Halloween's Big Weekend and More...

by Nathaniel R

The return of Jamie Lee Curtis to the Halloween franchise meant big business in movie theaters over the weekend, continuing a strong October. Meanwhile A Star is Born held on to second place for a third consecutive week. It's already the highest grossing release of 2018 to never hit #1, since its surpassed the Mamma Mia  sequel's gross. A lot of platform releases kicked off this week to in the rev up to awards season. More after the jump...

Weekend Box Office (October 19-21)
W I D E 800+ screens	PLATFORM / LIMITED excluding prev. wide
1. 🔺 Halloween $76.2 *NEW* Review	1. 🔺 Free Solo $1 on 251 screens (cum. $3.6)

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Beauty vs Beast: Scream in your PJs

Jason from MNPP here - if you went and saw David Gordon Green's Halloween this weekend did you catch that voice cameo in the classroom scene? Mirroring a near identical scene in John Carpenter's original we see the granddaughter of Laurie Strode discussing the subject of Fate in her English class, and the voice of her teacher is none other than that of P.J. Soles, aka Lynda from the first movie and a total Horror Icon. Totally! And so we feel like giving some love to P.J. today, whose seal of vocal approval must count for at least 50 million dollars of its insane opening weekend box office. Totally. Just two years before Halloween Soles memorably co-starred in Brian De Palma's Carrie as Norma, another example of "girls making really bad choices in their best friends, and so let's face them down...

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PREVIOUSLY Clearly we're on a Halloween kick, having gone the Jamie Lee Curtis route last week - only this time it was Linsday Lohan who got shivved with a knitting needle in the neck, JLC taking just under 90 PERCENT of your vote on our Freaky Friday poll. Ouch, way to kick a redhead when she's down, y'all! Said Mareko:

"Lohan is indeed great in this movie—it still pains me to think of what could’ve been had she stayed focused on her talent vs. celebrity—but Curtis is the real MVP, no question. Love that the NYT stanned for her so hard in 2003, as you do, and she should’ve *easily* scored an Oscar nom over the likes of Naomi Watts and even Samantha Morton."

Middleburg Celebrates Diane Warren with the "Impact Award"

by Nathaniel R

Each year at the Middleburg Film Festival, TFE's favorite event is a live concert honoring a film composer. This year Sheila C Johnson, the co-founder of BET who created the Middleburg Festival opted to do things a bit differently. Though there was a composer honored at a smaller event (29 year-old rising talent Kris Bowers who scored both the likely Oscar smash Green Book and the critically acclaimed indie Monsters and Men this year) the main concert and "Impact Award" was reserved for hit-machine songwriter Diane Warren.

This year Warren co-wrote the much memed "Why'd You Do That?" from A Star is Born but her Oscar bid for 2018 will surely be the theme song from the documentary hit RBG, "I'll Fight"

More after the jump including a couple of song snippets...

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Beauty Break: To Catherine Deneuve on her 75th

The French movie star of French movie stars turns 75 today. She's won two prizes at Cannes, two at Berlinale, and two at the Césars (with 12 additional nominations) in her career that's been as lustrous as the famous golden hair. Catherine Deneuve hasn't been as celebrated in recent years as Isabelle Huppert (who is 10 years younger) but her list of classics, hits, and indelible experiments is long: Belle de Jour (BAFTA nomination), The Umbrellas of Cherbourg, The Young Girls of Rochefort, Repulsion, Mississippi Mermaid, Tristana, Donkey Skin, The Hunger, The Metro (César win), Indochine (Oscar nomination, César win), East/West, Pola X, Dancer in the Dark, 8 Women, and Kings and Queen among them.

The last eight years have been quiet but it wasn't so long ago that the one-two-three punch of voice work in the Oscar-nominated Persepolis (2007 -- she voiced both the French & English versions), an amazing performance in Arnaud Desplechin's A Christmas Tale (2008), and the delights of François Ozon's comedy Potiche (2010) made an impact...

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Middleburg Sneak: "Stan & Ollie"s gentle charms

Stan & Ollie had its world premiere in London today and we caught a sneak peek at the Middleburg Festival...

by Nathaniel R

The original odd couple of screen comedy, Laurel & Hardy, had several familiar gestures that delighted audiences in the 1930s. Thin Brit Stan Laurel's main move was to scratch his head comically from the top, his hand like a curious clawed hat. Rotund American Oliver Hardy's sometimes did a fey little wave, hand tight against the body, the fingers doing all the wiggling work. Why these were funny to audiences at the time will possibly be a mystery to contemporary audiences.

Stan & Ollie, starring Steve Coogan and John C Reilly, is a brisk well-paced movie about the legendary early-cinema comedy act in their waning days. It doesn't attempt to explain their appeal to us in 2018 but merely exists in the space between then and now...

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