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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Friday
Apr202018

Tweetweek: "We Fought a Zoo" and #Filmstruck4

Tweets of the week, curated for you in case you don't want to wade endlessly through twitter feeds each day.

More after the jump including Rampage, Amadeus, and Love Simon jokes and other little morsels about new and classic films including the popular FilmStruck4 challenge of picking four films that define you...

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Friday
Apr202018

Little Crazy Boy in Mask, Why Are You Crying?

Chris here. Remake/reboot culture isn't going to be slowing down anytime soon, and you should be girding our loins for some bizarre iterations if you aren't already. Take this fall's revamp of Halloween which has been taken over by... David Gordon Green? The director is primarily known for intimate dramas and character studies, like last fall's Stronger. While Jamie Lee Curtis's return to the franchise has stoked a high level of anticipation, Green's place in the franchise remains a giant question mark. And from the looks of the first teaser poster, the director has brought his signature ennui and it looks just as weird as that sounds - like a "sorry for your loss" greeting card with a serial killer on it. In the comments, tell us what is making Michael Myers so downtrodden!


Friday
Apr202018

Blueprints: "A Quiet Place"

This week, Jorge dives deep into the unconventional formal elements inside the screenplay of the number one film in the country right now. 

A Quiet Place is an immersive experience. The film centers around a dystopian future, in which creatures that are attracted to sound have taken over. In order to stay alive, a family has to stay totally silent through their everyday lives. 

The film utilizes sound (the lack of, its intensity, its threat) as a formal device to guide us through the narrative. There is barely any spoken dialogue. Everything is conveyed visually, using alternative devices than those we are used to seeing in film. It is an experiment in form.  Its screenplay is much the same. Using devices that are rarely found in a regular script, the writers create an immersive, completely different experience that lets the reader know right away that this is not your regular horror flick...

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Thursday
Apr192018

William Holden in "Picnic"

Our mini William Holden Centennial celebration continues with Eric Blume...

Picnic, the 1955 film version of William Inge’s Pulitzer Prize-winning play, came two years after William Holden won his Best Actor Oscar for Stalag 17 and one year after his dashing role in Sabrina.  Holden was at the height of his stardom when this film released, and he’s smartly front and center through most of the picture...

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Thursday
Apr192018

Doc Corner: 'Yours in Sisterhood' is an Essential Film for 2018

This week we're going to the Art of the Real festival in NYC from April 26 to May 6, which will feature documentaries by big names of international cinema like Sergei Loznitsa, Corneliu Porumboiu and Kazuhiro Soda, and will open with Julien Faraut's John McEnroe: In the Realm of Perfection.

By Glenn Dunks

I finally just finished season one of The Handmaid’s Tale, which feels appropriate to note as I sit down to write about the incredible documentary Yours in Sisterhood. If people thought that the themes of Margaret Atwood’s 1985 novel remained pertinent to present day society, then what can be said about this documentary that repurposes unpublished letters to the editor of Ms. magazine from the 1970s as a reflection on the struggles of women in contemporary society.

This compelling documentary by Irene Lusztig, full of rich words and thought-provoking dichotomies, takes its name from Amy Erdman Farrell’s 1998 non-fiction biography of the history of Ms. entitled Yours in Sisterhood: Ms. Magazine and the Promise of Popular Feminism. But that doesn’t necessarily make for the sort of rapturous documentary about Ms. that one might expect. Rather it asks the viewer to consider the many ways equality – and more specifically, feminism – has come, how it succeeded and how it failed, both then and in the current day, and how we look at and interact with history...

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