Sir Ben Kingsley is 75

by Nathaniel R

A happy ¾th century mark to Sir Ben Kingsley today. Born Krishna Pandit Bhanji he came to global fame in 1982 for his starring role in Gandhi (Oscar, Globe, BAFTA, NYFCC, LAFCA, NBR wins). Before that breakthrough he'd appeared in several British TV shows and television movies. Other key triumphs from his filmography include: Bugsy (Oscar & Globe noms), Schindler's List (BAFTA nom), Sexy Beast (Oscar, Globe, & SAG noms, EFA & Critics Choice Awards), House of Sand and Fog (Oscar, Globe, Spirit & SAG noms), Hugo, Shutter Island, and Iron Man 3 as well as very fine voice work in The Boxtrolls (Annie Award), The Jungle Book, and Noah. 

What's your fav performance from Sir Ben? I think I love him most in Sexy Beast, Gandhi, and the underappreciated Elegy.

Would you rather?

Our silly celebrity-gawking weekly poll. Would you rather...

...hit the opening of new hot spot "Best Friend" in Vegas with Marisa Tomei?
...wait for a train with Henry Golding?
...take a swim with Salma Hayek?
...get a new trendy facial with Audra McDonald?
...spend some quality time at the piano with Mindy Kaling?
...do yoga with Rossy dePalma?
...take up a retro hobby with Alex Borstein?
...geek out over Angela Lansbury cast recordings with cabaret star Molly Pope?
... build a snowman with Milla Jovovich?
... makeout with seals with Ben Platt?
     ... OR harmonize in the hot tub with Ben Platt?

The pictures are after the jump to help you decide.

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Links: Letitia, Lists, Lady Gaga, and 'Live-Action' Remakes

• Slate a rant about Vice's insulting post-credits sequence. A *lot* of people really hate Vice. Will that stop the Academy from voting for it? The studio controlled the conversation for a long time with the embargo and it built up real awards steam. We shall see.
• Cartoon Brew looks into Disney's weird stance about their Lion King remake. They keep saying "it's not animated" but we all know it is!
• /Film the live action remake of Japanese hit Your Name will be 'Americanized'

• Deadline Dame June Whitfield of Absolutely Fabulous fame has died at 93
• Into the Spider-Verse the screenplay is online if you're interested
• Vulture a survey and exploration of what Asian-American art meant this past year featuring Burning, Crazy Rich Asians, Searching and more...
• The Atlantic has a series of articles called "And Scene" that's worth checking out zeroing in on great scenes from the year
• Coming Soon supposedly Bird Box had the best first week of all time for views on Netflix but the company is still totally cagey about stats and numbers so it's hard to trust. We don't even know what counts as a view really - did you have to finish watching it for example?
• The Root Letitia Wright crowned box office queen of 2018 (it helps to be in the top two grossers of course)
• Vulture "horror is not defined by what scares you"
• MovieWeb More news on what Disney+ streaming service is planning (i.e. tons and tons of Marvel shows)

List-Mania
• IndieWire 52 directors choose their favorite films of the year. This is a good read and the variety of titles cited is noteworthy, reminding you more than critics lists have how different each person's experience of cinema in a particular year can be.
• Cinemablographer chooses 20 best performances of the year and Nicole Kidman makes the list twice! Some unusual picks here but thankfully no category fraud!
• Furious Cinema top 20 of the year, in no particular order featuring Suspiria, Spider-Verse, and more
• Jesse Knight best movie taglines of 2018 beginning with... Dog Days (lol!)
• Vulture 10 best podcasts of 2018
• The Guardian Mark Kermode's top 10 list with BlacKkKlansman, Leave No Trace...
• Vulture 10 best film scores of 2018

Exit Video
Lady Gaga performs inside a mecha-robot in her new Las Vegas residency show "Enigma"

I’m gonna be thinking about this for a few days... the POWER... #ENIGMA pic.twitter.com/4Yj9orazre

— LG Updates (@LadyGagaVegas) December 29, 2018

FYC: Richard E. Grant in "Can You Ever Forgive Me?"

by Seán McGovern

There is a particular kind joy that we film lovers get to experience once a year or so, and that is seeing an actor who we have enjoyed and admired for years finally receiving the widespread praise and admiration we have always felt for them. Here at the Film Experience that's usually actresses: Isabelle Huppert in Elle, Laurie Metcalf in Lady Bird as recent examples. But every once in a while there is a man and a performance that makes you excited to pay attention to Best Supporting Actor.

Richard E. Grant in Can You Ever Forgive Me? is a performance so involving and entertaining that to know he is on the cusp of an Oscar nomination fills me with almost the same excitement he is currently experiencing; In a recent interview with Terry Gross on Fresh Air, he found out during the recording that he had been SAG-nominated, exclaiming that he was "levitating" at the news...

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The 2018 Animation Contenders: Two films by Masaaki Yuasa

Each Saturday, Tim has been taking a look at one of the films submitted for the Best Animated Feature Oscar. Today, two of them by the same artist.

Masaaki Yuasa is, to my mind, the most interesting director working in animation today. Ever since his first feature, 2004's Mind Game, he has subjected himself to a nearly constant process of self-reinvention, with every one of his major projects shifting to a new style, genre, or most likely both. He's mostly worked in television, but he had a very phenomenal 2017 with two extremely well-received features. Both of those were released in the United States in 2018 by distributor GKIDS, and both are among the most stunning, even radical pieces of animation available on any screen of any size in the past twelve months.

The first one produced, though the second one released by GKIDS, The Night Is Short, Walk On Girl is also the more openly startling in pretty much every way. Stylistically and thematically, the film is a successor to Yuasa's 2010 television series The Tatami Galaxy, but this is no mere retread. It's a story of two nameless college students in Kyoto: an anxious boy who has a crush on a girl just starting to find her footing in the adult world. The film tells their stories using highly expressionistic animation, in which everything about the whole world bends itself around their subjective experiences of one incredible night that seems to stretch on for months...

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