Cast This: "9 to 5" Reboot

by Murtada

It seems like this is the time for reboots and remakes. Every film or TV show we’ve ever loved is getting another go. So why not the classic female workplace revenge comedy 9 to 5? It’s not like things are going great for women in the workplace 38 years on from the original,  as the last few months have shown.

Patricia Resnick, the writer of the 1980 version, is teaming up with Rashida Jones to pen this one...

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Months of Meryl: Silkwood (1983)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#9 — Karen Silkwood, a real-life chemical technician turned labor union activist and whistleblower.

“Karen Silkwood has come to stand for so many things to so many people that I had to start all over again in trying to play her as a person, not a symbol. I really don't think we can know much about people after they're not there to tell us. All their real, real secrets die with them. At the end of this whole experience of making this movie, I thought about those minutes before Karen's car went off the road, and I missed her.”
— Meryl Streep, 1983

MATTHEW: Meryl Streep appears in every scene and what feels like nearly every shot of Silkwood, which marked the first but certainly not the last time that the actress would play a real person. Streep’s career was technically still in its early stages when Silkwood’s cameras began rolling in Texas in 1982, but it was already replete with shelves of awards and a peerless level of respectability that prompted co-star Cher to crack this gem about first meeting Streep: “I thought it was going to be like having an audience with the Pope” 

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Soundtracking: The Best Oscar Winning Original Songs

by Chris Feil

While Soundtracking aims to look at the depth and relationship between movies and their music, one of this series’ minor ambitions is to defend the purpose of Oscar’s much maligned Original Song category. Complain about some of the weak nominees in recent years and you are (alone yet) not alone. But this category has a rich history of classics and film-defining tracks, some of which you may not know have their origins in the cinema. Case in point: holiday staple of hot takes "Baby It's Cold Outside" won the Oscar in 1949 for Neptune's Daughter.

While this year’s nominees run from the unfortunate to the immaculate, I’d also offer that Oscar’s Original Song is currently in an upswing in quality. It has also faced some underwhelming periods (take a look at the 50s) and may never return to its 70s-80s level of radio rotation, but Original Songs remain as essential as the films themselves. So to showcase the category, I’ve ranked the best of the Original Song winners! If your favorite didn’t make the list, consider that a reminder of how much you actually cherish the category...

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Smackdown Companion - The Shape of Phantom Billboards

NEW PODCAST! *Updated with correct podcast file*

For this week's podcast Nathaniel R presents a companion conversation to our Supporting Actress Smackdown (which we'll presume you've read already!). Joining him to discuss the Best Picture race and more generalized discussion about supporting actressing in 2017 are: Andrew Carden (Awards Connection / Gold Derby) Chris Feil (The Film Experience), Candice Frederick (Reel Talker), Erica Mann (NYC Film Chick), and Kevin P O'Keeffe (Into). 

Index (42 minutes)
00:01 Intros & Rewatches
02:30 Favs That Weren't Nominated
13:00 Mary J Blige and Carey Mulligan and Mudbound
17:00 Shape of Water, Get Out, or Three Billboards to Win?
31:00 Switching Roles Around: Octavia Spencer
37:30 Allison Janney and Julianne Nicholson and I Tonya
40:00 Lesley Manville, Laurie Metcalf and Goodbyes

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Smackdown Companion 17

Doc Corner: 'The China Hustle'

By Glenn Dunks

There is immediately something to be admired in a film that begins with a talking head stating very matter-of-factly that “There are no good guys in this story, including me.” I mean, well damn, okay. The China Hustle is a film that begins and ends in a pit of greed and contempt, charting how the financial crisis of 2008 and the rise of the Chinese economy played rather conveniently into one another and how a brand new variety of stock fraud is being committed on the American people.

Directed by Jeff Rothstein who was Oscar nominated in 2010 for his documentary short Killing in the Name, The China Hustle exposes the growing problem on the American stock exchange of Chinese companies over-inflated their worth and effectively dropping a timebomb on the market with the help of shell companies and China’s lax company laws aided by pure old fashioned greed as auditors and lawyers blatantly misrepresent and mislead the public for their own profits.

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