office Hit of 2018
3 🔺  Can You Ever Forgive Me? $246k on 235 screens (cum. $8.0) ReviewPodcast, Best Actress, Supporting Actor 

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Monday
Jan282019

Michel Legrand (1932-2019)

by Eric Blume

Michel Legrand in 1981French film composer Michel Legrand passed away this past weekend after six decades of work in the industry. He was truly one of the greats. Chief among his accomplishments was the sung-through score for the masterpiece The Umbrellas of Cherbourg (1964), delivering music that soared and perfectly caught the melancholy tone of director Jacques Demy’s pastel/sad view of the world.  The Legrand-Demy collaboration was deliriously French and remains a pristine achievement over a half century later...

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Monday
Jan282019

Beauty vs Beast: Forgiveness Among Friends

Jason from MNPP here, right upfront with an apology for what I'm about to do to you all with this week's "Beauty vs Beast" -- unfortunately for all of us we've reached the "look at the movies that are being nominated for awards" part of the year which is forcing me, just forcing me, to make us all choose between the bitter besties of the perfect (if you ask me) Can You Ever Forgive Me? from director Marielle Heller.

Both Melissa McCarthy and Richard E. grant happily and deservedly secured Oscar nominations for their performances as the wrter Lee Israel and her partner-in-crime and bourbon Jack Hock, but for all their chumminess they're also often taking adversarial stances in the film, given the cobustiveness of both their characters. So even if we hate to bust up one of the greatest gay duos ever put on screen like this, we're still gonna ask...

 

PREVIOUSLY Speaking of Awards Nominated Duos, last week's The Favourite bout crowned Lady Sarah (Rachel Weisz) by a pretty substantial margin. (3/4s of the vote, if you're wondering.) Said Roger:

"Team Sarah, no question. While this is Stone best performance to date, for me, it’s a tossup between Weisz and Colman for MVP. A tragic, deeply felt love story between Sarah and Queen Anne hides in plain sight. When it sneaks up on you in their final scene together between the door, it elevates what is already an entirely enjoyable film and recontextualiizes everything. Sarah was and always will be the favourite. Also, there is no doubt that all three are leading roles. I also share the belief that if the Oscar doesn’t go to King as I expect, Weisz wins her second."