When the Cat's Away...

by Nathaniel

Nat and Cat

Dear readers, I know I've been largely absent from this site I created over 20 years ago. I have reasons... some of them quite boring involving finances / career so I won't bore you with those! In an effort to start writing again I'm opting for a diary like approach for the time being so you know I'm still alive and there's something to read, too. Today I am thinking about cats... which in truth I  think about as often as cinema. My own fuzzy son Nero (who I co-parent with his original owner, my beau of the last 3 years) is in the emergency room getting oxygen and fluid treatment. He took a sudden turn for the worse just before the NYC air turned post-apocalyptic movie looking due to wildfires in Canada apparently. Given the timing it's probably unrelated but it feels emotionally true...

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Weekend Box Office: Spider-Verse Superiority

By Ben MIller

To absolutely no one's surprise, Spider-Man: Across the Spider-Verse won the box office weekend.  The sheer amount of money the film made might have been a bit surprising.  With $120+ million, Spider-Verse had the second biggest opening weekend of 2023, only behind The Super Mario Bros. Movie.  What's even more impressive is the improvement over its predecessor.  Into the Spider-Verse only made $190 million its entire domestic run.  This sequel should easily surpass that number.

Weekend Box Office (actuals) June 2nd-4th 🔺 = new or expanding /  ★ = Recommended
WIDE (Over 800 Screens)	LIMITED / PLATFORM
SPIDER-MAN: ACROSS THE SPIDER-VERSE	PAST LIVES
1 🔺★ SPIDER-MAN: ACROSS THE SPIDER-VERSE $120.6 *NEW* 4,313 screens	1 🔺 ★ PAST LIVES $232k *NEW* 4 screens

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Erotic Thrillers: Part 4 – Naughty Nineties

by Cláudio Alves

THE COMFORT OF STRANGERS (1990) Paul Schrader

The last time we checked on the Criterion Channel's Erotic Thrillers collection, it was to consider the voyeuristic properties of late-80s cinema. Moving on to the next decade, let's get over the nineties in one go. During this era, the erotic thriller reached its apotheosis of influence and trashiness, gradually fading into obsolescence as the millennium approached. It was an epoch of Fatal Attraction copycats and prestige-infused sensuality, a final resurgence of neo-noir aspirations, the rise and fall of Joe Eszterhas, Sharon Stone's stardom, and direct-to-video sleaze. Criterion traces these arcs through eleven titles, spotlighting great cinema and irredeemable garbage with the same gusto…

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Doc Corner: The latest musician biographies

By Glenn Charlie Dunks

You’re a little bit damned if you do and a little bit damned if you don’t when it comes to musician bio-docs these days. They remain prolific, a cottage industry that is popular with audiences and easy choices for distributors and sales agents with a built-in audience. It makes sense that we get so many of them each year. And if you’re not inclined to watch so many of them, you may not be as burnt out on them as I appear to be. But—and I swear I’m not just being grumpy—are they actually getting worse, too? They certainly don’t seem to be getting any better, with most choosing to abandon any real directorial vision in favour of standard story beats.

Three recent examples all have strong elements, telling their subject’s life story in ways that I have no doubt will appeal to many fans, devoted or casual alike. But Love to Love You, Donna Summer; John Farnham: Finding the Voice and Fanny: The Right to Rock have all left me relatively cold despite the icons at their centre, plagued by frustrating tech choices and failing to reach the heights of the music that made their subjects famous in the first place.

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Review: “Across the Spider-Verse” is a Pinnacle of Animation

By Ben Miller

I am not prone to hyperbole but I'm having a difficult time not calling Spider-Man: Across the Spider-Verse the greatest animated film ever made. Maybe some time and distance will back that up. For now, let's call it a monumental feat of both animation and entertainment.

Following the events of Into the Spider-Verse, Miles Morales (again voiced by Shameik Moore) is now protecting his city and universe as its Spider-Man. He encounters a new and inexperienced villain named The Spot (Jason Schwartzman), which attracts the attention of multiversal Spider-Men...

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